Sam leaps into a bar with a bartender that's more than he appears. When Sam looks into a mirror, he sees his own reflection. In the future, they realize that Sam has leaped into himself, they search ...
Doctor Sam Beckett led a group of top scientists into the desert to research his theory that a man could time travel within his own lifetime. Unfortunately, in order to save his funding, he was forced to enter the accelerator prematurely and vanished. He then found himself in someone else's body with partial amnesia. His only contact from home is Al, a holographic image only he can see and hear. Setting right things which once went wrong, Sam leaps from life to life, hoping each time that this is the final leap home. Written by
Scott Bakula did his own singing in episodes in which Sam leaped into musical performers, or was otherwise called upon to do. Prior to his work on television, Bakula had done extensive work in musical theatre. See more »
Ziggy's opening narration says that "only Sam can see and hear" Al which was thought to be true for the first season and for the first twelve seasons of season 2, but Sam and Al discover in Quantum Leap: Another Mother - September 30, 1981 that animals, very young children, the mentally disabled, and people near death can also see and hear him (as well as seeing Sam's true form). See more »
[his life in the 70's]
Great. I'm on the take, I wear polyester clothes and I live above a bar in an apartment decorated like a gym.
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I was so busy rearing two kids as a single mom while working, volunteering, and taking college courses that I totally missed the original run of the series. I'm playing catch up now, watching the re-runs on Sci-Fi. I happened to run into it just a few months ago -- and only b/c I stayed up too late one night. At first, I thought it was just *too cute,* but now I'm hooked. If I can't stay up till 2AM, I have to record it to find out how the next episode goes. It's fabulous!
I especially like how the show leads me to examine the history of the years between the 1950's through the 1980's -- the good, the bad, and the very, very ugly (e.g., the segregated South). Sure, it's encapsulated into a 60 minute segment, but the writers managed to hit enough of the key points to make it worth the air space. And sure, it's P.C. -- sometimes simplistically so -- but that only goes with the territory of the show's premise, which is the hope that we can make this world a better place for everyone, regardless of race, creed, color, national origin, mental abilities, or socio-economic class. That's not a bad philosophy. In fact, it's the same hope that led me to bear children, and then rear them to have hope for their own futures.
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