Henry is a lawyer who survives a shooting only to find he cannot remember anything. If that weren't enough, Henry also has to recover his speech and mobility, in a life he no longer fits ... See full summary »
An eccentric and dogmatic inventor sells his house and takes his family to Central America to build a utopia in the middle of the jungle. Conflicts with his family, a local preacher and ... See full summary »
Tess McGill is a frustrated secretary, struggling to forge ahead in the world of big business in New York. She gets her chance when her boss breaks her leg on a skiing holiday. McGill takes advantage of her absence to push ahead with her career. She teams up with investment broker Jack Trainer to work on a big deal. The situation is complicated after the return of her boss. Written by
Sami Al-Taher <email@example.com>
Something else that did not make the theatrical cut: in the restroom scene between Tess and Jack during the wedding reception, one can see a woman in white shoes in the stall next to the one Jack uses. That woman overhears the conversation between Tess and Jack about having crashed the wedding. That woman must be the one telling the bride afterwards which is why she tries to confront Tess and Jack while they're dancing. See more »
Color of Tess' pantyhose as she steps off the bus. See more »
Oren Trask? The man who said, "What if we sliced the bread before we sold it?"
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It's up there with any of screwball comedies of the 30s... Carole Lombard, Jean Arthur, Margaret Sullivan. a modern classic...and that's not hyperbole!
I've been watching this movie every now and again for almost 20 years (ye gads!), and it's always entertaining. Tonight, I noticed how effective and subtle an actress Melanie Griffith can be when she's directed well. She's a real jewel in this film. Sweet, sexy, smart with a "brain for business and a bod for sin". Mike Nichols clearly loved filming her. Her expressions are priceless. Watch for the wonderful scene when Harrison Ford and she are walking to the elevator and he's asking her out. That face of hers as the elevator doors close is just heavenly. That's Mike Nichols craft/artistry.
Sigourney Weaver also does a masterful job as a two-faced shark business woman. What's so wonderful about her character, the writing, is that Katherine doesn't have a conscience. She's crafty and slick and manipulative, but she's not out to hurt anyone, just put herself first. It's too bad if anyone get's in her way. She's not nasty, but there is no question that she is the most important person in the universe. It's interesting, too, how her duplicity is reflected in her wardrobe. Most of the professional women in the movie are dressed in ultra-conservative boxy business attire, but Katherine/Sigourney dresses sophisticatedly and elegantly. She knows how to play both sides, the professional yet still sexy professional. She's so powerful in herself that she doesn't feel like she has to dress like a man just because she's in a male- dominated career (mergers/acquisitions). yes, she's a monster/ogre, but as she states, "This is BUSINESS".
Harrison Ford is his usual witty, slightly befuddled nice guy. He's the James Stewart of the baby boomer generation.
Joan Cusack is a phenomenon with her iridescent eye-shadow and Bozo hairdo. I think has the funniest line in the movie-a warning to Tess: "You know, sometimes I sing and dance around the apartment in my underwear. Doesn't make me Madonna....never will". that's rich.
Look for Ricki Lake at the wedding.
I put this movie in the same category as Moonstruck, Educating Rita, Shirley Valentine. Transformation movies. I suppose you could call them modern day Cinderella Stories, but it's more about the women saving themselves as opposed to waiting for Prince Charming.
It's a pleasure to see this movie. I hope you enjoy it as much as I do.
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