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Directed by | |||
| Robert Zemeckis | |||
Writing credits(WGA) | ||
| Robert Zemeckis | (characters) & | |
| Bob Gale | (characters) | |
| Robert Zemeckis | (story) & | |
| Bob Gale | (story) | |
| Bob Gale | (screenplay) | |
Original Music by | |||
| Alan Silvestri | |||
Cinematography by | |||
| Dean Cundey | (director of photography) | ||
Film Editing by | |||
| Harry Keramidas | |||
| Arthur Schmidt | |||
Casting by | |||
| Mike Fenton | |||
| Valorie Massalas | |||
| Judy Taylor | |||
Production Design by | |||
| Rick Carter | |||
Art Direction by | |||
| Margie Stone McShirley | |||
Set Decoration by | |||
| Linda DeScenna | (as Linda De Scenna) | ||
Costume Design by | |||
| Joanna Johnston | |||
Makeup Department | |||
| Ellis Burman Jr. | .... | makeup artist (as Ellis Berman) | |
| Dorothy Byrne | .... | hair stylist | |
| Hazel Catmull | .... | hair stylist | |
| Ken Chase | .... | makeup designer | |
| Nancy J. Hvasta Leonardi | .... | makeup artist (as Nancy Hvasta) | |
| Michael Mills | .... | makeup applier | |
| Kenny Myers | .... | makeup applier | |
| Allen Payne | .... | hair stylist | |
| Elizabeth Rabe | .... | additional hair stylist | |
| Bron Roylance | .... | makeup artist: Michael J. Fox | |
| Roland Blancaflor | .... | foam latex technician (uncredited) | |
Production Management | |||
| Joan Bradshaw | .... | unit production manager | |
| Martin Cohen | .... | post-production supervisor | |
Special Effects by | |||
| Yarek Alfer | .... | miniatures crew/modelmaker | |
| David Blitstein | .... | special effects | |
| Randy Cabral | .... | special effects | |
| Donald Elliott | .... | special effects foreman | |
| Joss Geiduschek | .... | special effects shop | |
| Pete Gerard | .... | special effects shop (as Bryson Gerard) | |
| Thomas R. Homsher | .... | special effects technician | |
| Michael Joyce | .... | special effects shop | |
| Michael Lantieri | .... | special effects supervisor | |
| Roger Lifsey | .... | special effects: second unit | |
| Matt McDonnell | .... | special effects purchaser | |
| Tim Moran | .... | special effects: second unit | |
| Mark Noel | .... | special effects shop | |
| Larry Odien | .... | special effects crew | |
| Tom Pahk | .... | prop shop/model supervisor (as Thomas Pahk) | |
| John Palmer | .... | special effects project supervisor: WonderWorks | |
| Michael Roundy | .... | special effects crew | |
| Gregory C. Tippie | .... | special effects: second unit (as Greg Tippie) | |
| Brian Tipton | .... | special effects | |
| Joanne Bloomfield | .... | fabricator (uncredited) | |
Visual Effects by | |||
| Barbara Affonso | .... | model maker: ILM | |
| Jon Alexander | .... | optical camera operator: ILM | |
| Charles Bailey | .... | model maker: ILM (as Charlie Bailey) | |
| Gordon Baker | .... | animator: ILM | |
| Bill Barr | .... | stage technician: ILM | |
| Greg Beaumonte | .... | vistaglide system: ILM | |
| William Beck | .... | model maker: ILM | |
| Kathleen Beeler | .... | rotoscoper: ILM | |
| John Bell | .... | visual effects art director: ILM | |
| Tom Bertino | .... | rotoscope supervisor: ILM | |
| Andrea Biklian | .... | optical coordinator: ILM | |
| Mike Bolles | .... | vistaglide system: ILM | |
| Barbara Brennan | .... | rotoscoper: ILM | |
| Marty Brenneis | .... | vistaglide system: ILM | |
| Kim Bromley | .... | visual effects coordinator: ILM | |
| Elizabeth Ann Bundschu | .... | production assistant: ILM (as Elizabeth Bundschu/Mooney) | |
| Anne Calanchini | .... | visual effects coordinator: ILM | |
| Charlie Canfield | .... | effects camera operator: ILM (as Charles Canfield) | |
| Jo Carson | .... | camera assistant: ILM | |
| Sean M. Casey | .... | matte artist: ILM (as Sean Casey) | |
| Lanny Cermak | .... | vistaglide system: ILM | |
| Wade Childress | .... | matte photography: ILM | |
| Donald Clark | .... | optical camera operator: ILM (as Don Clark) | |
| Charlie Clavadetscher | .... | effects camera operator: ILM (as Charles Clavadetscher) | |
| Mike Cochran | .... | vistaglide system: ILM | |
| Susan Adele Colletta | .... | post production coordinator | |
| Michael Cooper | .... | optical line-up: ILM | |
| Peter Daulton | .... | camera operator: ILM | |
