| Photos (See all 55 | slideshow) | Videos (see all 9) |
Directed by | |||
| Robert Zemeckis | |||
Writing credits(WGA) | ||
| Robert Zemeckis | (characters) & | |
| Bob Gale | (characters) | |
| Robert Zemeckis | (story) & | |
| Bob Gale | (story) | |
| Bob Gale | (screenplay) | |
Original Music by | |||
| Alan Silvestri | |||
Cinematography by | |||
| Dean Cundey | (director of photography) | ||
Film Editing by | |||
| Harry Keramidas | |||
| Arthur Schmidt | |||
Casting by | |||
| Mike Fenton | |||
| Valorie Massalas | |||
| Judy Taylor | |||
Production Design by | |||
| Rick Carter | |||
Art Direction by | |||
| Margie Stone McShirley | |||
Set Decoration by | |||
| Linda DeScenna | (as Linda De Scenna) | ||
Costume Design by | |||
| Joanna Johnston | |||
Makeup Department | |||
| Ellis Burman Jr. | .... | makeup artist (as Ellis Berman) | |
| Dorothy Byrne | .... | hair stylist | |
| Hazel Catmull | .... | hair stylist | |
| Ken Chase | .... | makeup designer | |
| Nancy J. Hvasta Leonardi | .... | makeup artist (as Nancy Hvasta) | |
| Michael Mills | .... | makeup applier | |
| Kenny Myers | .... | makeup applier | |
| Allen Payne | .... | hair stylist | |
| Elizabeth Rabe | .... | additional hair stylist | |
| Bron Roylance | .... | makeup artist: Michael J. Fox | |
| Roland Blancaflor | .... | foam latex technician (uncredited) | |
Production Management | |||
| Joan Bradshaw | .... | unit production manager | |
| Martin Cohen | .... | post-production supervisor | |
Special Effects by | |||
| Yarek Alfer | .... | miniatures crew/modelmaker | |
| David Blitstein | .... | special effects | |
| Randy Cabral | .... | special effects | |
| Donald Elliott | .... | special effects foreman | |
| Joss Geiduschek | .... | special effects shop | |
| Pete Gerard | .... | special effects shop (as Bryson Gerard) | |
| Thomas R. Homsher | .... | special effects technician | |
| Michael Joyce | .... | special effects shop | |
| Michael Lantieri | .... | special effects supervisor | |
| Roger Lifsey | .... | special effects: second unit | |
| Matt McDonnell | .... | special effects purchaser | |
| Tim Moran | .... | special effects: second unit | |
| Mark Noel | .... | special effects shop | |
| Larry Odien | .... | special effects crew | |
| Tom Pahk | .... | prop shop/model supervisor (as Thomas Pahk) | |
| John Palmer | .... | special effects project supervisor: WonderWorks | |
| Michael Roundy | .... | special effects crew | |
| Gregory C. Tippie | .... | special effects: second unit (as Greg Tippie) | |
| Brian Tipton | .... | special effects | |
| Joanne Bloomfield | .... | fabricator (uncredited) | |
Visual Effects by | |||
| Barbara Affonso | .... | model maker: ILM | |
| Jon Alexander | .... | optical camera operator: ILM | |
| Charles Bailey | .... | model maker: ILM (as Charlie Bailey) | |
| Gordon Baker | .... | animator: ILM | |
| Bill Barr | .... | stage technician: ILM | |
| Greg Beaumonte | .... | vistaglide system: ILM | |
| William Beck | .... | model maker: ILM | |
| Kathleen Beeler | .... | rotoscoper: ILM | |
| John Bell | .... | visual effects art director: ILM | |
| Tom Bertino | .... | rotoscope supervisor: ILM | |
| Andrea Biklian | .... | optical coordinator: ILM | |
| Mike Bolles | .... | vistaglide system: ILM | |
| Barbara Brennan | .... | rotoscoper: ILM | |
| Marty Brenneis | .... | vistaglide system: ILM | |
| Kim Bromley | .... | visual effects coordinator: ILM | |
| Elizabeth Ann Bundschu | .... | production assistant: ILM (as Elizabeth Bundschu/Mooney) | |
| Anne Calanchini | .... | visual effects coordinator: ILM | |
| Charlie Canfield | .... | effects camera operator: ILM (as Charles Canfield) | |
