A killer known as Ghostface begins killing off teenagers, and as the body count begins rising, one girl and her friends find themselves contemplating the "Rules" of horror films as they find themselves living in a real-life one.
With a dead body lying between them, two men wake up in the secure lair of a serial killer who's been nicknamed "Jigsaw". The men must follow various rules and objectives if they wish to survive and win the deadly game set for them.
Tom returns to his hometown on the tenth anniversary of the Valentine's night massacre that claimed the lives of 22 people. Instead of a homecoming, however, Tom finds himself suspected of committing the murders, and it seems like his old flame is the only one will believes he's innocent.
A musician witnesses the murder of a famous psychic, and then teams up with a fiesty reporter to find the killer while evading attempts on their lives by the unseen killer bent on keeping a dark secret buried.
Half-hour stories with many themes, including; horror, twists, black-magic, sci.-fi. .... Introduced by a puppet called "The Crypt Keeper". A cross between the "Twilight Zone" and modern horror movies. Not suitable for the very young or squeamish. Written by
For the episodes they directed, Walter Hill ("Cutting Cards") and Joel Silver ("Split Personality") studied the comic book originals they were based on and used them to plan out their shots. See more »
[after cutting someone's ear off with a pair of scissors]
Shave and a haircut, two bits!
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Not only was every episode meticulously crafted into thirty minutes of ironic terror, but the forces behind it always remained credible enough to deliver star-studded episodes. Jon Kassir's Crypt Keeper remains one of the more sacred pop culture figures of recent years (when's the last time you saw someone trashing the Keeper? He's an icon for chrissakes), and while some of the stories may not have been on caliber with others (most of the "England" episodes never touched the Demi Moore/"if I can't have you, no one will" one), in the end, when the smoke had cleared and the show was over, you looked at it with a refreshing zing, as if you had embraced being had.
Bringing back the EC stories wasn't a simple task. Speilberg tried it with "Amazing Stories" and gave up after two long years. The "Vault Of Horror" got a limited run in 94, but failed. But Tales always stuck around, on its own terms, and gave up swinging.
NP: The Bobcat Goldthwait episode: only animated Tales ever: takeoff...Three Little Pigs
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