| Christofer Dierdorff | .... | effects camera operator: ILM (as Christopher Dierdorff) | |
| Mark A.Z. Dippé | .... | computer graphics: ILM (as Mark Dippee) | |
| Les Dittert | .... | computer graphics: ILM | |
| Jeff Doran | .... | optical camera operator: ILM | |
| Loring Doyle | .... | visual effects artist | |
| Timothy Eaton | .... | visual effects editor: ILM (as Tim Eaton) | |
| Selwyn Eddy | .... | vistaglide operator: ILM (as Selwyn Eddy III) | |
| John Ellis | .... | optical photography supervisor: ILM | |
| Scott Farrar | .... | associate visual effects supervisor: ILM | |
| Bob Fernley | .... | optical processing: ILM | |
| Jon Foreman | .... | model maker: ILM | |
| Joe Fulmer | .... | vistaglide system: ILM | |
| Michael Fulmer | .... | model maker: ILM (as Mike Fulmer) | |
| George Gambetta | .... | optical line-up: ILM | |
| Steve Gawley | .... | supervising model maker: ILM | |
| John Gazdik | .... | camera assistant: ILM (as John Gazdick) | |
| Tim Geideman | .... | optical processing: ILM | |
| Ray Gilberti | .... | camera operator: ILM | |
| Tim Gillett | .... | model mechanical design: ILM | |
| Reuben Goldberg | .... | pyro technician: ILM | |
| John Goodson | .... | model maker: ILM | |
| Chris R. Green | .... | animator: ILM (as Chris Green) | |
| Joanne Hafner | .... | rotoscoper: ILM | |
| James Hagedorn | .... | optical camera operator: ILM | |
| David Hallinger | .... | camera assistant: ILM | |
| David Hanks | .... | camera assistant: ILM (as Dave Hanks) | |
| Kevin Havner | .... | negative cutter: ILM | |
| Rebecca Heskes | .... | rotoscoper: ILM (as Rebecca Petrulli) | |
| Sandy Houston | .... | rotoscoper: ILM | |
| Larry Hunter | .... | stage technician: ILM | |
| Peg Hunter | .... | optical line-up: ILM | |
| Steve Hyde | .... | visual effects artist | |
| Brad Jerrell | .... | supervising stage technician: ILM | |
| Keith Johnson | .... | optical camera operator: ILM | |
| Ed Jones | .... | executive in charge of post-production: ILM (as Ed L. Jones) | |
| Randy Jonsson | .... | camera assistant: ILM (as Randy Johnson) | |
| David Karpman | .... | optical line-up: ILM | |
| Sandra Ford Karpman | .... | computer graphics: ILM (as Sandy Ford) | |
| Ira Keeler | .... | model maker: ILM | |
| Kathleen Keeler | .... | rotoscoper: ILM | |
| Suella Kennedy | .... | visual effects producer: ILM | |
| Bill Kimberlin | .... | visual effects editor: ILM | |
| Jennifer Knoll | .... | visual effects coordinator: ILM | |
| Tad Krzanowski | .... | model mechanical design: ILM (as Tad Krazanowski) | |
| Brad Kuehn | .... | optical line-up: ILM | |
| Demetre Lagios | .... | vistaglide system: ILM | |
| Jeffrey A. Leake | .... | stage technician: ILM (as Jeff Lake) | |
| Jennifer Lee | .... | optical line-up: ILM | |
| James Lim | .... | optical camera operator: ILM | |
| Ross Lorente | .... | stage technician: ILM | |
| Jonathan Luskin | .... | computer graphics: ILM | |
| Mike MacKenzie | .... | vistaglide engineer: ILM | |
| John Malvino | .... | matte photography: ILM | |
| Michael McGovern | .... | assistant effects editor: ILM | |
| Roberto McGrath | .... | negative cutter: ILM | |
| Scott McNamara | .... | model mechanical design: ILM | |
| Gary Meyer | .... | vistaglide system: ILM | |
| Carl Miller | .... | camera assistant: ILM | |
| Richard Miller | .... | model maker: ILM | |
| Terry Molatore | .... | rotoscoper: ILM (as Terry Sittig) | |
| Jack Mongovan | .... | rotoscoper: ILM | |
| Amy Moore | .... | production assistant: ILM | |
| Tim Morgan | .... | stage technician: ILM | |
| Ellen Mueller | .... | rotoscoper: ILM | |
| Patrick T. Myers | .... | effects camera operator: ILM | |
| Lori J. Nelson | .... | optical line-up: ILM (as Lori Nelson) | |
| Cameron Noble | .... | effects camera operator: ILM | |
| Kerry Nordquist | .... | matte artist: ILM | |
| Terry O'Brien | .... | optical camera operator: ILM | |
| Kate O'Neill | .... | camera assistant: ILM | |
| Michael Olague | .... | visual effects crew | |
| Dawn Oltman | .... | editorial coordinator: ILM | |
| David Owen | .... | matte artist: ILM | |
| Udo Pampel | .... | vistaglide system: ILM | |
| Terrence Peck | .... | assistant effects editor: ILM (as Terry Peck) | |
| Lorne Peterson | .... | model maker: ILM | |