| Jo Carson | .... | camera assistant: ILM | |
| Sean M. Casey | .... | matte artist: ILM (as Sean Casey) | |
| Lanny Cermak | .... | vistaglide system: ILM | |
| Wade Childress | .... | matte photography: ILM | |
| Donald Clark | .... | optical camera operator: ILM (as Don Clark) | |
| Charlie Clavadetscher | .... | effects camera operator: ILM (as Charles Clavadetscher) | |
| Mike Cochran | .... | vistaglide system: ILM | |
| Susan Adele Colletta | .... | post production coordinator | |
| Michael Cooper | .... | optical line-up: ILM | |
| Peter Daulton | .... | camera operator: ILM | |
| Christofer Dierdorff | .... | effects camera operator: ILM (as Christopher Dierdorff) | |
| Mark A.Z. Dippé | .... | computer graphics: ILM (as Mark Dippee) | |
| Les Dittert | .... | computer graphics: ILM | |
| Jeff Doran | .... | optical camera operator: ILM | |
| Loring Doyle | .... | visual effects artist | |
| Timothy Eaton | .... | visual effects editor: ILM (as Tim Eaton) | |
| Selwyn Eddy | .... | vistaglide operator: ILM (as Selwyn Eddy III) | |
| John Ellis | .... | optical photography supervisor: ILM | |
| Scott Farrar | .... | associate visual effects supervisor: ILM | |
| Bob Fernley | .... | optical processing: ILM | |
| Jon Foreman | .... | model maker: ILM | |
| Joe Fulmer | .... | vistaglide system: ILM | |
| Michael Fulmer | .... | model maker: ILM (as Mike Fulmer) | |
| George Gambetta | .... | optical line-up: ILM | |
| Steve Gawley | .... | supervising model maker: ILM | |
| John Gazdik | .... | camera assistant: ILM (as John Gazdick) | |
| Tim Geideman | .... | optical processing: ILM | |
| Ray Gilberti | .... | camera operator: ILM | |
| Tim Gillett | .... | model mechanical design: ILM | |
| Reuben Goldberg | .... | pyro technician: ILM | |
| John Goodson | .... | model maker: ILM | |
| Chris R. Green | .... | animator: ILM (as Chris Green) | |
| Joanne Hafner | .... | rotoscoper: ILM | |
| James Hagedorn | .... | optical camera operator: ILM | |
| David Hallinger | .... | camera assistant: ILM | |
| David Hanks | .... | camera assistant: ILM (as Dave Hanks) | |
| Kevin Havner | .... | negative cutter: ILM | |
| Rebecca Heskes | .... | rotoscoper: ILM (as Rebecca Petrulli) | |
| Sandy Houston | .... | rotoscoper: ILM | |
| Larry Hunter | .... | stage technician: ILM | |
| Peg Hunter | .... | optical line-up: ILM | |
| Steve Hyde | .... | visual effects artist | |
| Brad Jerrell | .... | supervising stage technician: ILM | |
| Keith Johnson | .... | optical camera operator: ILM | |
| Ed Jones | .... | executive in charge of post-production: ILM (as Ed L. Jones) | |
| Randy Jonsson | .... | camera assistant: ILM (as Randy Johnson) | |
| David Karpman | .... | optical line-up: ILM | |
| Sandra Ford Karpman | .... | computer graphics: ILM (as Sandy Ford) | |
| Ira Keeler | .... | model maker: ILM | |
| Kathleen Keeler | .... | rotoscoper: ILM | |
| Suella Kennedy | .... | visual effects producer: ILM | |
| Bill Kimberlin | .... | visual effects editor: ILM | |
| Jennifer Knoll | .... | visual effects coordinator: ILM | |
| Tad Krzanowski | .... | model mechanical design: ILM (as Tad Krazanowski) | |
| Brad Kuehn | .... | optical line-up: ILM | |
| Demetre Lagios | .... | vistaglide system: ILM | |
| Jeffrey A. Leake | .... | stage technician: ILM (as Jeff Lake) | |
| Jennifer Lee | .... | optical line-up: ILM | |
| James Lim | .... | optical camera operator: ILM | |
| Ross Lorente | .... | stage technician: ILM | |
| Jonathan Luskin | .... | computer graphics: ILM | |
| Mike MacKenzie | .... | vistaglide engineer: ILM | |
