The Big Picture (1989)

User Rating:

6.2/10   

Director:

Christopher Guest

Writers (WGA):

Michael Varhol (story) &
Christopher Guest (story) ...

Release Date:

30 November 1990 (UK)

Genre:

Comedy | Drama | Romance

Tagline:

Hollywood Reel To Real

Plot:

Film school grad Nick Chapman thought his career was made after his award winning short film, but discovered Hollywood wasn't as easy as it seems.

Plot Keywords:

Hollywood | Directorial Debut | Film Studio | Friendship | Porsche

Cast

Kevin Bacon	...	Nick Chapman
Emily Longstreth	...	Susan Rawlings
J.T. Walsh	...	Allen Habel
Jennifer Jason Leigh	...	Lydia Johnson
Michael McKean	...	Emmet Sumner
Kim Miyori	...	Jenny Sumner
Teri Hatcher	...	Gretchen
Dan Schneider	...	Jonathan Tristan-Bennet
Jason Gould	...	Carl Manknik
Tracy Brooks Swope	...	Lori Pressman
Don Franklin	...	Todd Marvin
Gary Kroeger	...	Mark
Alice Hirson	...	Mrs. Chapman
Grant Owens	...	Mr. Chapman
Fran Drescher	...	Polo Habel

Runtime:

100 min

Country:

USA

Language:

English

Color:

Black and White | Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Ultra Stereo

Certification:

USA:PG-13 (No. 29330) | UK:15 | Finland:S | Germany:12 | Iceland:L

Filming Locations:

Ballroom, Park Plaza Hotel - 607 S. Park View Street, Los Angeles, California, USA

Company:

Aspen Film Society

Trivia:

Teri Hatcher's first movie.

Goofs:

Continuity: In Susan's office, her pearl necklace changes length.

Quotes:

Allen Habel: We're doing a picture in London right now and everyone is just freaking out.

Movie Connections:

Referenced in "Saturday Night Live: Queen Latifah (#30.2)" (2004)

Soundtrack:

Midnight at the Oasis

Martin Short steals the show

This is a good film that is totally stolen by Martin Short. The scenes including his agent character are some of the funniest I've ever seen in a movie. He's absolutely brilliant.

If you can see past the blinding light of Short's performance, there's a likable movie here. Kevin Bacon and his character's storyline are compelling and involving. There are loads of funny cameo-type roles. There's one scene in particular that stands out. It's not funny, it's heartbreaking. I'm talking about the scene where Kevin Bacon picks up Michael McKean in his Porsche, gets a cell phone call, and asks McKean to step out of the car to take the call. Man, that's harsh. It's testament to Bacon's acting charm that his character can be redeemed at all after a stunt like that.

The one thing that seemed consistently not to work here is the fantasy sequences. The movie would play better without them.