Wisconsin farm girl Elizabeth Carlson leaves family and her English teacher lover behind and escapes to New York. There she soon makes a career for herself as a fashion model. During a ... See full summary »
Two girls, Carla and Lou meet on the street outside a loft waiting for their boyfriends. In a short time, they find out that they're waiting for the same guy - young actor Blake, who said ... See full summary »
Robert Downey Jr.,
Natasha Gregson Wagner
Sex farce about Fred, an inept post WWIII superhero garbageman, who must prevent WW4 by disarming the continents of Virginia, where mutated feminists live, and USSSR, where mutated buttless men live. Beautiful Liberty is his only ally.
At the height of the Roaring Twenties, music scouts and their new technology scoured the rural corners of America in search of the music of everyday folk. This is the never-before-told story of the first time America heard itself.
Director James Toback poses some heavy metaphysical questions to several armchair philosophers, including producer Joseph Kantner, to whom Toback is shown pitching his unusual idea for the film in a recurring sequence perhaps modeled as a parody of Louis Malle's 'My Dinner with André'. Kantner's skepticism was obviously staged, but elsewhere the replies are invariably candid, coy, pragmatic, imaginative, and sometimes just plain eccentric. Each of the ten interviews reveals a fully human (in other words, somewhat flawed) character, all of them more interesting when recounting earthy anecdotes about sex or death than when pondering the infinite cosmos. Profound questions don't always guarantee like-minded responses, but the film is valuable for the way it prompts viewers to ask themselves the same questions. In the end it may be nothing more than a self-conscious, self-absorbed novelty item, but if nothing else Toback at least offered an offbeat antidote to all the megabuck summer schlockbusters then in release.
0 of 0 people found this review helpful.
Was this review helpful to you?