| Vance Piper | .... | camera assistant: ILM | |
| Ken Ralston | .... | visual effects supervisor | |
| Chuck Ray | .... | pyro technician: ILM | |
| Louis Rivera | .... | negative cutter: ILM | |
| Stuart Robertson | .... | optical photography supervisor: ILM | |
| Stephen Rosenbaum | .... | computer graphics: ILM | |
| Martin Rosenberg | .... | camera operator: ILM | |
| Scott Ross | .... | general manager: ILM | |
| Thomas Rosseter | .... | optical line-up: ILM (as Tom Rosseter) | |
| Mark Siegel | .... | model maker: ILM | |
| John Silver | .... | stage technician: ILM | |
| Kenneth Smith | .... | optical camera operator: ILM | |
| Thomas J. Smith | .... | optical camera operator: ILM (as Tom Smith) | |
| Douglas Smythe | .... | computer graphics: ILM (as Doug Smythe) | |
| Eben Stromquist | .... | model mechanical design: ILM | |
| Duncan Sutherland | .... | camera assistant: ILM | |
| Pat Sweeney | .... | camera operator: ILM (as Patrick Sweeney) | |
| Eric Swenson | .... | effects camera operator: ILM | |
| Wes Takahashi | .... | animation supervisor: ILM | |
| Larry Tan | .... | model maker: ILM | |
| Melissa Taylor | .... | visual effects coordinator: ILM | |
| Timothy Taylor | .... | vistaglide system: ILM (as Tim Taylor) | |
| Vince Tilker | .... | vistaglide system: ILM | |
| Pat Turner | .... | camera operator: ILM | |
| Sean Turner | .... | animator: ILM | |
| Yusei Uesugi | .... | matte artist: ILM | |
| I.J. Van Perre | .... | stage technician: ILM | |
| Wim van Thillo | .... | model maker: ILM (as Wim Van Thillo) | |
| Bruce Vecchitto | .... | optical line-up: ILM | |
| Danny Wagner | .... | model maker: ILM (as Dan Wagner) | |
| Bruce Walters | .... | effects camera supervisor: ILM | |
| Greg Walters | .... | camera assistant: ILM | |
| Judith Weaver | .... | animation coordinator: ILM | |
| Chuck Wiley | .... | model maker: ILM | |
| Jeffrey Wilkins | .... | model mechanical design: ILM (as Jeff Wilkins) | |
| Isa Alsup | .... | computer animation (uncredited) | |
| Patrick Clancey | .... | effects compositor of video playback material (uncredited) | |
| Steven Kosakura | .... | vistaglide technician (uncredited) | |
Stunts | |||
| Bobby Aldridge | .... | utility stunts | |
| Tony Brubaker | .... | stunts (as Anthony Brubaker) | |
| Will Cascio | .... | stunts | |
| Jake Crawford | .... | stunt performer | |
| Charles Croughwell | .... | stunts | |
| Bret Culpepper | .... | stunt safety | |
| Cheryl Wheeler Duncan | .... | stunt double: Darlene Vogel (as Cheryl Wheeler-Dixon) | |
| Cheryl Wheeler Duncan | .... | stunts (as Cheryl Wheeler-Dixon) | |
| Greg Wayne Elam | .... | stunts | |
| Richie Gaona | .... | stunts (as Richard Gaona) | |
| Karen Laine | .... | stunts | |
| Gary Morgan | .... | stunts | |
| Pat Romano | .... | stunts (as Patrick Romano) | |
| David Rowden | .... | stunts (as David Scott Rowden) | |
| John-Clay Scott | .... | stunts (as John Clay Scott) | |
| Walter Scott | .... | stunt coordinator | |
| R.L. Tolbert | .... | stunts | |
| Mike Watson | .... | stunts | |
| Lane Leavitt | .... | stunts (uncredited) | |
| Gregg Smrz | .... | stunts (uncredited) | |
Casting Department | |||
| Joni Kearney | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Gala Autumn | .... | costumer | |
| James P. Cullen | .... | costumer (as Jim Cullen) | |
| Bill Hargate | .... | costume constructor | |
| Kelly Lindquist | .... | costumer | |
| Nancy McArdle | .... | costume supervisor: women | |
| Maurice Palinski | .... | costumer (as Frank 'Maurice' Palinski) | |
| David S. Powell | .... | costumer (as David Powell) | |
| Ivette Silberman | .... | costumer | |
| Chuck Velasco | .... | costume supervisor: men | |
| Tomas Velasco | .... | costume constructor | |
| Barcie Waite | .... | costumer | |
Editorial Department | |||
| Eric C. Daroca | .... | apprentice editor (as Eric Daroga) | |
| Dale E. Grahn | .... | color timer (as Dale Grahn) | |
| Peter Lonsdale | .... | associate editor | |
| Janet Fiona Mason | .... | assistant editor (as Janet Mason) | |
| Carin-Anne Strohmaier | .... | assistant editor | |
| Alexandra Leviloff | .... | second assistant editor (uncredited) | |
Music Department | |||
| James B. Campbell | .... | orchestrator | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Kenneth Karman | .... | music editor | |
