In the old days it was called hypochrondria, or black melancholia. Now, apparently, it's termed the Asthenic Syndrome. Whatever it is, Nikolai, a teacher of epicly indifferent pupils, has ... See full summary »
Two Soviet partisans depart their starving band on a short march to a nearby farm to get supplies. The Germans have reached the farm first, so the pair must go on a journey deep into ... See full summary »
This film travels through fantasy and reality as Ivens goes to China to capture the Wind. The film reflects the film maker's journey - from his first film on the wind (Pour Le Mistral)to ... See full summary »
In the old days it was called hypochrondria, or black melancholia. Now, apparently, it's termed the Asthenic Syndrome. Whatever it is, Nikolai, a teacher of epicly indifferent pupils, has got it, and it's not much fun. Worse yet, quite a few other people, even an entire society, seem to be afflicted with the same problem writ extremely large... Written by
L.H. Wong <email@example.com>
At some point in the film we see some of the characters trying to compose living love-making sculptures by using real nude bodies as a way of distraction, escapism and also redemption from the reality, and looking at the entire Asthenic Syndrome, it seems that Kira Muratova is creating a chaotically pulsating sculpture of the Soviet Union during perestroika, adding in a mosaic like made of vortexes, the fears, the insecurities, the weaknesses and the physical and moral instability of a nation crippled by the hardness of a totalitarian regime followed by its needed but painful deconstruction, which implies the sacrifice and the dilute of generations exposed to its toxicity; the state like a wrecked vessel adrift on a sea of sadness is sinking slowly in its apathy, quaking only when frustrations burst into crisis of raw aggression aimed blindly towards people or animals, and a seal of opaqueness seems to keep everyone in a state of voidness of all hopes, morals and ideals; the youths are acting bluntly and disrespectfully, the older are decrepit and without any guidance power over the generation they have to nurture; the whole country has become and insane asylum as Muratova herself voices: "My country had reached bankruptcy and there was nowhere else for it to go. Everything had to burst!"
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