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| Steve Binder | .... | executive producer: live action segments (65 episodes, 1989) |
| John Grusd | .... | producer (65 episodes, 1989) |
| Andy Heyward | .... | executive producer (65 episodes, 1989) |
| Keiren Kasun | .... | associate producer: live action segments (65 episodes, 1989) |
| Robby London | .... | co-executive producer (65 episodes, 1989) |
| Troy Miller | .... | producer: live action segments (65 episodes, 1989) |
| Lisa Rosales | .... | associate producer: live action segments (65 episodes, 1989) |
| Jack Spillum | .... | associate producer (65 episodes, 1989) |
| |
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| Jerald E. Bergh | .... | executive in charge: Saban Productions (65 episodes, 1989) |
| Leslie Bertram | .... | production supervisor: live action segments (65 episodes, 1989) |
| Christopher J. Brough | .... | executive in charge of production: live action segments (65 episodes, 1989) |
| Winnie Chaffee | .... | executive in charge of production (65 episodes, 1989) |
| Patrick Dempsey | .... | production manager: live action segments (65 episodes, 1989) |
| Stacey Gallishaw | .... | assistant executive in charge of production (65 episodes, 1989) |
| Dawn Jackson | .... | assistant executive in charge of production (65 episodes, 1989) |
| Thierry P. Laurin | .... | executive in charge of production: animation (65 episodes, 1989) |
| Eric S. Rollman | .... | post-production supervisor (65 episodes, 1989) |
| |
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| Bob Arkwright | .... | storyboard artist (65 episodes, 1989) |
| Myrna Bushman | .... | storyboard slugging (65 episodes, 1989) |
| Joshua Dodson | .... | storyboard artist (65 episodes, 1989) |
| Kazumi Fukushima | .... | storyboard artist (65 episodes, 1989) |
| Drew Graybeal | .... | prop designer (65 episodes, 1989) |
| Marsh Lamore | .... | storyboard slugging (65 episodes, 1989) |
| Armando Norte | .... | prop designer (65 episodes, 1989) |
| Ric Quiroz | .... | prop designer (65 episodes, 1989) |
| Bill Reed | .... | storyboard slugging (65 episodes, 1989) |
| Kexx Singleton | .... | storyboard artist (65 episodes, 1989) |
| Robert Souza | .... | prop designer / storyboard artist (65 episodes, 1989) |
| Jennifer Stillwell | .... | storyboard artist (65 episodes, 1989) |
| Paul Wee | .... | prop designer (65 episodes, 1989) |
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| Elvida Abella | .... | dialogue editor (65 episodes, 1989) |
| Gregory K. Bowron | .... | dialogue editor (65 episodes, 1989) |
| Gary Coppola | .... | re-recording engineer (65 episodes, 1989) |
| Michael J. Cowan | .... | supervising sound engineer (65 episodes, 1989) |
| Heather C. Elliott | .... | dialogue editor (65 episodes, 1989) |
| Richard Bruce Elliott | .... | dialogue editor (65 episodes, 1989) |
| Ron Fedele | .... | dialogue editor (65 episodes, 1989) |
| Bill Filipiak | .... | assistant engineer (65 episodes, 1989) |
| R.D. Floyd | .... | re-recording engineer (65 episodes, 1989) |
| Richard S. Gannon | .... | dialogue editor (65 episodes, 1989) |
| Robert T. Gillis | .... | dialogue editor (65 episodes, 1989) |
| Theresa Gilroy-Nielsen | .... | dialogue editor (65 episodes, 1989) |
| Anna Granfors | .... | track reader (65 episodes, 1989) |
| Gary Jaye | .... | sound effects editor (65 episodes, 1989) |
| Claudette Jones | .... | foley artist (65 episodes, 1989) |
| Clive H. Mizumoto | .... | re-recording engineer / sound designer (65 episodes, 1989) |
| Kevin Newson | .... | assistant engineer (65 episodes, 1989) |
| Scott Page-Pagter | .... | sound effects editor (65 episodes, 1989) |
| Ron Salaises | .... | assistant engineer (65 episodes, 1989) |
| John Valentino | .... | sound effects editor (65 episodes, 1989) |
| Helen Asimakis | .... | recording assistant (52 episodes, 1989) |
| Shirley McGregor Ford | .... | recording assistant (52 episodes, 1989) |
| Peter Harvey | .... | recording assistant (52 episodes, 1989) |
| Mark McCorkle | .... | recording assistant (52 episodes, 1989) |
| Robert Schooley | .... | recording assistant (52 episodes, 1989) |
| Daniela Spiwak | .... | recording assistant (52 episodes, 1989) |
| John Tirpak | .... | recording assistant (52 episodes, 1989) |
| Gary Katsuya Ushino | .... | recording assistant (52 episodes, 1989) |
| Victor Villegas | .... | recording assistant (52 episodes, 1989) |
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| Laura King | .... | sound mixer (unknown episodes) |
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| Tristan Anderson-Migliore | .... | animation supervisor (65 episodes, 1989) |
| Rich Arons | .... | character designer (65 episodes, 1989) |
| Maxwell Becraft | .... | x-sheet director (65 episodes, 1989) |
| Joe Binggeli | .... | background color stylist (65 episodes, 1989) |
| Bonnie Callahan | .... | background color stylist (65 episodes, 1989) |
| Tim Callahan | .... | background designer (65 episodes, 1989) |
| Joshua Dodson | .... | character designer (65 episodes, 1989) |
| Geoffrey C. Everts | .... | color key artist (65 episodes, 1989) |
| Paul A. Felix | .... | background designer (65 episodes, 1989) |
| Paul Fetler | .... | color key artist (65 episodes, 1989) |
| Jim Finnegan | .... | background color stylist / background designer (65 episodes, 1989) |
| Frank Frezzo | .... | background designer (65 episodes, 1989) |
