14 items from 2015
The way a film starts and the way it ends can tell a lot about a movie, as well as the particular style of the director behind the project. Numerous films throughout history have had memorable opening and closing shots that have elevated the feature in question, while also taking on a life of their own as iconic moments in cinema.
Following his first exploration of first and final frames in film, vimeo user Jacob T. Swinney has revisited the topic in a new video, looking at 70 new films and how their opening and closing mirror each other. Swinney had this to say in the episode description.
After numerous requests, I finally decided to create a sequel to “First and Final Frames”. Part II plays the opening and closing shots of 70 films side-by-side. Like the first video, some of the opening shots are strikingly similar to the final shots, while »
- Deepayan Sengupta
Tom Cruise has come a very long way since his screen debut in Franc Zeffirelli’s Endless Love (1981). Thirty six movies and a whole lot of stardom later and he’s still the biggest movie star on the planet. He is perhaps, also the biggest film star in movie history. You’d be hard pushed to offer up any other actor that’s sustained that level of popularity and box office pull for that long. There is a good reason for this too. Cruise polarises opinion of course and there are those that would see his downfall, but in large part that’s due to all things that have little if nothing to do with Tom Cruise the filmmaker.
Being Tom Cruise must take a special kind of energy. So special in fact that he has sustained that level of dash for nigh on thirty years without letting up. And if Mission: Impossible – Rogue Nation, »
- Paul Donovan
Like most talented performers who’ve doubled as quintessential movie stars, Tom Cruise doesn’t always get the chance to demonstrate that he can actually act. There’s often just too much Tom Cruise in the way for people to notice, especially when he lets his erratic personal life take center stage. Putting together an “essential” list for such an actor is a bit of a tightrope act, walking the line between crowd pleasing star turns and performances of real substance. That said, here are ten Tom Cruise films that are not to be missed:
Risky Business (1983) – The early 80s were awash in teen sex comedies, most of which have justifiably faded from memory. Then there’s Risky Business, which not only rose above the pack, but made an indelible mark on pop culture history. It wasn’t Tom Cruise’s first movie, but it might as well have been: »
- M. Robert Grunwald
Anyone growing into pop culture consciousness during the mid-2000s will be familiar with a certain type of Tom Cruise, one labeled with some criticism in a recent Buzzfeed article as “Tom Cruise 2.0.” To them, Tom Cruise may have first become familiar as Ethan Hunt in the first Mission: Impossible movie, as an action star who, in spite of fearful insurance agents and publicists, prefers to do his own stunts—especially if they include declaring maniacal love for Katie Holmes atop Oprah Winfrey’s couch. He was probably their first introduction to the alien world of Scientology, or perhaps already known as the face of another hero thrust into the supernatural, having once served as the model for the titular character in Disney’s Aladdin.
This Tom Cruise, in spite of several critical successes in the past 10 years, has yet to shake completely the straws of tabloid fodder that prick up every time someone dares, »
- Christina Leo
Since 2006, Tom Cruise has been reduced to, for lack of a better phrase, a global joke; a quick source for derision, slander, and mockery among the A-List Hollywood performers for the masses to prod at. There was his Jumping the Couch moment on Oprah, the uncomfortable Scientology interview, his termination with Paramount studios, and M:i:iii underperforming at the box office. In short, 2006 was not a good year for the iconic A-Lister.
Despite such set-backs Cruise still produces and stars in critically and financially successful movies, which proves his presence in Hollywood is unscathed. One needs only to look at 2011’s Mission Impossible – Ghost Protocol, which would become Cruise’s highest grossing film to date, or the last few films that have received critical acclaim i.e. Edge of Tomorrow. Further, when one looks at Cruise’s career, one gets a sense that »
- Matthew Lee
Tom Cruise has played many iconic roles over the course of his career - from the still-active Ethan Hunt in the Mission: Impossible films, to Frank T.J. Mackey in Paul Thomas Anderson's Magnolia, to Ron Kovic in Born on the Fourth of July - but ranking right up towards the top is his supporting turn as studio executive Les Grossman in Tropic Thunder. It's ridiculous, crude, and unlike anything we've seen from the movie star before - but what may surprise you is that the character was actually Cruise's idea to include. Diving into the making of Tropic Thunder, Grantland has published an oral history of how the Les Grossman role came to exist - and while there are no quotes from Cruise, the story does feature input from Ben Stiller, screenwriter Etan Cohen, co-star Bill Hader, and many more. As the story goes, the film was in »
'The Contender' movie hero: Joan Allen as the virtuous Sen. Laine Hanson. 'The Contender' movie: Exceptional Joan Allen in intriguing but ultimately wimpy political drama "Principles only mean anything when we stick by them when they're inconvenient," says Senator Laine Hanson, played by Joan Allen in Rod Lurie's The Contender. Senator Hanson should know. In Lurie's political drama, the poor Democratic senator is grilled by a Republican inquisitor with a bad hairdo (Gary Oldman) who wants to prevent at all costs her being confirmed as the next Vice President of the United States. Even if that means destroying Hanson's political career by making public the senator's alleged participation in an orgy during her college days.* Now, why such hatred? Well, the Republican watchdog is certain that the U.S. president (Jeff Bridges) has chosen Sen. Hanson because of her gender instead of her qualifications for the job. Adding insult to injury, »
- Andre Soares
If you're one of the many out there that are against Clint Eastwood's American Sniper's release, you'll soon learn that you're opinion towards it will not change easily with it's release to Blu-ray and DVD. The politics of war films are inherently messy and with the rise of opposition to U.S. military and government operations, the topic has become more subject to criticism especially among cinephile crowds who don't want their movies to be just a jingoistic affair. But Warner Bros. and all that had a hand in its production didn't make this for the naysayers, they made it for sniper Chris Kyle and his family as well as all that support the troops over seas, and that is only amplified in the special features attached to the Blu-ray release but it's not completely without insight. Looking at the special features on the back, it seems like »
- Sean Cordy
Our look at underappreciated films of the 80s continues, as we head back to 1988...
