Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. In Japan, ... See full summary »
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. In Japan, however, he manages to escape. As they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game the Japanese way. Written by
Harald Mayr <firstname.lastname@example.org>
Japanese musician Ryûichi Sakamoto wrote and performed a song for the soundtrack which was the track "Laserman". See more »
The paper signed on the airplane in Japanese is a real estate agreement. When they meet at the police station they are told they signed an insurance form. This however could be explained by the Japanese police captain's mixing up the English terms "real estate" and "insurance". See more »
Just hope they got a Nip in this building who speaks fucking English.
Assistant Inspector Matsumoto Masahiro, Criminal Investigation section, Osaka Prefecture police. And I do speak fucking English.
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The end credits begin with a Japanese kanji, which can be translated as "complete" or "end" and is sometimes used at the end of Japanese films. See more »
I have never been able to warm up to BLACK RAIN, a cliché-ridden 80s cop thriller. Michael Douglas, who by 1989 was a big Hollywood star with a mullet, plays a crooked cop who escorts a Yakuza home to Japan after witnessing the guy kill two people. His partner Andy Garcia is along for the ride. As soon as they touch down in Tokyo, they lose the killer and the chase is on. Soon enough, they are teamed up with a by-the-book Japanese detective, played by the doleful Ken Takakura. The problem with the movie is, it is shot MTV-style and we are all over the place with this one, rarely sitting still long enough to catch our collective breath. You'd think Tony, not Ridley, shot this one. Douglas is fine and basically carries the movie, and Garcia is believable as a naive, fresh-faced youngster who lacks Douglas' street smarts. The bad guys are stock characters and just not that interesting. In the end, too much chasing around without much of a payoff will have worn most viewers out long before the final scene.
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