1-20 of 23 items from 2015 « Prev | Next »
Icons of Fright recently sat down for an exclusive interview with veteran actor Michael Biehn to talk about his latest feature film, "24 Hour Rental." Biehn had the opportunity to work with legendary director James Cameron on three of his biggest blockbusters which included 1984's "The Terminator" (1984), "Aliens" (1986) and "The Abyss" (1989). Neill Blomkamp ("District 9") was announced earlier this year as the director for a new "Alien" film which would be a continuation from Cameron's "Aliens" sequel and feature the return of lead protagonist Ellen Ripley (Weaver) and Corporal Hicks (Biehn).
Biehn talked about the newly announced "Alien" film saying:
"They're talking about doing another "Aliens" movie, with Neill Blomkamp, and Fox came and announced it and Sigourney (Weaver) has come out and announced it. The basic idea is acting like "Alien 3" and 4 never existed, so if you go on Neill Blomkamps site, everyone can see all the artwork for that. »
- J.B. Casas
When I joined the Icons of Fright team as a contributor a few years back, the first interview I conducted was with a childhood hero of mine, Michael Biehn. Biehn and his wife/producing partner Jennifer Blanc-Biehn were in Los Angeles, doing a signing at Burbank’s Dark Delicacies and were both nice enough to take a few moments out of their schedule to chat about the film they were signing for, The Victim (interview here). It was a big deal to me, and something that helped push me into working my ass off as a writer, and a real turning point for me on a personal level. This previous week, I spoke to Biehn about what’s happened since our first interview, his role in XLrator Media’s mobster comedy series 24 Hour Rental (now available via Hulu), and about what to expect from director Neill Blomkamp’s Alien 5 film, »
- Jerry Smith
By autumn 1977, author Clive Cussler was the toast of the publishing world. Following a decade of writing and two moderately successful novels, his third book, Raise The Titanic! was a runaway bestseller. Its popularity was a contrast to Cussler's earlier books, which had earned him a relatively meagre $5,000. But those earlier adventures - The Mediterranean Caper and Iceberg - helped establish the daring hero Dirk Pitt, a practical, earthy hero designed as a counterpoint to the suave, refined James Bond.
For Raise The Titanic!, Cussler dreamed up a scenario in which Pitt headed up a multi-billion-dollar operation to find and recover the doomed luxury liner, which sank in 1912. Their goal: to recover a mysterious, incredibly rare substance called byzantium from the ship's belly - a »
Fans of Avatar won’t have to wait until James Cameron’s three planned sequels for a return to the world of Pandora, as the filmmaker has announced at the New York Comic Con that he’s teaming up with Dark Horse Comics for a new Avatar comic book series.
“For the past 27 years, Dark Horse has been associated with my films The Terminator, Aliens, and The Abyss. I am excited that between now and the release of the first sequel, Dark Horse Comics will be bringing you new adventures from Pandora – covering the time before, during, and after the events of the original film.”
The first sequel to Avatar is currently slated to arrive in 2017, but don’t be surprised if it gets pushed back again.
- Gary Collinson
During a special panel at New York Comic Con 2015, Dark Horse Comics in conjunction with Twentieth Century Fox Consumer Products and James Cameron’s Lightstorm Entertainment announced that Avatar, the highest-grossing film in history, will expand into the world of comic books in anticipation of the three upcoming film sequels.
In a special prerecorded message, James Cameron revealed that the new series of comics will help shed more light on the mythology and history of the beloved film franchise.
Cameron also noted, “For the past twenty-seven years, Dark Horse has been associated with my films The Terminator, Aliens, and The Abyss. I am excited that between now and the release of the first sequel, Dark Horse Comics will be bringing you new adventures from Pandora – covering the time before, during, and after the events of the original Avatar film.”
