Horror anthology about a college professor (Zada) teaching a course called "The Psychology of Fear". He brings his students (including psychic McWhirter) to his home, one dark and stormy ... See full summary »
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Horror anthology about a college professor (Zada) teaching a course called "The Psychology of Fear". He brings his students (including psychic McWhirter) to his home, one dark and stormy night to tell scary stories. The first involves a young couple whose car breaks down by an old, abandoned house. The second has four trendy teenage girls getting lost in a bad part of town, and chased by a pack of vicious dogs. Last, we have Helgenberger confronting a stalker at the answering service where she works the night shift. Written by
Dzong A.D. Tranchina
In "Girls Night Out", the convertible top is black in the majority of the story, but when Amy gets out of the car to run from the dogs, when it is white. See more »
Although the stories in this Horror anthology are weak, the film manages to engage the mind throughout. The framing device used is that of a professor teaching the psychology of fear who humiliates a student during a lesson. Because of this, the wilder excesses of the teachers lessons can only be taught out of class at his home. Students relate scary tales during one such session most of which are interesting but have seriously flawed logic. Marg Helgenberger excels as the telephone service operator taking calls from a crazed stalker. The best story is the first in which a practical joke seriously misfires. The ending is surreal but is based on a hackneyed idea. The original music by Marc Donohue is excellent, especially that over the opening credits.
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Although the stories in this Horror anthology are weak, the film manages to engage the mind throughout. The framing device used is that of a professor teaching the psychology of fear who humiliates a student during a lesson. Because of this, the wilder excesses of the teachers lessons can only be taught out of class at his home. Students relate scary tales during one such session most of which are interesting but have seriously flawed logic. Marg Helgenberger excels as the telephone service operator taking calls from a crazed stalker. The best story is the first in which a practical joke seriously misfires. The ending is surreal but is based on a hackneyed idea. The original music by Marc Donohue is excellent, especially that over the opening credits.