| Julian Bond | ... | Narrator (voice) | |
| John Brademus | ... | Himself | |
| Calvin O. Butts III | ... | Himself (as Rev. Calvin O. Butts III) | |
| Stokely Carmichael | ... | Himself (archive footage) | |
| Shirley Chisholm | ... | Herself | |
| John Henrik Clarke | ... | Himself (as Dr. John Henrik Clarke) | |
| John Aubrey Davis | ... | Himself | |
| Hattie Dodson | ... | Herself | |
| James Farmer | ... | Himself | |
| Lenworth Gunther | ... | Herself | |
| Charles Hamilton | ... | Himself | |
| Lyndon Johnson | ... | Himself (archive footage) | |
| J. Raymond Jones | ... | Himself | |
| Martin Luther King | ... | Himself (archive footage) | |
| Julius Lester | ... | Himself | |
| Marian Logan | ... | Herself | |
| Adam Clayton Powell Jr. | ... | Himself | |
| Hazel Scott | ... | Herself (archive footage) | |
| Wyatt Tee Walker | ... | Himself (as Rev. Wyatt Tee Walker) | |
| Isabel Washington | ... | Herself | |
| Albert W. Watson | ... | Himself (archive footage) | |
| Roger Wilkins | ... | Himself |
Directed by | |||
| Richard Kilberg | |||
Writing credits(in alphabetical order) | ||
| Phyllis Garland | writer | |
| Richard Kilberg | writer | |
Produced by | |||
| Gary R. George | .... | co-producer | |
| Richard Kilberg | .... | producer | |
| Barbara Margolis | .... | co-producer | |
| Yvonne Smith | .... | producer | |
Cinematography by | |||
| John Hazard | |||
| John Heller | |||
| Paul Koestner | |||
| Allen Moore | |||
| Bill Sheehy | |||
| Buddy Squires | |||
Sound Department | |||
| Paul Alvarez | .... | sound | |
| Jeffrey Kenton | .... | sound | |
| Mathew Price | .... | sound mixer | |
| Roger Sherman | .... | sound | |
| Rob Silverthorne | .... | sound | |
| Douglas Tourtelot | .... | sound | |
Editorial Department | |||
| Victor Kanefsky | .... | supervising editor | |
| Rob Kuhns | .... | editor | |
| Barbara Margolis | .... | archival research | |
| Yvonne Smith | .... | archival research | |
Music Department | |||
| Michael Sahl | .... | music editor | |
Thanks | |||
| Ramsey Clark | .... | special thanks | |
| Joyce Compton | .... | special thanks | |
| Nancy Crumley | .... | special thanks | |
| Arthur Kinoy | .... | special thanks | |
| David Licorish | .... | special thanks (as Rev. David Licorish) | |
| Queen Mother Moore | .... | special thanks | |
| Warren Moorman | .... | special thanks (as Dr. Warren Moorman) | |
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| Dances Sacred and Profane | Anti Glamour | Money Man | Signed: Lino Brocka | Still Killing Us Softly: Advertising's Image of Women |
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| Full cast and crew | External reviews | News articles |
| IMDb Documentary section | IMDb USA section |
This documentary employs mostly talking heads and old still pictures to relay its message about the life and work of Harlem preacher and Congressman Adam Clayton Powell. As one of the first black Congressmen, Powell deserves a lot of credit for helping ignite the civil rights movement. He helped blacks get into the navy, obtain government jobs, and boycott racist businesses. However, after the rise of Martin Luther King, Powell faded, as a man who was only looking out for himself. He was no longer THE black leader so he retreated to the Bahamas to live in luxury. I admit that I was not alive during the Civil Rights Movement, but I find most of what Mr. Powell did to be only for Mr. Powell. I don't think he is or was ever a good symbol for black strive, and the movie fails because it tries to view his life through rose tinted glasses. It is not a balanced piece. The whole story is not accurately represented. In fact, out of all the people who gave insight about this man, only one was white, and everybody put a positive spin on anything he did. This was an interesting man in life, but a poor movie about it. 4/10