Gotham City. Crime boss Carl Grissom (Jack Palance) effectively runs the town but there's a new crime fighter in town - Batman (Michael Keaton). Grissom's right-hand man is Jack Napier (Jack Nicholson), a brutal man who is not entirely sane... After falling out between the two Grissom has Napier set up with the Police and Napier falls to his apparent death in a vat of chemicals. However, he soon reappears as The Joker and starts a reign of terror in Gotham City. Meanwhile, reporter Vicki Vale (Kim Basinger) is in the city to do an article on Batman. She soon starts a relationship with Batman's everyday persona, billionaire Bruce Wayne. Written by
Neither Tim Burton nor Michael Keaton had any previous exposure to the Batman comic books. Executive producer Michael Uslan provided them with reference material for the film. Burton was given every issue of Batman's first year in comics before Robin was introduced - Detective Comics #27 (May 1939) through #37 (March 1940) - while Keaton was given the graphic novel "The Dark Knight Returns." See more »
When Bruce is examining the plate in Vicki's apartment, an indentation is visible before the Joker shoots it. See more »
I'm sorry, this is my cab.
Listen, I was here first!
[as the cab drives away]
Oh, God! Oh, taxi? Taxi!
See more »
The opening credits run with a 3-D Batman symbol being explored by a flying camera in extreme close-up. See more »
If you were around in summer 1989 then you'll remember that Bat-fever was EV-ER-Y-WHERE! You couldn't look anywhere without seeing the Bat Logo in some incarnation. The film was a mega-hit. People were queueing up around the block for hours (the literal meaning of a blockbuster).
The marketing team at Warner had to saturate the minds of the public with the big-screen coming of the Dark Knight. Up until this point the Batman series from the 1960s is how people regarded the Batman character and universe. Tim Burton corrected all that by giving us a dark, sinister and Gothic world with rich production design and a great score by Danny Elfman (who has made a career out of recycling the same old generic cues in nearly every movie he has scored). The original material is respected (to a degree), and the characters are deep instead of just campy.
Michael Keaton is the best Bruce Wayne in my opinion. When he plays both Bruce Wayne and Batman you have to watch what he doesn't say and doesn't do. He's a rich, socio-phobic megalomaniac who has more money than sense. This is very different from Adam West's turtleneck playboy.
Jack Nicholson is a great Joker too, not quite as intimidating or as iconic as Heath Ledger's take on the character, but still a role that has defined his career in a way. Nicholson's Joker isn't much more than an attention-seeking lunatic. But it's still nothing like Caesar Romero's campy, hopping-skipping-and-jumping villain.
Anton Furst's Oscar-winning design of Gotham City is very original and unique, and is very much in the style of the Comic book. The smoke-blackened, cramped and claustrophobic 1920s buildings look and create a very oppressive atmosphere. This is definitely GOTHam City. Not LA like the TV series.
They didn't even make any attempt with that show did they? In fact the Batcave in the TV series was like the set of a mad scientists lab from a 1950s movie. But the REAL Batcave in this movie is a monstrous cavern filled with stalagmites and it actually HAS bats in it. And there's no fireman's pole leading into it.
With Christopher Nolan's reboot of the franchise currently the only Batman worth considering for most fans, it'd be a shame if you were to let this go ignored. It may not be as mature as Nolan's work but it has an edge that no other recent comic-book movie has.
It's NOT an origin story. There's no 60 precious minutes on a build-up, it just goes straight to the action. Why can't more comic-book movies do this?
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