Either in terms of ticket sales or critical acclaim, 1988 was dominated by the likes of Rain Man, Who Framed Roger Rabbit and Coming To America. It was the year Bruce Willis made the jump from TV to action star with Die Hard, and became a star in the process.
It was the year Leslie Nielsen made his own jump from the small to silver screen with Police Squad spin-off The Naked Gun, which sparked a hugely popular franchise of its own. Elsewhere, the eccentric Tim Burton scored one of the biggest hits of the year with Beetlejuice, the success of which would result in the birth of Batman a year later. And then there was Tom Cruise, who managed to make a drama about a student-turned-barman into a $170m hit, back when $170m was still an »
All week long our writers will debate: Which was the greatest film year of the past half century. Click here for a complete list of our essays. How to decide in the grand scheme of things which film year stands above all others? History gives us no clear methodology to unravel this thorny but extremely important question. Is it the year with the highest average score of movies? So a year that averages out to a B + might be the winner over a field strewn with B’s, despite a few A +’s. Or do a few masterpieces lift up a year so far that whatever else happened beyond those three or four films is of no consequence? Both measures are worthy, and the winner by either of those would certainly be a year not to be sneezed at. But I contend the only true measure of a year’s »
- Richard Rushfield
Today, Clive Barker’s wildly imaginative Nightbreed celebrates its 25th anniversary. While that is a remarkable feat in itself, the journey that the film has taken over the years has become the project’s enduring legacy within the horror genre. The recent Director’s Cut release of Nightbreed has been the ultimate vindication for Barker, who saw his vision snapped away decades ago from producers who believed they understood the world of Midian- and all its monsters- better than their creator.
Of course, that wasn’t the case, as Nightbreed received a disastrous response when it arrived in theaters, maligned mostly for its lack of subtlety and nuanced storytelling that was found within the pages of Barker’s original novella, Cabal. When Barker decided to move forward on adapting his work for the big screen, he was quick to rely on his some of his very closest friends to bring »
- Heather Wixson
New York film publicist Marion Billings, who worked with some of the most prominent directors and actors in Hollywood, died Sunday at the Lillian Booth Actors Home in Englewood, N.J. She was 91.
While working with young directors including Martin Scorsese, Oliver Stone and Paul Mazursky, and helping foreign directors like Ingmar Bergman and Milos Forman reach American audiences, Billings publicized films including “Alice Doesn’t Live Here Anymore,” “Taxi Driver,” “Raging Bull,” “The Last Temptation of Christ,” “Goodfellas,” “Wall Street,” “Born on the Fourth of July,” “Kramer vs. Kramer” and “Fatal Attraction.”
Scorsese said in a statement Wednesday: “Marion Billings was one of the last of the old guard of publicists. It was never just business with Marion. Her clients all adored her, and I’m proud to say that I was one of them for many years. We started working together at the very beginning of my career, »
- Kevin Noonan
Moviegoers can finally enjoy a film with a genuine hero who served his country and fought in a righteous war
The New England Patriots spent this past weekend earning a spot in the Super Bowl. But many more patriots went to the movies and propelled “American Sniper” to a record-setting January box office weekend.
In doing so, they officially declared war against the likes of Michael Moore, Seth Rogen and so many liberal, peace loving, pot-smoking A-listers and Hollywood suits who, since the 1970s, have had an ambivalent, if not disdainful relationship with war movies in general, and American patriotism in particular. »
- Thane Rosenbaum
By Anjelica Oswald
With Michael Keaton winning the Golden Globe for best actor in a musical or comedy and Eddie Redmayne winning for best actor in a drama, both men continue establishing themselves as the frontrunners in this year’s lead actor race at the Oscars.
Though not new to films, Redmayne starred in Oscar-nominated films such as Elizabeth: The Golden Age (2008) and Les Miserables (2012). His performance as Stephen Hawking in The Theory of Everything, however, propelled him to widespread acclaim and put him on the radar. He is one of four best actor nominees — along with Keaton, Benedict Cumberbatch and Steve Carell — to receive their first nomination this year.
For most of his career, Keaton was known for his comedic roles, such as Mr. Mom (1983) and Beetlejuice (1988), and for his turn as Batman in Tim Burton’s Batman (1989) and Batman Returns (1992). These roles earned Keaton praise and »
- Anjelica Oswald
14 items from 2015
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