7.1/10
5,717
22 user 50 critic

As Tears Go By (1988)

Wang Jiao ka men (original title)
Mid-level gangster Wah falls in love with his beautiful cousin, but must also continue to protect his volatile partner-in-crime and friend, Fly.

Director:

(as Kar Wai Wong)

Writers:

, (as Kar Wai Wong)
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2 wins & 10 nominations. See more awards »
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Cast

Credited cast:
...
Wah
...
Ngor
...
Fly
Alex Man ...
Tony
Ronald Wong ...
Site
To-Hoi Kong ...
Fat Carl
Ching Wai ...
Uncle Kwan
Kau Lam ...
Uncle Ba
...
Ngor's doctor
Ang Wong ...
Mabel
Pa-Ching Huang ...
Boss of Mahjong Den
Rest of cast listed alphabetically:
Chi Fai Chan ...
Billiard parlor thug
Man-Ho Chan
...
Wah's triad elder
Wing-Cheung Cheung ...
Bodyguard
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Storyline

A low-level triad "big brother" has a hot-tempered "little brother" who can't keep out of trouble, and consequently is in constant need of being bailed out by his protector. The "big brother" is super cool, but lacks the ambition to rise in the ranks of the triad societies - and once he meets his cousin from Kowloon and falls in love with her, he even thinks about leaving "the life". Written by L.H. Wong <as9401k56@ntuvax.ntu.ac.sg>

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Romance

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

2 May 2008 (USA)  »

Also Known As:

Carmen of the Streets  »

Box Office

Opening Weekend:

$4,279 (USA) (2 May 2008)

Gross:

$8,440 (USA) (9 May 2008)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

First film directed by Kar-Wai Wong. See more »

Goofs

Wah's facial bruises shift tremendously near the final scene from the time he got on the bus to the time he met Fly. See more »

Quotes

Wah: People like us don't have tomorrows
See more »

Soundtracks

Take My Breath Away
Written by Giorgio Moroder and Tom Whitlock
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Streets of Mean
12 June 2005 | by (Virginia Beach) – See all my reviews

No better one day film school can be found in watching "Mean Streets" and then this.

Superficially they seem the same and Kar-Wai has told us that he patterned this, his first feature after Scorsese's first.

Here's the lesson: Scorsese belongs to a school of thinking where actors create characters, real extreme and powerful characters. These characters literally create the situations around them. The filmmaker's job is to attach the camera to the characters. Nearly all Italian and Italian-American filmmakers believe this. This is fine if you can live on espresso, but most of us in a film life need something to sustain us.

Kar-Wai in his later films is clearly in another camp. He literally starts with no script. He creates a cinematic tone. Into that tone is spun a place and his actors are expected to find their way within it. Only then do we see characters, and the camera is never, ever glued to personalities.

It is a world of difference, as different as people who can talk only about other people contrasted to those who can create another world in a conversation.

Sooner or later, all lucid watchers must make a choice about how big their film universe can be. This was Kar-Wai's beginning. It is hard to see unless you know his later stuff. But it is there, like the pollen in the air.

Ted's Evaluation -- 3 of 3: Worth watching.


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