In 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the United States when the ship is captured off the coast of Long Island. The courts must decide whether the Mende are slaves or legally free.
Pete Sandich and buddy Al Yackey are daredevil aerial forest-fire fighters. Pete finds True Love with Dorinda but won't give up the job. When he takes one risk too many, Dorinda faces deep grief and cannot easily put her life back together. Written by
Some 500 people from nearby Libby, Montana were recruited for the film as extras to act as wildland firefighters. See more »
In the club, Dorinda, after changing into her new white dress says, "If you want to dance with this dress, you have to wash your hands." The firefighters wash and dry their hands and as they leave the bathroom, their shirts are still dirty, but when they are dancing with Dorinda, their shirts are clean. See more »
[after Pete's plane explodes, he finds himself getting a haircut in the woods]
Hap, I don't want you to think that I'm doubting your good faith, I just want to get one thing clear, okay?
Am I dead?
Keep the sideburns. Boy, what a jerk I turned out to be. Dead! And now I'm sitting in the woods, getting my hair cut.
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At first glance, Always looks like a variation of Ghost, until one realizes it is a remake of a much older movie. But it has something Ghost certainly did not have -- Audrey Hepburn.
In what would be her final big-screen appearance, Audrey is radiant as the angel Hap, who appears all too briefly in the film. From the moment her famous voice is heard, time seems to stop. True, Audrey doesn't have a lot to say -- although her Doctor Who-like non-explanation about time is funny -- the few moments she is on screen are minutes to treasure. If Judi Dench and Ingrid Bergman were able to get Oscars for glorified cameos, it's a shame Hepburn didn't rate a nomination.
Of course, much of what's special about Audrey's role in this film comes from hindsight -- the fact she only had a couple more years to live, and the fact she had only appeared a few times on film in the previous 20 years. But we can be thankful to Steven Spielberg for not only getting Audrey to make the appearance, but also for giving her a classy film in which to make her swan song.
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