| Nicole Kidman | ... | Katrina Stanton | |
| Denholm Elliott | ... | Hal Stanton | |
| Hugo Weaving | ... | Richard Carlisle | |
| Joy Smithers | ... | Mandy Engels | |
| Norman Kaye | ... | George McNair | |
| Jerome Ehlers | ... | Arkie Ragan | |
| Noah Taylor | ... | Billy Engels | |
| Gerda Nicolson | ... | Lady Faulkner | |
| Pauline Chan | ... | Kang ('Pretty Warder') (1989) | |
| Lewis Fiander | ... | James Stanton | |
| Richard Carter | ... | Detective King | |
| Tan Chandraviroj | ... | Major Sara | |
| Judy Morris | ... | Catherine Faulkner | |
| rest of cast listed alphabetically: | |||
| John Alansu | ... | Thai Police Sergeant | |
| Vincent Ball | ... | British Attache | |
| Ambika Baxter | ... | Immigration Officer, GOA | |
| Lucy Bayler | ... | Sarah | |
| David Bennett | ... | Sick Hospital Prisoner | |
| Jonathan Biggins | ... | O'Keefe | |
| Amir Blazey | ... | Indian Policeman | |
| David Bookalil | ... | Minister | |
| Somsak Boonpetch | ... | Thai Immigration Officer | |
| Colin Borgonon | ... | English Journalist | |
| Brian Bovell | ... | Postman | |
| Terry Brady | ... | Mechanic | |
| Cary Cowling | ... | Major Sara's agent #1 | |
| Adolfo Cruzado | ... | Senior Guard | |
| Joseph Dibbayawan | ... | Airport Security #2 | |
| Quang Dinh | ... | Priest | |
| Kat Ditthavong | ... | Prison Governor | |
| Wallas Eaton | ... | Gordon Fleming | |
| Mishi Fukinishi | ... | Japanese Officer #2 | |
| Lachelle Gaymon | ... | Astra's Friend | |
| Ron Hackett | ... | Senior British Officer | |
| Amber Haidar | ... | Kat Aged 5 | |
| Norman Hodges | ... | Taxi Driver #1 | |
| Sally Hudson | ... | Qantas Ticket Clerk | |
| Elliot Jurd | ... | Scruffy Boy | |
| Tavit Karmolphachak | ... | Judge #1 | |
| Vachira Karmolphachak | ... | Airport Security #1 | |
| Ali Kay | ... | Carlisle's Servant | |
| Clarissa Kaye-Mason | ... | Mrs. Cameron | |
| Bogdan Koca | ... | Picture Editor | |
| Forin Kool | ... | Thai Policeman | |
| Lois Larimore | ... | American Woman at Airport | |
| Deidre Lassau | ... | Miss Howell | |
| Lin Chin Lee | ... | Gnut | |
| Sinan Leong | ... | 1st Ticket Clerk, Bangkok | |
| Tony Lo | ... | Night Guard | |
| Gandhi MacIntyre | ... | Hotel Manager, GOA | |
| Charlie Mallanoo | ... | Thai Court Officer | |
| Lindsay McCormack | ... | Male Prisoner | |
| Raina McKeon | ... | Cashier Luxury Hotel, GOA | |
| Van Michael | ... | Thai Guard | |
| Richard Moss | ... | Scotland Yard Inspector | |
| Kazuhiro Muroyama | ... | Japanese Officer #1 | |
| Helen Mutkins | ... | Jane | |
| Patricia Ng | ... | Boarding Clerk | |
| Patrick Ng | ... | Storeholder | |
| Thieu Mai Ngo | ... | Old Prison Warder | |
| Maureen O'Shaughnessy | ... | Law Office Receptionist | |
| Kirsten Overend | ... | Blonde with Arkie | |
| Chris Panasbodi | ... | Executioner | |
| Tipee Panchee | ... | Court Typist | |
| Grace Parr | ... | Thai Thief | |
| Arthur Percival | ... | Taxi Driver #2 | |
| Jay Pillay | ... | Air India Assistant, GOA | |
| Don Reid | ... | Doctor | |
| Monroe Reimers | ... | Indian Major | |
| Jaime Robertson | ... | War Records Office, Private | |
| Vasant Sanpardith | ... | Judge #2 | |
| John Sheerin | ... | Qantas Manager | |
| Michael Sinclair | ... | Sir Richard | |
| Angeline Sinthavachiva | ... | Carlisle's Secretary | |
| Zahrina Snell | ... | Departure Clerk, GOA | |
| Ron Stephenson | ... | War Records Office Corporal | |
| Saravut Tantiprasut | ... | Maj. Sara's agent #2 | |
| Michael Tauro | ... | Prison Patient | |
| Deborah Kara Unger | ... | Astra (as Deborah Unger) | |
| William Usic | ... | British Corporal | |
| Vanessa Walton | ... | Arkie's New Girl | |
| Ram Worton | ... | Anat | |
| Chin Yu | ... | Thai Doctor | |
