From the IMDboat, Kevin Smith discusses the San Diego Comic-Con trends with Iwan Rheon ("Inhumans"), IMDb Social Media Editor Tori Wadzita, and IMDb Entertainment Editor Arno Kazarian. Browse our Guide to Comic-Con for more.
Dan and Lorie are journalists working in the same office. More often than not they have opposing view of the issue in question. Deciding that this is hot stuff, a television producer gives ... See full summary »
Jake and Kristy Briggs are newlyweds. Being young, they are perhaps a bit unprepared for the full reality of marriage and all that it (and their parents) expect from them. Do they want ... See full summary »
Nick Chapman graduates from film school, and his short film wins a special prize. This gives him a high enough profile that he can get Hollywood to back the film he has long dreamed of making. Studio exec Allen Habel is interested. But Nick soon is seduced by Hollywood and makes one concession after another until his original movie is lost altogether. Worse, Nick is lost, too, turning on girlfriend Susan and old buddy Emmet. Will he come to his sense before everything is lost? Written by
In the scene where Nick (Bacon) meets Gretchen (Hatcher) for the first time, the song "Midnight at the Oasis" is heard in the background performed musak style. The same song was also used in Christopher Guest's film Waiting for Guffman (1996). See more »
A pointed piece of equipment moves up and out of frame as Lydia is talking to Nick in her apartment. See more »
I don't know you. I don't know your work. But I think you are a genius. And I am never wrong about that.
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This movie has some slow moments, and I found the idea that Kevin Bacon's character, an aspiring directory, would leave his girlfriend (played by Emily Longstreth) for a bimbo-actress (played by Teri Hatcher and one of the film's weakest characters) pretty unconvincing. In general, I found the bimbo-actress subplot poorly done, and this was the slowest part of the movie. The other characters were done well, with an outstanding cameo by Martin Short as the aspiring director's agent -- the three scenes with Short would make the movie worthwhile by themselves in my opinion. J. T. Walsh was very good as well, as the fatuous studio head, and the gag at the end where the young director's career is revived was very enjoyable.
It's not as good as "The Player" or "Get Shorty", but if you like movies about making movies, you will probably like this one.
18 of 23 people found this review helpful.
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