An American nuclear submarine encounters an alien species, which coincidentally causes massive electrical and hydraulic malfunctions, causing the sub to crash into an underwater cliff and sink. The navy asks the workers of a nearby underwater oil rig who are joined by a number of navy SEALS to locate and investigate the cause of the crash. As the crew embark on their mission, they encounter a number of difficulties and discover that they may not be alone. There is something else down there. Written by
The masks were specially designed to show the actors' faces, and had microphones fitted so that dialogue spoken at the time by the actors could be used in the film. Because they were designed to cleanly capture dialogue underwater, noises created by the diving equipment were either isolated or filtered out. James Cameron felt the (superior) quality of the sound seemed artificial, and the noises made by the regulators in the helmets were added during sound post-production. See more »
Although, of course, all the equipment and terrain is fictional and only subject to fictional physics, it is intuitively extremely unlikely that something the size and weight of the fallen crane could pull something the size and weight of the rig along the sea bed, especially when the cable is draped over the edge of the cliff and the crane is presumably bumping along the rocky cliff wall. See more »
Though I prefer The Terminator and Aliens, this film is James Camerons most artistic film. The visual imagery of this film is stunning, with no half measures taken, it is such a pleasure to watch. The aliens look as beautiful as an alien can do and the underwater scenery is so picturesque that I just wish I could be there.
The special effects are stunning. As with a lot of Cameron's hits, this was an innovator in special effects. If it wasn't for this film, films such as The Matrix and Lord of the Rings would not be here or at least would not have been able to express themselves in a visual sense.
Cameron is the ultimate director. Although he is a pain to work with, he gets his image across and proves why he is such a hit machine. No one compares to him when it comes to picking a cast. Even though most of this cast were, and still are, unknown, the performances in this are fantastic. I know I always praise him but Michael Biehn as Coffey is one of the best acting performances I have ever seen and the fact that Biehn was not even Oscar nominated is a travesty! He is great to watch as the maniac who is irate and just plain horrible. Ed Harris is on par with his good performances in The Rock and Apollo 13. You just want to be his mate in this movie despite the fact he is another pain (see Rock out takes) which is why him and Cameron have not spoken a word since this film. Mary Elizabeth Mastrantonio was a bit of a fad. She didn't last very long being in good films but she is good as the hard nosed estranged wife who near the end, becomes wonderfully vulnerable and loving.
Cameron is a great writer and The Abyss, along with The Terminator and Strange Days, shows off his talent to a great extent. As with all of Cameron's Sci-Fi screenplays, behind the technology lies a distinctively human element. This enables The Abyss, despite the extra terrestrial goings on, to approach the audience on their level and suck viewers in to the film. The character of Coffey is a great obstacle character because he is losing his mind and is getting engulfed by paranoia to the point where he can not trust anyone. The way Cameron uses Coffey to build up suspense is very effective and the culmination of this is one of the most frantic underwater chases there will ever be. Spectacular is the only word that comes to mind. The ending of this film has been heavily criticised but this is unfair as it carries a decent message regarding humanity and fits the mood of the film. It may have been slightly rushed but the best bits of the film are all under water anyway.
Anyone who likes their special effects, a great story and terrific acting need look no further than The Abyss. The contrast of the breathtaking beauty of the ocean between the claustrophobia of a vessel should be enough to captivate most audiences. A fantastic visionary piece.
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