| Sylvia Yuen | ... | 2nd Ticket Clerk, Bangkok | |
Directed by | |||
| Ken Cameron | |||
Writing credits | ||
| Ken Cameron | story & | |
| Terry Hayes | story & | |
| Tony Morphett | story and | |
| Terry Hayes | screenplay | |
Produced by | |||
| Barbara Gibbs | .... | associate producer | |
| Terry Hayes | .... | producer | |
| George Miller | .... | producer | |
| Doug Mitchell | .... | producer | |
Original Music by | |||
| Graeme Revell | |||
Cinematography by | |||
| Geoff Burton | |||
Film Editing by | |||
| Marcus D'Arcy | |||
| Henry Dangar | |||
| Louise Innes | |||
| Frans Vandenburg | |||
Casting by | |||
| Alison Barrett | |||
Production Design by | |||
| Owen Williams | |||
Art Direction by | |||
| Michael Bridges | |||
Costume Design by | |||
| Glenys Jackson | |||
Makeup Department | |||
| Wendy De Waal | .... | additional hair stylist | |
| Gail Edmonds | .... | additional hair stylist | |
| Wendy Sainsbury | .... | additional makeup artist | |
| Sonja Smuk | .... | additional makeup artist | |
| Lesley Vanderwalt | .... | makeup artist | |
| Jan Zeigenbein | .... | hair stylist (as Jan 'Ziggy' Zeigenbein) | |
Production Management | |||
| Paul Enright | .... | assistant unit manager | |
| Barbara Gibbs | .... | production manager | |
| Yeti Jindal | .... | production manager: India | |
| Santa Pestonji | .... | production manager: Thailand | |
| Justin Plummer | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Keith Heygate | .... | first assistant director | |
| Maria Phillips | .... | third assistant director | |
| P.J. Voeten | .... | second assistant director | |
Art Department | |||
| Mark Dawson | .... | props buyer | |
| Tim Eiseman | .... | carpenter | |
| Jenny Green | .... | head buyer | |
| Kate Highfield | .... | art department manager | |
| Bill Howe | .... | construction manager | |
| John Jenkinson | .... | carpenter | |
| Tim Jorgensen | .... | carpenter | |
| Adrian Knowles | .... | stagehand | |
| Glen Nielsen | .... | carpenter | |
| Frank Phipps | .... | carpenter | |
| Tony Redfern | .... | carpenter | |
| John Stiles | .... | carpenter | |
| Maxie Street | .... | carpenter | |
| Eric Todd | .... | scenic artist | |
| Kris Torma | .... | art department runner | |
| Charlotte Watts | .... | graphic artist | |
| George Zammit | .... | stand-by props | |
Sound Department | |||
| Nick Breslin | .... | dialogue editor (as Nicholas Breslin) | |
| Julius Chan | .... | sound effects editor | |
| Julius Chan | .... | sound re-recording mixer | |
| Andy Duncan | .... | boom operator | |
| Phil Judd | .... | sound re-recording mixer | |
| Ian McLoughlin | .... | sound mixer | |
| Ben Osmo | .... | sound recordist | |
| Wayne Pashley | .... | dialogue editor | |
| Annabelle Sheehan | .... | post sync dialogue | |
| Lee Smith | .... | sound designer | |
| Tommy Staples | .... | boom operator: England (as Tom Staples) | |
| Peter Townend | .... | sound designer | |
| Kimberly Walls | .... | assistant sound editor | |
| Noelleen Westcombe | .... | dialogue editor | |
Special Effects by | |||
| Chris Murray | .... | special effects | |
Stunts | |||
| Danny Baldwin | .... | stunts | |
| Guy Norris | .... | stunt coordinator | |
| Antony Szeto | .... | stunts (as Tony Szeto) | |
| Fred Welsh | .... | stunt double: Hal (as Fred Walsh) | |
Camera and Electrical Department | |||
| Grant Atkinson | .... | best boy | |
| Bruce Barber | .... | key grip | |
| Robbie Burr | .... | third electrician (as Robert Burr) | |
| Kerry Jackson | .... | assistant grip | |
| Darrin Keough | .... | focus puller | |
| Brian McKenzie | .... | still photographer | |
| Kathryn Milliss | .... | clapper loader | |
| Ian Plummer | .... | gaffer | |
Casting Department | |||
| Gabrielle Healy | .... | extras casting | |