| John Malvino | .... | matte photography: ILM | |
| Michael McGovern | .... | assistant effects editor: ILM | |
| Roberto McGrath | .... | negative cutter: ILM | |
| Scott McNamara | .... | model mechanical design: ILM | |
| Gary Meyer | .... | vistaglide system: ILM | |
| Carl Miller | .... | camera assistant: ILM | |
| Richard Miller | .... | model maker: ILM | |
| Terry Molatore | .... | rotoscoper: ILM (as Terry Sittig) | |
| Jack Mongovan | .... | rotoscoper: ILM | |
| Amy Moore | .... | production assistant: ILM | |
| Tim Morgan | .... | stage technician: ILM | |
| Ellen Mueller | .... | rotoscoper: ILM | |
| Patrick T. Myers | .... | effects camera operator: ILM | |
| Lori J. Nelson | .... | optical line-up: ILM (as Lori Nelson) | |
| Cameron Noble | .... | effects camera operator: ILM | |
| Kerry Nordquist | .... | matte artist: ILM | |
| Terry O'Brien | .... | optical camera operator: ILM | |
| Kate O'Neill | .... | camera assistant: ILM | |
| Michael Olague | .... | visual effects crew | |
| Dawn Oltman | .... | editorial coordinator: ILM | |
| David Owen | .... | matte artist: ILM | |
| Udo Pampel | .... | vistaglide system: ILM | |
| Terrence Peck | .... | assistant effects editor: ILM (as Terry Peck) | |
| Lorne Peterson | .... | model maker: ILM | |
| Vance Piper | .... | camera assistant: ILM | |
| Ken Ralston | .... | visual effects supervisor | |
| Chuck Ray | .... | pyro technician: ILM | |
| Louis Rivera | .... | negative cutter: ILM | |
| Stuart Robertson | .... | optical photography supervisor: ILM | |
| Stephen Rosenbaum | .... | computer graphics: ILM | |
| Martin Rosenberg | .... | camera operator: ILM | |
| Scott Ross | .... | general manager: ILM | |
| Thomas Rosseter | .... | optical line-up: ILM (as Tom Rosseter) | |
| Mark Siegel | .... | model maker: ILM | |
| John Silver | .... | stage technician: ILM | |
| Kenneth Smith | .... | optical camera operator: ILM | |
| Thomas J. Smith | .... | optical camera operator: ILM (as Tom Smith) | |
| Douglas Smythe | .... | computer graphics: ILM (as Doug Smythe) | |
| Eben Stromquist | .... | model mechanical design: ILM | |
| Duncan Sutherland | .... | camera assistant: ILM | |
| Pat Sweeney | .... | camera operator: ILM (as Patrick Sweeney) | |
| Eric Swenson | .... | effects camera operator: ILM | |
| Wes Takahashi | .... | animation supervisor: ILM | |
| Larry Tan | .... | model maker: ILM | |
| Melissa Taylor | .... | visual effects coordinator: ILM | |
| Timothy Taylor | .... | vistaglide system: ILM (as Tim Taylor) | |
| Vince Tilker | .... | vistaglide system: ILM | |
| Pat Turner | .... | camera operator: ILM | |
| Sean Turner | .... | animator: ILM | |
| Yusei Uesugi | .... | matte artist: ILM | |
| I.J. Van Perre | .... | stage technician: ILM | |
| Wim van Thillo | .... | model maker: ILM (as Wim Van Thillo) | |
| Bruce Vecchitto | .... | optical line-up: ILM | |
| Danny Wagner | .... | model maker: ILM (as Dan Wagner) | |
| Bruce Walters | .... | effects camera supervisor: ILM | |
| Greg Walters | .... | camera assistant: ILM | |
| Judith Weaver | .... | animation coordinator: ILM | |
| Chuck Wiley | .... | model maker: ILM | |
| Jeffrey Wilkins | .... | model mechanical design: ILM (as Jeff Wilkins) | |
| Isa Alsup | .... | computer animation (uncredited) | |
| Patrick Clancey | .... | effects compositor of video playback material (uncredited) | |
| Steven Kosakura | .... | vistaglide technician (uncredited) | |
Stunts | |||
| Bobby Aldridge | .... | utility stunts | |
| Tony Brubaker | .... | stunts (as Anthony Brubaker) | |
| Will Cascio | .... | stunts | |
| Jake Crawford | .... | stunt performer | |
| Charles Croughwell | .... | stunts | |