“James Cameron is one of the film industry’s greatest talents. »
- Michelle McCue
New York Comic Con is in full swing starting this morning, and a big announcement was already made on the first day. Dark Horse Comics is developing a comic book series based on James Cameron's blockbuster Avatar movie and its upcoming sequels. While director James Cameron wasn't present at Nycc 2015, he did appear in a special video that fans saw at the Dark Horse panel earlier today. Take a look at the video below, courtesy of Entertainment Weekly.
"I'm excited that starting now, even before the release of the first sequel, Dark Horse Comics will be bringing you new adventures from Pandora, covering the time before, during, and after the events of the original Avatar film. For the past 27 years, Dark Horse has been associated with my films The Terminator, Aliens and The Abyss. Now they're working directly with me and our team at Lightstorm in an unprecedented ten-year »
[previous: “The Magician’s Apprentice”/“The Witch’s Familiar”]
This certainly looks, at first glance, like classic Doctor Who: corridor running! But it’s almost a caricature of the format: the Doctor arrives to help a bunch of people trapped in a starbase/ship/hotel/whatever figure out and escape from the monster trapped in the bottle with them. It’s Steven Moffat’s take on James Cameron — there are so many shades of Aliens, Titanic, and The Abyss here — and he can’t seem to leave it alone: we just got this in the Christmas episode, and it’s not any more interesting now. And much of the potential tension is diffused because everyone on this underwater base already knows who the Doctor is and knows what Unit is, so they welcome his help instead of being suspicious of him and demanding to know just who the hell he thinks he is to waltz in and take command. »
- MaryAnn Johanson
An impossible, but true story, the new film from Robert Zemeckis, The Walk is a live-action, PG-rated entertainment for all audiences, ages 8 to 80. A love letter to the World Trade Center, the film is a 3D and IMAX visual experience, unlike anything audiences have seen.
On August 7, 1974 – the day before Richard Nixon announced he would be resigning from office – Philippe Petit, a French aerialist, surprised the city of New York with a high-wire walk between the towers of the almost-completed and partially occupied World Trade Center. Passersby without a moment to spare stopped in their tracks and looked up. They saw the impossible: a man dancing high in the sky, seemingly in the thin air.
Now, forty years later, Zemeckis – one of cinema’s most accomplished filmmakers at integrating technology in the service of emotional storytelling – is putting moviegoers in Petit’s shoes. The Walk, an epic, big-screen cinematic spectacle, »
- Michelle McCue
The trend towards streaming media continues to be an unfortunate reality, but that hasn’t stopped tech companies from moving forward on physical media designed to outshine Blu-ray — Ultra HD 4k Blu-ray is just around the corner. Unlike DVDs and standard Blu-rays though there’s zero chance it’ll ever enjoy a truly widespread consumer reach. Meaning even though physical disc sales have been in decline Blu-rays and DVDs will continue to dominate the market. That’s good news as there are still many, many great films that have yet to receive an HD disc release. The advent of specialty labels like Twilight Time, Kl Studio Classics, Olive Films and more (not to mention the numerous genre-focused ones) has seen several of those titles finding new life, and even the big studios continue to dig deep and reward patient film fans on occasion. Peter Weir’s 1985 classic, Witness, is finally hitting Blu-ray next month from Warner Bros., and »
- Rob Hunter
To mark the release of deep sea thriller Pressure, out now on DVD/download starring Danny Huston, Matthew Goode, Joe Cole, Alan McKenna and Daisy Lowe, we take a look at the best deep sea thrillers of all time.
