Dan and Lorie are journalists working in the same office. More often than not they have opposing view of the issue in question. Deciding that this is hot stuff, a television producer gives ... See full summary »
Nick Chapman graduates from film school, and his short film wins a special prize. This gives him a high enough profile that he can get Hollywood to back the film he has long dreamed of making. Studio exec Allen Habel is interested. But Nick soon is seduced by Hollywood and makes one concession after another until his original movie is lost altogether. Worse, Nick is lost, too, turning on girlfriend Susan and old buddy Emmet. Will he come to his sense before everything is lost? Written by
In the scene where Nick (Bacon) meets Gretchen (Hatcher) for the first time, the song "Midnight at the Oasis" is heard in the background performed musak style. The same song was also used in Christopher Guest's film Waiting for Guffman (1996). See more »
In Lydia's apartment she begins to raise her beer to her mouth in one shot, but in the next shot it's back by her side. See more »
I'm very, very aware... that you are seeing other agents. And I think it's good that you are. Finally, I mean it's healthy. But, this is the thing. If you decide to sign with me, you're gonna get more than an agent. You're gonna get three people.
[Holds up four fingers]
You're gonna get an agent, a mother, a father, a shoulder to cry on, someone who knows this business inside and out. And if anyone ever tries to cross you, I'll grab them by the balls and squeeze 'til they're dead.
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This film is a wonderful example of how to get a movie made in Hollywood.
Kevin Bacon stars as a hot new director, with a prestigious award to his credit who has one aim, to make his script his way.
What then ensues is a sequence of events that should serve as a warning to people wanting to make their own movie on what to be careful of.
Bacon's script starts as a simple movie of two couples on holiday together, while one half of them is having an affair, thanks to various obstacles it transforms into a trashy affair of beaches, cheerleaders and very little story, called Beachnuts.
While this happens Bacon's personal life is also falling apart thanks to the lures of Teri Hatcher's struggling young actress.
Finally, an extremely low-budget music video puts Bacon back on the map and this time he sticks to his guns.
The message for young movie-makers is, do not lose sight of what you want and be aware of the extreme fickleness of Hollywood, which this demonstrates exceedingly well.
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