An American nuclear submarine encounters an alien species, which coincidentally causes massive electrical and hydraulic malfunctions, causing the sub to crash into an underwater cliff and sink. The navy asks the workers of a nearby underwater oil rig who are joined by a number of navy SEALS to locate and investigate the cause of the crash. As the crew embark on their mission, they encounter a number of difficulties and discover that they may not be alone. There is something else down there. Written by
Director James Cameron contacted Orson Scott Card before filming began with the possibility of producing a book based on the film. Card initially told his agent that he doesn't do "novelizations", but when she told him that the director was James Cameron, he agreed to consider it. The script arrived, and Card signed on after receiving assurances from Cameron that he would be free to develop his "novel" the way he wanted to. After a meeting with Cameron, Card immediately wrote the first three chapters, which dealt with events concerning Bud and Lindsay Brigman that occurred before the events in the film. Cameron gave these chapters to Ed Harris and Mary Elizabeth Mastrantonio, who used it to develop their characters. See more »
The Explorer has its name written on its side in some shots, but not in others. See more »
The Walk To The Gas Chamber
From The Seventh Sign (1988)
Music composed and performed by Jack Nitzsche
Courtesy of Tri-Star Pictures, Inc.
Published by TSP Music, Inc. administered by EMI Music, Inc. See more »
Epic original sci-fi adventure with a lot of heart, action, suspense, and brains
The Abyss is one of my all-time favorite sci-fi films. It mixes hard science with abject fantasy to make moral and philosophical points about the human condition and our place in the universe without the usual clichés. And it does so with good dialog, strong characterization, and intensely emotional acting. Harris and Mastrantonio are absolutely electric together and dominate the screen, but the entire cast deserves plenty of credit. The production itself is mesmerizing despite its vast scale and tastefully used special effects. The film is long, but worth every second of the experience, and the slightly lengthier, more detailed Special Edition version is even better than the original.
Ostensibly, this is a film about first contact with non-terrestrial intelligence. But the story allegorically deals with an amazing array of themes common to great dramas - violence, love, capitalism, war, courage and cowardice. The hardest, most obedient soldier in the film, played spectacularly by Michael Biehn, is a coward, and a man who is hopelessly in love with his estranged wife (Harris) turns that love into an act of suicidal heroism which might unintentionally save the world. And yet nothing is exactly as it seems to be, and there are really no spoilers in this review. There are so many subtle and sensitively developed themes in this film that it is hard to imagine a more epically human drama in the sci-fi genre. Even so, this is a film which entertains at every level, and will satisfy the action fan as much as the wannabe film critic. ;-)
Most of the film takes place on an experimental submarine drilling platform owned by a petroleum company. A nuclear sub has been lost in "the abyss" - a subduction trench near the Caiman Islands - after encountering an impossibly fast object. Soon, the US military commandeers the platform and its command ship - The Benthic Explorer - to attempt a rescue mission. As everything begins to go wrong, and the encounters with strange phenomena continue, the Navy SEAL in charge of the rescue attempt begins to crack. Meanwhile, on the surface, accusations concerning the sub are escalating between the USSR and USA, and nuclear war seems immanent. This describes just a small segment of the deliciously complex plot that unfolds in The Abyss. You'll have to see it to enjoy the rest.
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