When childhood friends Al, Dennis and Eliot get together for Ray's wedding, which may or may not happen, they end up on a roller-coaster ride through reality. During one tumultuous, crazy ... See full summary »
Paul Exben is a success story - partner in one of Paris's most exclusive law firms, big salary, big house, glamorous wife and two sons straight out of a Gap catalog. But when he finds out ... See full summary »
Nick Chapman graduates from film school, and his short film wins a special prize. This gives him a high enough profile that he can get Hollywood to back the film he has long dreamed of making. Studio exec Allen Habel is interested. But Nick soon is seduced by Hollywood and makes one concession after another until his original movie is lost altogether. Worse, Nick is lost, too, turning on girlfriend Susan and old buddy Emmet. Will he come to his sense before everything is lost? Written by
In Lydia's apartment she begins to raise her beer to her mouth in one shot, but in the next shot it's back by her side. See more »
I'm very, very aware... that you are seeing other agents. And I think it's good that you are. Finally, I mean it's healthy. But, this is the thing. If you decide to sign with me, you're gonna get more than an agent. You're gonna get three people.
[Holds up four fingers]
You're gonna get an agent, a mother, a father, a shoulder to cry on, someone who knows this business inside and out. And if anyone ever tries to cross you, I'll grab them by the balls and squeeze 'til they're dead.
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This movie has some slow moments, and I found the idea that Kevin Bacon's character, an aspiring directory, would leave his girlfriend (played by Emily Longstreth) for a bimbo-actress (played by Teri Hatcher and one of the film's weakest characters) pretty unconvincing. In general, I found the bimbo-actress subplot poorly done, and this was the slowest part of the movie. The other characters were done well, with an outstanding cameo by Martin Short as the aspiring director's agent -- the three scenes with Short would make the movie worthwhile by themselves in my opinion. J. T. Walsh was very good as well, as the fatuous studio head, and the gag at the end where the young director's career is revived was very enjoyable.
It's not as good as "The Player" or "Get Shorty", but if you like movies about making movies, you will probably like this one.
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