| Photos (See all 15 | slideshow) | Videos (see all 11) |
Directed by | |||
| Mike Nichols | |||
Writing credits(WGA) | ||
| Kevin Wade | (written by) | |
Produced by | |||
| Robert Greenhut | .... | executive producer | |
| Laurence Mark | .... | executive producer | |
| Douglas Wick | .... | producer | |
Cinematography by | |||
| Michael Ballhaus | (director of photography) | ||
Film Editing by | |||
| Sam O'Steen | |||
Casting by | |||
| Juliet Taylor | |||
Production Design by | |||
| Patrizia von Brandenstein | (as Patrizia Von Brandenstein) | ||
Art Direction by | |||
| Doug Kraner | |||
Set Decoration by | |||
| George DeTitta Jr. | (as George DeTitta) | ||
Costume Design by | |||
| Ann Roth | |||
Makeup Department | |||
| Joseph A. Campayno | .... | makeup artist (as Joe Campayno) | |
| Alan D'Angerio | .... | hair stylist | |
| J. Roy Helland | .... | hair stylist | |
| J. Roy Helland | .... | makeup artist | |
| Francesca Paris | .... | hair stylist (uncredited) | |
Production Management | |||
| Todd Arnow | .... | production supervisor | |
| Timothy M. Bourne | .... | assistant unit production manager | |
| Robert Greenhut | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Michael Haley | .... | first assistant director (as Mike Haley) | |
| Daniel M. Stillman | .... | additional second assistant director (as Dan Stillman) | |
| Nathalie Vadim | .... | second assistant director | |
| Carla Zackson | .... | dga trainee | |
Art Department | |||
| Tim Galvin | .... | assistant art director | |
| Daniel K. Grosso | .... | second set dresser (as Danny Gross) | |
| Ken Kammerer | .... | assistant property master | |
| James Mazzola | .... | property master | |
| Tom McDermott | .... | assistant property master | |
| Arne Olsen | .... | chief construction grip | |
| Ron Petagna | .... | construction coordinator (as Ronald J. Petagna) | |
| Samara Schaffer | .... | art department coordinator | |
| Cosmo Sorice | .... | stand-by scenic artist | |
| James Sorice | .... | master scenic artist | |
| Dave Weinman | .... | set dresser (as David Weinman) | |
| Gerald DeTitta | .... | set dresser (uncredited) | |
| Frank Didio | .... | head carpenter (uncredited) | |
| Christopher Nelson | .... | set dresser (uncredited) | |
Sound Department | |||
| Michael Bedard | .... | cable person (as Mike Bedard) | |
| Stan Bochner | .... | supervising sound editor | |
| Marko A. Costanzo | .... | foley artist | |
| Lee Dichter | .... | sound re-recording mixer | |
| Adam Fredericks | .... | apprentice sound editor | |
| Marshall Grupp | .... | sound editor | |
| Joseph Gutowski | .... | assistant sound editor | |
| Michael Jacobi | .... | adr editor | |
| Richard King | .... | assistant sound editor (as Richard Q. King) | |
| Les Lazarowitz | .... | production sound mixer | |
| Linda Murphy | .... | boom operator | |
| Susan M. Wagner | .... | assistant sound editor (as Susan Wagner) | |
| George A. Lara | .... | foley mixer (uncredited) | |
Visual Effects by | |||
| John Alagna | .... | opticals | |
| Dick Rauh | .... | opticals | |
Stunts | |||
| Natasha Buser | .... | stunts | |
| Jim Dunn | .... | stunt coordinator | |
| Frank Ferrara | .... | stunt coordinator | |
| Phil Neilson | .... | stunts (as Philip G. Neilson) | |
| Michael Russo | .... | stunts (as Michael C. Russo) | |
| Bronwen Thomas | .... | stunts | |
| Vic Armstrong | .... | stunt double: Mr. Ford (uncredited) | |
| Shawn O'Neil | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Florian Ballhaus | .... | first assistant camera | |
| Gary Childs | .... | camera operator: Wescam camera | |
| Jerry DeBlau | .... | best boy electric | |
| John W. DeBlau | .... | gaffer (as John DeBlau) | |
| David M. Dunlap | .... | camera operator (as David Dunlap) | |
| Neil Fallon | .... | video playback operator | |
| Brian Fitzsimons | .... | best boy grip | |
| Dennis Gamiello | .... | key grip | |
| Bobby Mancuso | .... | second assistant camera (as Robert Mancuso) | |
| Andrew D. Schwartz | .... | still photographer (as Andy Schwartz) | |
| Steve Wright | .... | camera trainee | |
| David Satin | .... | computer/video engineer (uncredited) | |
| Lance Shepherd | .... | electrician (uncredited) | |
| Robert Shepherd | .... | electrician (uncredited) | |
Casting Department | |||
| Judie Fixler | .... | additional casting | |
| Ellen Lewis | .... | casting associate | |