| Bret Culpepper | .... | stunt safety | |
| Cheryl Wheeler Duncan | .... | stunt double: Darlene Vogel (as Cheryl Wheeler-Dixon) | |
| Cheryl Wheeler Duncan | .... | stunts (as Cheryl Wheeler-Dixon) | |
| Greg Wayne Elam | .... | stunts | |
| Richie Gaona | .... | stunts (as Richard Gaona) | |
| Karen Laine | .... | stunts | |
| Gary Morgan | .... | stunts | |
| Pat Romano | .... | stunts (as Patrick Romano) | |
| David Rowden | .... | stunts (as David Scott Rowden) | |
| John-Clay Scott | .... | stunts (as John Clay Scott) | |
| Walter Scott | .... | stunt coordinator | |
| R.L. Tolbert | .... | stunts | |
| Mike Watson | .... | stunts | |
| Lane Leavitt | .... | stunts (uncredited) | |
| Gregg Smrz | .... | stunts (uncredited) | |
Casting Department | |||
| Joni Kearney | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Gala Autumn | .... | costumer | |
| James P. Cullen | .... | costumer (as Jim Cullen) | |
| Bill Hargate | .... | costume constructor | |
| Kelly Lindquist | .... | costumer | |
| Nancy McArdle | .... | costume supervisor: women | |
| Maurice Palinski | .... | costumer (as Frank 'Maurice' Palinski) | |
| David S. Powell | .... | costumer (as David Powell) | |
| Ivette Silberman | .... | costumer | |
| Chuck Velasco | .... | costume supervisor: men | |
| Tomas Velasco | .... | costume constructor | |
| Barcie Waite | .... | costumer | |
Editorial Department | |||
| Eric C. Daroca | .... | apprentice editor (as Eric Daroga) | |
| Dale E. Grahn | .... | color timer (as Dale Grahn) | |
| Peter Lonsdale | .... | associate editor | |
| Janet Fiona Mason | .... | assistant editor (as Janet Mason) | |
| Carin-Anne Strohmaier | .... | assistant editor | |
| Alexandra Leviloff | .... | second assistant editor (uncredited) | |
Music Department | |||
| James B. Campbell | .... | orchestrator | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Kenneth Karman | .... | music editor | |
| Dennis S. Sands | .... | music scoring mixer (as Dennis Sands) | |
| Jacqueline Tager | .... | assistant music editor | |
| James Thatcher | .... | musician: French horn solos | |
| Chuck Domanico | .... | musician: bass (uncredited) | |
Transportation Department | |||
| Richard Burch | .... | driver: insert car | |
| Denny Caira | .... | transportation captain: second unit | |
| Lyle Christensen | .... | shotmaker driver | |
| Dale Henry | .... | transportation captain | |
| Hugh Kelly | .... | driver: second unit | |
| Michael D. Kuljis | .... | transportation coordinator: picture cars (as Mike Kuljis) | |
| Russell McEntyre | .... | transportation coordinator | |
| Keith O'Brien | .... | transportation co-captain | |
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| Back to the Future | Back to the Future Part III | Click | Superman | Terminator 2: Judgment Day |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
When Back to The Future was initially conceived, director and writer Robert Zemeckis and writer Bob Gale had no idea how much notoriety it would eventually achieve, nor of the big box office records it would break. They were happy just to see their project come to fruition. When they wrote the original film, the ending they had written was supposed to be the end of it. Because of it's success, however, and Hollywood being Hollywood, there had to be the inevitable sequels. The problem was that with the original ending, they had painted themselves into a corner as to where they could go with the sequel. What they finally came up with in Part II, is a film that is every bit as whimsical as the original, yet moves along at a pace that will leave you breathless.