| Dennis S. Sands | .... | music scoring mixer (as Dennis Sands) | |
| Jacqueline Tager | .... | assistant music editor | |
| James Thatcher | .... | musician: French horn solos | |
| Chuck Domanico | .... | musician: bass (uncredited) | |
Transportation Department | |||
| Richard Burch | .... | driver: insert car | |
| Denny Caira | .... | transportation captain: second unit | |
| Lyle Christensen | .... | shotmaker driver | |
| Dale Henry | .... | transportation captain | |
| Hugh Kelly | .... | driver: second unit | |
| Michael D. Kuljis | .... | transportation coordinator: picture cars (as Mike Kuljis) | |
| Russell McEntyre | .... | transportation coordinator | |
| Keith O'Brien | .... | transportation co-captain | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
Back to the Future 2 is a brilliant sequel, for its incredible futuristic special effects made this film into a Classic Time Travel movie. There was a period, however, when the entire film went stagnant and downhill, but did pick-up again as the film went on. Up until the part when Marty McFly(Micheal J. Fox) returned to the alternate(Biff ruled) 1985 for when Marty got hit over the head by Biffs goons infront of the Clocktower/Biffs Casino Hotel this film was spectacular, but thereafter that scene, this film endlessly dragged-on.
In time this film did pick-up again when Marty McFly went back in time to the year 1955 to retrieve the Sports Almanac that Old Biff gave to young Biff, for that spiced up the film again. Even though I very much enjoyed this film, I did find that there were loads of contradictions in it that didn't make sense. The scene when Old Biff travelled back in time from the year 2015 to the year 1955 to give the Sports Almanac to himself (so he can win money on horse racing by knowing the winning results ahead of time) and then returned to the year 2015 didn't quite match up. This is because when Old Biff travelled back in time to the year 1955 giving himself(Young Biff) the Sports Almanac so he could become rich, he did in fact change history. This means that when he returned to the year 2015 it should have been the new alternate(Biff ruled) 2015, but it wasn't, for it was the same normal 2015 that he departed from.
Another scene is when Marty and Doc Brown(Christopher Lloyd) went back home to the year 1985 after fixing Martys family problems in the year 2015, didn't make proper sense either because seeing how old Biff changed history, that prevented Marty and Doc Brown from ever meeting one another and even Doc Brown from inventing the Time machine. This doesn't match up either - for this would have caused a time travel paradox that Doc Brown often speaks about, which would have ceased their existences to time as they knew it, and their souls would have been redeemed into the new alternate(1985) existences, for Marty would have become the new Marty that lives in a boarding school in Switzerland and Doc Brown would have been redeemed into the life of the alternate existence of being committed into a mental Institution, but it didn't happen that way. Instead, there were two Doc Browns and two Marty McFlys living in the same year and from different parallel universes/ time vessels - and many other examples of contradiction that just go on and on. Mind you, this film is a Comedy/Sci-fi and seeing as time travel is a fantasy subject, a person really can't take these contradictions seriously, for this film 'Back to the Future/ Part 2'(and other time travel movies) are about enjoying yourself and having a laugh. Despite this films contradictions which aren't a big deal anyway, i'd recommend anybody to watch this movie for the acting was good, especially Thomas Wilson(Biff/Griff Tannen) who performed a fantastic acting job, the special effects/background was amazing along with its great lighting and colour co-ordination and most of all the storyline was good. However, this film didn't have the most original storyline as this films storyline was copied from the film 'Its a wonderful life' but don't let that put you off watching the film 'Back to the future/Part 2' for the film 'Its a wonderful life' was a beautiful movie with a great storyline with a great plot and moral.