Costume and Wardrobe Department | |||
| Tony Assness | .... | wardrobe assistant | |
| Andrea Hood | .... | wardrobe buyer | |
| Laura Jocic | .... | seamstress | |
| Devina Maxwell | .... | stand-by wardrobe | |
| Jenny Miles | .... | costume supervisor | |
| Sheryl Pilkinton | .... | head cutter | |
Editorial Department | |||
| Jane Maguire | .... | assistant editor | |
| Basia Ozerski | .... | assistant editor | |
Other crew | |||
| Catherine Barber | .... | financial controller | |
| Catherine Bull | .... | stand-in: Kat | |
| Richard Colman | .... | stand-in: Hal | |
| Nicholas Daubney | .... | location manager: England | |
| Stan Fus | .... | location manager: England | |
| Sae Tang 'Keng' Kanokporn | .... | production coordinator: Thailand | |
| Fiona King | .... | production coordinator | |
| Peter Lawless | .... | location manager | |
| Amelia Marzocchi | .... | production secretary | |
| Barbara Nolan | .... | assistant to producers | |
| Rapin Srisomboon | .... | production assistant: Thailand | |
| Pamela Willis | .... | script supervisor | |
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When I first saw the series, I was 15 years old. Ever since I saw it, the first thing that came to mind whenever I heard the name Nicole Kidman was this series. And it was also something that tended to come up at the dinnertable when we were going back discussing television-shows.
Now, some 17 years later I accidentally stumbled upon the DVD and I was rather reserved about the thought of seeing it again because what else but disappointment was there to gain from seeing something which held a good memory but was surely going to be completely outdated.
Imagine my surprise that although it was rather dated, it had actually aged so well. Another surprise was finding no one less than Hugo Weaving playing a major role in it. An actor I had grown to love ever since I saw him in 'The Interview' and the later classics such as LOTR and the Matrix.
Bangkok Hilton has survived the test of time basically because of the really great acting performances, script, story and ambiance. And apparently this was all that it needed to remain the classic that it has become. And by no means the cinematography, which wouldn't stand a chance against even the average soap opera we see today.
When you compare the story and the screenplay to modern similar tales such as the prison-series OZ, you will find that it is really hopeless out of date. The hell-hole of a jail in which Kidman is kept, is like a Disneyride compared to what the men in Emerald City had to endure in OZ. You will find no 'spooning' practices in Bangkok Hilton if you know what I mean.
Perhaps this is what makes this mini series so great, that it's the story that keeps you on the edge of your seat rather than a form of (graphic) violence which seems to be todays primary ingredient for a success film-wise. Just see Labirinto Del Fauno if you want to check my point. That was a so called 'message movie' with really no message at all but in stead featured a been there done that war-drama and cardboard characters. Nonetheless, that movie was hailed by the public and professional movie critics when all it had to offer was a vapid contrast between fable and really graphic violence replacing what used to be a tale between good and evil and its 'grey zone'.
Bangkok Hilton confirmed what I suspected all along, namely that cinema (although achieving greater technical marvels day by day) is becoming increasingly more banal and formula driven, even in the successful, so called 'art house films'.
I'm sorry for letting this review turn out to be such a rant. Thanks for reading and see Bankok Hilton whenever you get a chance.
cheers!