Set in 1960, the film centres on the young, boyishly handsome Yuddy, who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she ... See full summary »
Karrer plods his way through life in quiet desperation. His environment is drab and rainy and muddy. Eaten up with solitude, his hopelessness would be incurable but for the existence of the... See full summary »
Péter Breznyik Berg
Two convicts break out of Mississippi State Penitentiary in 1936 to join a third on a long spree of bank robbing, their special talent and claim to fame. The youngest of the three falls in ... See full summary »
Lou is a small time gangster, who thinks he used to be something big. He meets up with a younger girl, Sally, who is learning to be a croupier. Her husband turns up with drugs he has stolen... See full summary »
Franz "Fox" Biberkopf is a working-class guy, at loose ends when his lover is arrested and the police shutter their carnival booth. In need of cash for his weekly lottery purchase, Fox lets... See full summary »
Rainer Werner Fassbinder
Rainer Werner Fassbinder,
Thirteen years after WWII a concentration camp survivor (Rampling) and her tormentor, currently the night porter at a Vienna hotel, meet again and fall back into their sado-masochistic ... See full summary »
A low-level triad "big brother" has a hot-tempered "little brother" who can't keep out of trouble, and consequently is in constant need of being bailed out by his protector. The "big brother" is super cool, but lacks the ambition to rise in the ranks of the triad societies - and once he meets his cousin from Kowloon and falls in love with her, he even thinks about leaving "the life". Written by
L.H. Wong <firstname.lastname@example.org>
The romantic (and likely mistranslated) title says a lot about this busy but empty underworld drama, in which the false glamour of crime and punishment is dressed up with plenty of teenage angst and no shortage of cosmetic style. The lack of any larger then life heroics (so common in Hong Kong action epics) is refreshing at first, but after a while the mean street poses and back alley beatings all begin to look alike, although the physical violence is, apparently, more punishing to watch than to receive, since nobody is disabled for longer than a scene or two. Never mind the mechanics of the actual plot, following a self-reliant young hood forced to risk his small empire to protect a reckless, troublemaking 'brother'; the general thrust of the narrative is slanted more toward the martyrdom so dear to an alienated, lovelorn teenage rebel's heart. Legible subtitles (and a better Cantonese-English dictionary) might have made an improvement.
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