An extremely weird comedy revolving around the life of 31- year-old Abel, who has never left home (literally). After failing with doctors and psychiatrists, Abel's father Victor brings home... See full summary »
Alex van Warmerdam
Alex van Warmerdam,
After his wife Marjan has died in a car crash, Philip de Wit becomes a total wreck. Only after months does he return to a more or less normal life and even then he only works in his wife's ... See full summary »
According to an ancient Indian tale a giant monster embryo residing in a crystal vase is predetermined to fertilize a blue-eyed woman. She will give birth to something evil to unleash ... See full summary »
Rudolf van den Berg
Monique van de Ven,
Esmée de la Bretonière,
Maarten, a bachelor living with his terminally ill mother, is haunted by a nightmare in which God tells him to lose his virginity or die within the week. He desperately tries to lose his ... See full summary »
Ate de Jong
In January 1945, during the 2nd world-war, the Dutch resistance kills a collaborator in the street where the 12 year old Anton Steenwijk lives. The man was shot in front of his neighbors ... See full summary »
Derek de Lint,
Marc van Uchelen,
Monique van de Ven
If it had been written in English instead of Dutch, Gerard Reve's first novel 'De Avonden' (the evenings, 1947) would probably have won international acclaim. Frits van Egters, the main character, could have become the antihero of a generation, like Holden Caufield in Salinger's 'Cather in the Rye' or Jimmy Porter in Osborne's 'Look Back in Anger'. Frits is an emotionally and socially disoriented, sensitive young man, who tries to hide his uncertainty and vulnerability behind his aloofness and a compulsive need to tell shocking jokes. 'De Avonden' gives a realistic picture of drab daily life in post-war Holland. However, underneath this deceptive realism, there a looms a world of fear, truly black humour and repressed (homo-)eroticism. 'De Avonden' was generally considered highly unsuited to be turned into a film, but director Rudolf van den Berg proved everybody wrong. He succeeded in combining the realistic and surreal elements of the novel into a beautiful, sensitive and monumental film, which merits to be seen by more than just Dutch and Flemish viewers, although the BBC broadcast it in the beginning of the 90's. Long live Auntie Beep.
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