Costume and Wardrobe Department | |||
| David Dumais | .... | wardrobe: men | |
| Gary Jones | .... | assistant costume designer | |
| Melissa Stanton | .... | wardrobe: women | |
| Mila Vyborny | .... | wardrobe shopper | |
| Andrea Wallace | .... | wardrobe shopper | |
Editorial Department | |||
| Kris Cole | .... | assistant editor | |
| Bob Hagans | .... | color timer | |
| Richard Nord | .... | assistant editor | |
Music Department | |||
| James Flatto | .... | assistant music editor | |
| Rob Mounsey | .... | music scorer | |
| Patrick Mullins | .... | music editor | |
| Carly Simon | .... | song: music and lyrics by | |
Transportation Department | |||
| Tom O'Donnell Jr. | .... | transportation captain (as Thomas J. O'Donnell Jr.) | |
| Louis Volpe | .... | transportation co-captain | |
Other crew | |||
| Cyd Adams | .... | production assistant | |
| John Alagna | .... | titles | |
| Mary Bailey | .... | script supervisor | |
| Jan Sebastian Ballhaus | .... | production assistant (as Sebastian Ballhaus) | |
| Richard Baratta | .... | location manager | |
| Nicholas Bernstein | .... | location assistant | |
| Jerry Caron | .... | production assistant (as Gerry Caron) | |
| Al Cerullo | .... | helicopter pilot | |
| Ken Gerber | .... | location assistant | |
| Hannah Green | .... | production assistant | |
| Amy Herman | .... | location assistant | |
| Thomas A. Imperato | .... | production auditor (as Thomas Imperato) | |
| Ingrid Johanson | .... | production coordinator | |
| Michael Kelem | .... | gyrosphere aerial operator | |
| Maureen Kleinman | .... | assistant production coordinator | |
| Susan MacNair | .... | assistant: Mike Nichols | |
| Brian Mannain | .... | studio manager | |
| Eric Myers | .... | unit publicist | |
| Jan Nizen | .... | assistant production auditor | |
| Sabrina Padwa | .... | assistant: Mike Nichols | |
| Dick Rauh | .... | title designer | |
| Helen Robin | .... | assistant: Robert Greenhut | |
| John Saffir | .... | production assistant | |
| Scott Schaffer | .... | craft service | |
| Caroline Thompson | .... | assistant: Douglas Wick | |
| Pamela Thur | .... | location assistant | |
| Libby Titus | .... | production assistant | |
| Gilbert S. Williams | .... | production assistant (as Gil Williams) | |
| Joyce P. Fields | .... | production assistant (uncredited) | |
| Linda Marshall-Smith | .... | location assistant (uncredited) | |
| Ari Taub | .... | assistant locations (uncredited) | |
| Tom Tumminello | .... | parking coordinator (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Watching Working Girl ten years after its release, it's hard not to dismiss it as a dated satire of the corporate world of the 1980's. At the same time, that's part of the movie's charm. Even though ten years has made the costumes, hair, and production design irritating, the charm and intelligence of Mike Nichols' Cinderella story still shine through. As does the quality of the performances, which are also revealing a decade later. Harrison Ford makes a perfectly likable romantic lead while Alec Baldwin and Kevin Spacey offer amusingly smarmy comic performances. But the actresses walk away with the movie. Joan Cusack is hilarious in a scene-stealing turn as a Staten Island secretary, and Sigourney Weaver is great as a shrewd and conniving career woman. The brilliance of Weaver's performance is how slyly and genuinely she plays her villianous character, often decieving the audience as she decieves the characters in the movie. And finally there is Melanie Griffith who gave a star-is-born performance as the big-haired secretary who falls in love with Ford's merger specialist and smartly climbs her way up the corporate ladder after Weaver stabs her in the back. Griffith earned an Oscar nod for this performance (as did Cusack and Weaver for theirs) and it's a testament to how funny, sexy, and wonderful she is in the part that even after numerous flops and odd career moves, she's still a well-known movie star ten years later (For an opposite side at this scenario look at Jennifer Beals in Flashdance or Jennifer Grey in Dirty Dancing, both of whom became big stars and then fell off the face of the earth). Nichols' direction is smart, as is Kevin Wade's clever screenplay, and the light and funny romantic comedy leads up to a surprisingly suspenseful and enormously satisfying climax. All-in-all, a satisfying and amusing entertainment.