The Hunt For Red October (1990)
Director: John McTiernan
Das Boot (1981)
Director: Wolfgang Petersen
20,000 Leagues Under The Sea (1954)
Director: Richard Fleischer
Director: Steven Spielberg
The Abyss (1989)
Director: James Cameron
The Big Blue (1988)
Director: Luc Besson
Director: Ron Scalpello
Director: Barry Levinson »
- Phil Wheat
When director James Cameron was concocting 1991’s Terminator 2: Judgment Day, he knew that he needed its villain to evolve beyond Terminator’s formidable T-800, played — in both the original and the sequel — by Arnold Schwarzenegger. Enter the crew at George Lucas’s visual-effects studio Industrial Light & Magic (Ilm), who were ready to deploy sophisticated computer-generated imagery and create the “liquid-metal” assassin T-1000. Nearly a quarter-century later, in Terminator Genisys, which hits theaters July 1, the T-1000, played in T2 by Robert Patrick and now by Byung-hun Lee, will make its triumphant morphing return, but there’s nothing quite like the first time. Here, some of T2’s key visual-effects gurus, producers, and actors tell us how the most indelible aspect of this most memorable killer robot came to life.For 1989’s The Abyss, Cameron and Ilm made their initial breakthrough with a malleable CGI character that could take on human »
- Kenny Herzog
An alien craft shaped like an artichoke? A vessel with breasts? Here's our pick of 15 of sci-fi cinema's most eccentric spaceships...
For decades, heroes have crossed the universe in rocket ships and modified light freighters. Aliens have conquered galaxies in disc-shaped craft of varying sizes.
Yes, as long as there's been science fiction on the silver screen, spaceships have captured our imagination, from the matinee serials of the 30s to the sci-fi blockbusters of the present.
We all have our own idea of what a great spaceship should look like. For some, it's Han Solo's fastest hunk of junk in the galaxy, the Millennium Falcon. For others, it's the more graceful USS Enterprise, or maybe the utilitarian craft of 2001: A Space Odyssey. But what about cinema's more unusual, outlandish spaceships? The ramshackle ones, the anachronistic ones, the ones that look a bit rude, or just plain scary? Those are »
Industrial Light & Magic, the San Francisco-based visual effects house that has changed the course of cinema history countless times over the years, is celebrating its 40th anniversary in 2015. Wired Magazine has rounded up a who's who to discuss its impact and how the advances made there — first in a sweaty Van Nuys warehouse, and now in a swank Presidio complex — have morphed the film industry into what it is today. It's well worth your time. If, however, you're the "tl;dr" type, I couldn't help but jot down a few takeaways as I read. Here are seven. But seriously, take some time to read through it if you can. It's a tight but detailed look back, full of the kind of stories — from "Star Wars" to "Transformers" — that make "movie magic" a thing. George Lucas wants Marvel to make another "Howard the Duck" movie I've actually always loved Willard Huyck »
- Kristopher Tapley
From anime to pitch-black thrillers, here's our pick of the underappreciated movies of 1987...
Sometimes, the challenge with these lists isn't just what to put in, but what to leave out. We loved Princess Bride, but with a decent showing at the box office and a huge cult following, isn't it a bit too popular to be described as underappreciated? Likewise Joe Dante's Innerspace, a fabulously geeky, comic reworking of the 60s sci-fi flick, Fantastic Voyage.
What we've gone for instead is a mix of genre fare, dramas and animated films that may have garnered a cult following since, but didn't do well either critically or financially at the time of release. Some of the movies on our list just about made their money back, but none made anything close to the sort of returns enjoyed by the likes of 1987's biggest films - Three Men And A Baby, Fatal Attraction »
HitFix's recent spate of "Best Year in Film History" pieces inevitably spurred some furious debate among our readers, with some making compelling arguments for years not included in our pieces (2007 and 1968 were particularly popular choices) and others openly expressing their bewilderment at the inclusion of others (let's just say 2012 took a beating). In the interest of giving voice to your comments, below we've rounded up a few of the most thoughtful, passionate, surprising and occasionally incendiary responses to our pieces, including my own (I advocated for The Year of Our Lynch 2001, which is obviously the best). Here we go... Superstar commenter "A History of Matt," making an argument for 1968: The Graduate. Bullit. The Odd Couple. The Lion in Winter. Planet of the Apes. The Thomas Crown Affair. Funny Girl. Rosemary's Baby. And of course, 2001, A Space Odyssey. And that's only a taste of the greatness of that year. "Lothar the Flatulant, »
- Chris Eggertsen
Ah, 1989. The year the Berlin Wall came down and Yugoslavia won the Eurovision Song Contest. It was also a big year for film, with Indiana Jones And The Last Crusade topping the box office and Batman dominating the summer with its inescapable marketing blitz.
