8.1/10
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Beiqíng chéngshì (1989)

A beautiful, historical film based upon the complex lives of four brothers.

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8 wins & 6 nominations. See more awards »
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Cast

Credited cast:
...
Wen-ching (as Tony Chiu Wai Leung)
Shu-fen Hsin ...
Hinome
Sung Young Chen ...
Wen-heung
...
Wen Leung
Rest of cast listed alphabetically:
Wou Yi Fang ...
Hinoiei
Ai-yun Ho ...
Bg Brother Chie
Chien-Ho Huang
Chien-ru Huang
Tian-Lu Li ...
Ah-lu
Ju Lin
Lih-Ching Lin ...
(as Liqing Lin)
Ikuyo Nakamura ...
Shizuko
Chang-Chiang Yang
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Storyline

A beautiful, historical film based upon the complex lives of four brothers.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Details

Country:

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Release Date:

21 October 1989 (Taiwan)  »

Also Known As:

A Cidade da Dor  »

Filming Locations:

 »

Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

As revealed in scriptwriter Chu Tien-Wen's book, the original premise of this film is the reunion of an ex-gangster (which Hou Hsiao-Hsien intended to cast Chow Yun-fat for the role) and his former lover (supposedly played by Yang Li-Hua, the top Taiwanese Opera actress in real-life) in 1970s. Hou and Chu then extended the story to involve substantial flashbacks of the calamity of the woman's family in late 1940s (where the woman was the teenage daughter of Chen Song-Yong's character). They then abandoned the former premise and instead focused on the 1940s' story. See more »

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User Reviews

One of the world's most important films
19 March 2003 | by (London) – See all my reviews

Artistically, its greatness is not in dispute, but it is hard to overstate the importance of this film in political and social terms for Taiwan. The subject of the film, the February 28 Incident (the massacre of 20000 or more Taiwanese by Chinese Nationalist troops in 1947) had been completely been banned from public discussion by the now-defunct military government of Taiwan up until 1988 - only a year and a half before the film was released. To intervene so powerfully in a period of political and social change as Taiwan's democratic revolution in the late 1980s, makes the film as dramatic a re-configuring of a country's cultural landscape as any film has ever achieved.


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