For part II the cast is pretty much intact from the original film. The exceptions are Crispin Glover as George McFly has been replaced by Jeffrey Weisman and Claudia Wells has been replaced by Elizabeth Shue as Marty's girlfriend Jennifer. George McFly's role in the sequel is more talked about by other characters than his actual on screen time, and Jennifer's time on screen is quick and brief also (although she has one great scene that takes place in the future)so neither casting change is of any consequence.
The original film dealt with how Marty had threatened his own existence because of changes he had accidentally initiated in the year 1955. For Part II, we learn what happens when the interference is of a much larger scale and consequence. As you recall, the original film ended with Doc Brown(Christopher Lloyd)whisking Marty (Michael J. Fox)and Jennifer away with him to the year 2015 to straighten out their kids. For all his harping about messing with historical events, Doc is not above initiating a bit of interference himself. In their attempt to rescue Marty's future offspring, an aged but still obnoxious Biff Tannen (Thomas F. Wilson), steals the Delorean to transport himself into the past and to bestow upon himself a Sports Almanac book that contains the results of sporting events for years to come. Shortly thereafter, Doc and Marty return to 1985, only to find that not only is Hill Valley not what it used to be, their own lives are in pretty sad shape and far different than what they had been before. And the changes aren't good ones, or as Doc puts it "I can't imagine Hell being much worse."
What makes the Back To The Future series so terrific, is that Zemeckis and Gale took the time travel concept, applied a little originality to it, then let their imaginations run wild. In BTTFII, we get a story that moves along like a runaway freight train. Not content to give us what the year 2015 may be truly like, since making such predictions are usually wrong anyway, they decide to let it all hang loose and just have fun with it. There are holographic theaters, Cafe 80's shops, antique stores that sell dustbusters and other things, skateboards that hover, paying for cab rides with thumbprints, etc. etc. Yet, for all the glossy, multi-colored stores and goofy concepts, we still recognize it as the same old Hill Valley. Something else Zemeckis and Gale do is to take some events from the first film, and replay them in 2015 Hill Valley. Usually, things like this would be seen as the lack of an idea, but in this case its simply Zemeckis having a little fun and letting us in on it. It works perfectly.
Likewise, the alternative version of 1985 Hill Valley is an exercise in how far one's imagination can go. Instead of a quaint peaceful town and suburbs, Zemeckis and Gale do everything in their power to give us the equivalent of an opposite. To go into too much detail here would undermine your own viewing experience and give away a bit too much of the plot.
Then to add fuel to the fire, we once again revisit Hill Valley in 1955, where things really go berserk what with two Marty's and two Docs inhabiting the same year. Zemeckis does a great job of cutting new scenes into footage from the original film with different angles and different perspectives of previous seen activities.
As for the cast, Fox and Lloyd keep their characters of Marty and Doc on the same entertaining level as before. Fox is also given the chore of playing his nerdy son of the future, Marty as a middle aged man and even his daughter of the future. He is pretty much successful except I do think playing his daughter was a bit much. Lea Thompson, again has the difficult chore of bringing Lorraine Mcfly to us in three different characterizations, and as before handles it admirably. Her 1955 Lorraine will always be her most memorable characterization in these films, but the others are equally well done. As for Thomas F. Wilson as Biff, Biff is biff, no matter how old, how young, or how powerful he may be, and his consistence of performance is also noteworthy.
Some have complained about being able to follow Zemeckis and Gale's storyline. If you have seen the first film, you'll have no trouble in that regard. I sure didn't, and for me it was one heck of a comedic thrill ride from beginning to end. If you don't have fun watching Back To The Part II, then the only thing I can think of is that your as much of a curmudgeon as old Biff from 2015. It's not often that a sequel can live up to it's predecessor, but when it does, and introduces some originality along the way you get my grade, which for Back To The Future is an A.