A serial killer is loose at an all girl school, where he strangles girls with a piece of barbed wire.

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Cast

Cast overview, first billed only:
...
Myles Sheffield
Christine Amor ...
Virginia Sheffield
Ian Williams ...
Kevin Lynch
Helen Thomson ...
Mary Huston
Craig Cronin ...
Matt Desmond
Hazel Howson ...
Sister Mary-Ellen
Suzie MacKenzie ...
Michelle
Anya Molina ...
Jennifer
Brian Moll ...
Mr. Gordian
Stephen Bergin ...
Mark
Christophe Broadway ...
Scott
Samantha Rittson ...
Gretchen
Tess Pike ...
Kylie
Jo Munro ...
Jackie
Michelle Doake ...
Linda
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Storyline

People are getting murdered down under via a barbed wire noose and then their eyes are gouged out. There are a variety of suspects at a nearby girls boarding school including students, teachers, and a nun. We also follow a rivalry between the local surfer townies and a group of preppy guys from a local all-boys school. Written by Josh Pasnak

Plot Summary | Add Synopsis

Taglines:

The last full moon you'll ever see.

Genres:

Horror | Thriller

Certificate:

R | See all certifications »

Parents Guide:

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Details

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Release Date:

22 March 1990 (Australia)  »

Also Known As:

Blood Moon  »

Filming Locations:

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When this film was released theatrically in Australia, it included a William Castle-like "Fright Break", a short intermission which gave audiences a chance to walk a yellow line to the cinema's exit if the film was too frightening for them, giving those who took the so-called "Chicken Walk" to the exits their money back. The "Fright Break" sequence is included on the Australian video release. See more »

Connections

Featured in Proof (1991) See more »

Soundtracks

KEEP HOLDING ON
Written by James, Peters, Roberts & Warner
Performed by Vice
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User Reviews

 
Sex equals death.
13 March 2010 | by (the Mad Hatter's tea party.) – See all my reviews

By reputation "Bloodmoon" doesn't seem to stand up so well, nonetheless it just seemed to draw me in (well captivating poster artwork helps a lot too) and since it just got a local DVD release (thanks to the 2008 documentary "Not Quite Hollywood: The Wild, Untold Story of Ozploitation!") it was easy to get a hold of. It turned out to be competently stylish, but a generically penned (if sexually charged) Aussie slasher that after the opening sequence it seems to find itself in soapy TV material. This aspect is rather distracting and stodgy, before it finally goes on to build a head of steam for the last half hour of outrageous acts and jarring suspense. While not particularly successful as a whole, as it can be sloppy it still kept me watching. Something about the choice of locations constructs an effective small coastal town atmosphere (very similar to that of 1981 quirky Australian slasher "Dead Kids") and it's lit with moody visual shadings by director Alec Mills. The stalk and slash scenes are actually well executed and framed, especially in the latter half with a couple twisted acts of uncontrollable violence… but when the focus (during some long periods) is on the dramas / antics of the locals and a group of neighbouring boarding schools (girls and boys -- who are on heat with constant flashes of female nudity) the suspense is truly forgotten about and its kept grounded with an authentic flavour but the cheesy handling doesn't help and so did the lack of any development of recurring characters / side-stories. The patchy story doesn't really offer any surprises (well maybe one moment --- a death towards the end) and the revelation of the killer midway though shouldn't really come as a surprise. Actually I thought it was better off unmasking the killer, because it was obvious but their choice of weapon a piece of barb wire would leave an unpleasant mark. The performances are surefooted with the likes of Christine Amor (immensely dominating), Leon Lissek (unusually picture-perfect), Ian Williams and Helen Thomson. Australian music composer Brian May has crafted out some stunning scores, but on this occasion it isn't one of his best in what is a vibrant, but heavy-handed arrangement. When it was being ominous it worked, but for those softer and playful cues it doesn't come off. It just lacked the fineness. Nothing sensational, but a better than labelled slasher.


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