| Drew Graybeal | .... | character designer (65 episodes, 1989) |
| Bari Greenberg | .... | background color stylist (65 episodes, 1989) |
| Herb Hazelton | .... | character designer (65 episodes, 1989) |
| David S. Karoll | .... | color key artist (65 episodes, 1989) |
| Dae-jung Kim | .... | animation director: Sei Young Animation (65 episodes, 1989) |
| Abel Laxamana | .... | background color stylist (65 episodes, 1989) |
| Ed Lee | .... | character designer (65 episodes, 1989) |
| Rogerio Nogueira | .... | character designer (65 episodes, 1989) |
| Sean Platter | .... | background designer (65 episodes, 1989) |
| Ric Quiroz | .... | character designer (65 episodes, 1989) |
| Dev Ramsaran | .... | animation supervisor (65 episodes, 1989) |
| Greg Reyna | .... | x-sheet director (65 episodes, 1989) |
| Tom Shannon | .... | background designer (65 episodes, 1989) |
| Ray Shenusay | .... | background designer (65 episodes, 1989) |
| Robert Souza | .... | character designer (65 episodes, 1989) |
| Mike Stribling | .... | lip assignment / x-sheet director (65 episodes, 1989) |
| Maureen Trueblood | .... | character designer (65 episodes, 1989) |
| Paul Wee | .... | character designer (65 episodes, 1989) |
| Steve Whitehouse | .... | animation supervisor (65 episodes, 1989) |
| Carol Wyatt | .... | color key artist (65 episodes, 1989) |
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| Fifun A. Amini | .... | post-production assistant (65 episodes, 1989) |
| Phil R. Defibaugh | .... | videotape supervisor (65 episodes, 1989) |
| Lars Floden | .... | format editor (65 episodes, 1989) |
| Kimberly C. Francis | .... | assistant executive in charge of post-production: animation (65 episodes, 1989) |
| William P. Magee | .... | format editor (65 episodes, 1989) |
| Karen Rosenbloom | .... | assistant editor (65 episodes, 1989) |
| Nye Tucker | .... | post-production assistant (65 episodes, 1989) |
| Donald P. Zappala | .... | assistant editor (65 episodes, 1989) |
| Mario Di Mambro | .... | videotape supervisor (62 episodes, 1989) |
| Elvida Abella | .... | videotape supervisor (3 episodes, 1989) |
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| Barron Abramovitch | .... | music engineer (65 episodes, 1989) |
| Nick Carr | .... | music editor (65 episodes, 1989) |
| Katey Consolino | .... | music clearance (65 episodes, 1989) |
| Andrew Dimitroff | .... | music supervisor (65 episodes, 1989) |
| Bill Filipiak | .... | assistant engineer (65 episodes, 1989) |
| Richard Firth | .... | music arranger (65 episodes, 1989) |
| Xavier Garcia | .... | music engineer (65 episodes, 1989) |
| Andy Heyward | .... | creative music producer (65 episodes, 1989) |
| Ron Kenan | .... | executive in charge of music (65 episodes, 1989) |
| Koji Kondo | .... | adaptions based on music by (65 episodes, 1989) |
| Stephen C. Marston | .... | music arranger (65 episodes, 1989) |
| Paul Ray | .... | music editor (65 episodes, 1989) |
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| Lori Crawford | .... | script coordinator (65 episodes, 1989) |
| Jonathan Dern | .... | production coordinator (65 episodes, 1989) |
| Steven Gold | .... | production coordinator (65 episodes, 1989) |
| Chris Hammond | .... | production assistant (65 episodes, 1989) |
| Penny Lee | .... | assistant script coordinator (65 episodes, 1989) |
| Tom Pong | .... | production coordinator (65 episodes, 1989) |
| George Robinson | .... | assistant script coordinator (65 episodes, 1989) |
| William A. Ruiz | .... | assistant script coordinator (65 episodes, 1989) |
| Deborah B. Silverthorn | .... | production coordinator (65 episodes, 1989) |
| Minoru Terao | .... | production assistant (65 episodes, 1989) |
| Renee Toporzysek | .... | production assistant (65 episodes, 1989) |
| Kazuko Yamamoto | .... | production assistant (65 episodes, 1989) |
| Peter Margolis | .... | dga stage manager (61 episodes, 1989) |
| Madeleine Bascom | .... | voice director (52 episodes, 1989) |
| Marsha Goodman | .... | voice director (52 episodes, 1989) |
| Greg Morton | .... | voice director (52 episodes, 1989) |
| Paul F. Quinn | .... | voice director (52 episodes, 1989) |
| Bruce Shelly | .... | story editor (52 episodes, 1989) |
| Reed Shelly | .... | story editor (52 episodes, 1989) |
| |
company.
You'd have to have been born somewhere between the late seventies and early eighties to have fully appreciated Oldschool Nintendo. Even though the major Nintendo stars such as Mario and Link are still with us today, their innocence doesn't hold up any more in a gaming world full of violence and mature themes. I remember watching this show religiously every day after school, during a time of my life when anything Nintendo was sacred.
I had the opportunity recently to watch some of the episodes, and found it a fun experience to relive that bit of nostalgia. Even though cartoons have vastly improved over the years, I believe that the episodes still hold up pretty well. Memories of the time I had a crush on Princess Toadstool and Zelda, sang along to the Mario song, and pretended I was Link dueling with bad guys in my back yard seem to come back to me as I watched.
The style of the cartoons is outdated in comparison to the superb quality we have today, but if you fit into that age range I mentioned previously, you'll find some great nostalgic value in these cartoons.