A carnival comes to a small town. Eighteen year old Donna meets Frankie and Patch, two carnival hustlers. They earn their living by mercilessly taunting spectators to try to dump one of ... See full summary »
Dede is a sole parent trying to bring up her son Fred. When it is discovered that Fred is a genius, she is determined to ensure that Fred has all the opportunities that he needs, and that ... See full summary »
A psychotic young man returns to his old neighborhood after release from prison. He seeks out the woman he previously tried to rape and the man who protected her, with twisted ideas of love for her and hate for him.
Mark Harmon is a washed-up baseball player who is called back home to handle the ashes of his childhood sweetheart/ first love who had committed suicide. As he searches for what to do with ... See full summary »
An artist (Foster) witnesses a Mafia hit and calls the police. At the police station she realizes that the Mafia has a man in the force, so she runs. Trailed by the police, who need her testimony, and a hitman (Hopper) hired by the Mafia, she goes to Mexico, where eventually she meets the hitman, who has become infatuated after studying her art and life to prepare for the hit. Written by
Ed Sutton <email@example.com>
Vestron Pictures were unhappy with director Dennis Hopper's original 180 minutes cut of the film and re-edited it without his knowledge. Hopper was so enraged he sued the company, but they had already gone bankrupt. He nevertheless insisted on the anonymous Alan Smithee credit. See more »
When Anne and Milo are about to drive off in an SUV, the mountain backdrop is flapping in the wind. See more »
There's something going on here that I really don't understand, but I like it.
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Splendid, offbeat film that blurs the line between the refined arty types (Foster's Anne Benton), and lowlifes (Hopper, Pesci). Exceptional cinematography and editing, plus a neat script, make this film appear to be a template for Tarantino, as we sort of define the term "opposites attract" with this film!
Hopper, Pesci, Price, and Turturro all give terrific performances, but Foster steals the flick in an extremely uncharacteristic performance. Made around the time of The Accused, this is Foster at her unrestrained, corset-less best. This is Foster as truly one of the hottest, sexiest women in Hollywood. She seriously could have had a career as a sex kitten (Hard to believe I know, but watch Backtrack, whoo!), but after The Silence of the Lambs, she never really returned to this turf. It's sad, because her wonderfully loopy, sexy performance, is glorious... one of her best.
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