Outside the top 10 highest-grossing list, which included Back To The Future II, Dead Poets Society and Honey I Shrunk The Kids, 1989 also included a plethora of less commonly-appreciated films. Some were big in their native countries but only received a limited release in the Us and UK. Others were poorly received but have since been reassessed as cult items.
From comedies to thrillers, here's our pick of 25 underappreciated films from the end of the 80s...
25. An Innocent Man
Disney, through its Touchstone banner, had high hopes for this thriller, »
Jason Voorhees, the living dead of George A. Romero's Dawn of the Dead, the librarian phantom from Ghostbusters, the reanimated dead of Cemetery Man—these memorable horror movie characters and many more came to life onscreen due in large part to the talented hands and crafty eyes of FX legends Tom Savini, Steve Johnson, and Sergio Stivaletti.
Tate Steinsiek, an FX artist who also has an impressive résumé, teaches Ill Willed FX Workshops around the world, and on his international tour this summer, he's bringing in the aforementioned talented trio to offer their priceless advice in select sessions, with Savini joining the Amsterdam series, Johnson coming in for the Dublin series, and Stivaletti set for the Rome series. Also included in our latest round-up are details for Dark Horse's Plants vs. Zombies: Bully for You #1, the first issue in a new comic miniseries debuting in June, as well as »
- Derek Anderson
Variety reported in September that “Into the Storm” director Steven Quale was attached to the project, written by EuropaCorp topper Luc Besson and “The Equalizer” screenwriter Richard Wenk. The story focuses on a group of Navy SEALs attempting to solve a long-forgotten mystery while uncovering an immense treasure hidden in a lake in war-torn Serbia.
EuropaCorp’s slate includes “The Transporter Legacy” and recent Toronto Film Festival acquisition “Big Game.” It announced in February that it was forming the Red joint distribution venture for the U.S. with Ryan Kavanaugh’s Relativity.
Stapleton also stars in the Cinemax series “Strike Back.” He »
- Dave McNary
The World Soundtrack Awards will celebrate its 15th anniversary by feteing one of the most brilliant film composers of his generation, also known for his scores of Back To The Future and Forrest Gump.
The Brussels Philharmonic will perform the compelling scores by Alan Silvestri, conducted by Dirk Brossé and accompanied by film fragments on the big screen. The traditional film music concert will be held during the second part of the World Soundtrack Awards. The WSAwards will once again be the festive closing event of the 42nd Film Fest Gent.
With his percussion driven scores and arrangements one can only compare with roller coasters, Alan Silvestri has emerged as one of the major Hollywood composers that broke through in the eighties. Although Silvestri has succeeded in writing successful scores »
- Michelle McCue
The International Film Music Critics Association has revealed nominations for best in movie music from 2014, and prolific composers James Newton Howard ("The Hunger Games: Mockingjay - Part 1," "Maleficent") and Alexandre Desplat ("Godzilla," "The Grand Budapest Hotel," "The Imitation Game," "The Monuments Men") led the way with seven and six nominations respectively. Film score of the year contenders include just two Best Original Score Oscar nominees: "The Grand Budapest Hotel" and Hans Zimmer's "Interstellar." "The Imitation Game" and Jóhann Jóhannsson's "Theory of Everything," however, were both nominated in the drama category. "Maleficent" landed the most nominations for a film with four, while DreamWorks Animation's "How to Train Your Dragon 2" picked up three (each of them another if you count composer of the year honors for Howard and John Powell respectively). Check out the full list of nominees below. Winners will be revealed on Feb. 19. And be sure »
- Kristopher Tapley
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