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Always (1989)

 -  Drama | Fantasy  -  22 December 1989 (USA)
6.4
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Ratings: 6.4/10 from 19,723 users   Metascore: 50/100
Reviews: 102 user | 34 critic | 15 from Metacritic.com

A romantic adventure about a legendary pilot's passion for dare-devil firefighting and his girl.

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(screenplay), (screenplay), 3 more credits »
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Title: Always (1989)

Always (1989) on IMDb 6.4/10

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Cast

Cast overview, first billed only:
...
...
...
...
...
Hap
...
Dave
...
Powerhouse
Ed Van Nuys ...
...
Rachel
...
Don
...
Alex
...
Charlie
Michael Steve Jones ...
Grey
Kim Robillard ...
Air Traffic Controller
Jim Sparkman ...
Dispatcher
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Storyline

Pete Sandich and buddy Al Yackey are daredevil aerial forest-fire fighters. Pete finds True Love with Dorinda but won't give up the job. When he takes one risk too many, Dorinda faces deep grief and cannot easily put her life back together. Written by Reid Gagle

Plot Summary | Add Synopsis

Taglines:

They couldn't hear him. They couldn't see him. But he was there when they needed him... Even after he was gone.

Genres:

Drama | Fantasy

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

22 December 1989 (USA)  »

Also Known As:

Siempre  »

Filming Locations:

 »

Box Office

Budget:

$31,000,000 (estimated)

Gross:

$43,858,790 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The bomber flown by Pete and Dorinda is the Douglas A-26 Invader, used by the US Army Air Forces in WWII, and the US Air Force in Korea and Vietnam. Al flies the PBY Catalina, a Navy rescue and transport plane in WWII. Dorinda helps Al ferry a Cessna 337 Skymaster, also known as the O-2 when flown by the Air Force in Vietnam. Ted flies a Super Decathalon, an aerobatic airplane. See more »

Goofs

When Ted gives CPR to the bus driver, he is clearly pretending to perform chest compressions and breathe into him. Doing real compressions on a beating heart can actually cause the heart to stop. See more »

Quotes

Ted Baker: Well, I'll tell ya there, missy. You sure do look purty when you're angry. Wah-huh.
Dorinda Durston: Oh, so you do impressions?
Ted Baker: Well, just that one.
Dorinda Durston: Uh-huh. Who was it?
Ted BakerPete Sandich: [astounded] Who was it?
Dorinda Durston: Was it James Stewart?
Pete Sandich: What are you, kidding me? Who did you think it was, Henry Fonda?
Ted Baker: Well, I'll tell ya there, little missy, you sure do look purty when you're angry! Wah-huh!
Dorinda Durston: Henry Fonda.
Ted Baker: John Wayne! Don't you know John Wayne?
[...]
See more »

Connections

References Star Trek (1966) See more »

Soundtracks

CRAZY LOVE
Written and Performed by Van Morrison
Courtesy of Warner Bros. Records Inc.
By Arrangement with Warner Special Products
See more »

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User Reviews

A film worth revisiting

It has been a while since I have seen this 'Always.' The years, I should say, have done this film justice.

A noted cinephile, I know when to eat my words, and this is one is for the books. Sincere. Honest. Touching. Obviously sparked with a late-eighties, Spielbergian hyper-real, cinematic extensions and flair, these elements do not bog the film downs as, say, with '1941' or 'The Color Purple.' And why should we expect modern filmmakers to be like those of the forties or fifties? Modern filmmakers are just that -- modern.

Holly Hunter is a walking dream and she has talent in droves. I have long had a crush on her and her funny mouth. She is simply enchanting and steals the show. Goodman, for once, is kept under control. Dreyfuss, with the thankless role of revisiting his past and commenting on the future, is the weakest link but only just. Sumptuously photographed by deftly edited, this story of unrequited love is as universal as mothers and babies. If it doesn't bring tears to your eyes, shame on you. The best advice to view this film is to forget it is a Spielberg film. Enjoy it for the love story that it is and sink into its voluptuous and charged charm.

We should all hope we become angels in the mist, able to return to Earth to right all the wrongs of the world.

This may be one Spielberg's most romantic films, next to A.I., which is a supremely magnificent film and, also, equally dismissed when it first arrived on the scene.

I urge all to give this film a second chance.




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