A young man leaves Ireland with his landlord's daughter after some trouble with her father, and they dream of owning land at the big give-away in Oklahoma ca. 1893. When they get to the new... See full summary »
The final movie in Oliver Stone's Vietnam trilogy follows the true story of a Vietnamese village girl who survives a life of suffering and hardship during and after the Vietnam war. As a ... See full summary »
Hiep Thi Le,
Tommy Lee Jones,
Haing S. Ngor
The biography of Ron Kovic. Paralyzed in the Vietnam war, he becomes an anti-war and pro-human rights political activist after feeling betrayed by the country he fought for. Written by
Murray Chapman <email@example.com>
Oliver Stone's then wife Elizabeth is mentioned in the closing credit roll as Naijo No Ko. This Japanese term means "with the help of my wife" or, more colloquially, "I owe my success to my better half". See more »
The movie major is a decidedly unsympathetic character who ends his discussion with young Kovic by threatening to "take his head" if any more is said about the matter. The real-life major, traced by U.S. Marine Lt. Col. Fred Peck, would not consent to an interview. Through Lt. Col. Peck, the major confirmed Ron Kovic voiced such concerns to him. The major investigated and concluded it was unlikely Mr. Kovic had killed the Marine. Subsequently, the major promoted Mr. Kovic, making him the leader of a new scout group. See more »
[Ron is attempting to walk in the hospital; Willie is beside him]
Am I good? Hey
[drags himself forward]
, am I good?
Man, you're one crazy Marine, Kovic - so gung-ho and everything, but you don't know shit about what's really happenin' in this country.
Fuck you, Willie.
I'm serious man. It ain't about burnin' the flag and Vietnam, man. While we fight for rights over there, we ain't got no rights at home. It's about Detroit and Newark, man. It's about racism, man.
Is that right?
Because you can't...
[...] See more »
"You can take your Vietnam and shove it up your ass" Stone's 2nd best film to date
Oliver Stone's Born on the Fourth of July to me is better than Platoon, or at least more psychologically moving and cinematically compelling. While Platoon, Stone's totally personal account of the Vietnam war is quite accurate and superb in many ways, this film is better if only because it's not Stone's story. He takes the tale of Ron Kovic (who wrote the book with the same name as the film and scripted by him and Stone) and turns it into a blisteringly awesome and ultimately harrowing picture that has performances, scenes and direction that top Platoon (maybe it's a sign that practice makes perfect)
Anyway, the tale centers on Ron Kovic (played to a utter T by Tom Cruise) good old-boy-type of American kid who decides he wants to fight for his country in the Vietnam war even if he has to die for his country. He fights, witnesses horror and makes a tragic mistake and comes back home a crippled from the waist down veteran, who has to endure the emotional and physical pain of just being a veteran of Vietnam in a country where they are put down more than revered. All this, and more (including one of the most volcanic scenes I have ever seen between Cruise and Dafoe on a Mexico road) lead him to become a anti-war activist.
In making the big theme of the picture Kovic and his feeling on the war, Stone depicts his journey excellently by showing his desire to be in it, his confusion afterwards, his eventual hatred and then placement in being against the war all the while still being a patriot. Not only does it work as a saga/war movie, but also as a 180 degree change tale. Must, must see for all Stone fans and for anybody who wants to see what Cruise can actually do with proper direction and script.
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