| Photos (See all 11 | slideshow) |
| Michael Caine | ... | Sherlock Holmes | |
| Ben Kingsley | ... | Dr. John Watson | |
| Jeffrey Jones | ... | Inspector Lestrade | |
| Lysette Anthony | ... | Impostor Leslie Giles | |
| Paul Freeman | ... | Professor James Moriarty | |
| Nigel Davenport | ... | Lord Smithwick | |
| Pat Keen | ... | Mrs. Hudson | |
| Peter Cook | ... | Norman Greenhough | |
| Tim Killick | ... | Sebastian Moran | |
| Matthew Savage | ... | Wiggins | |
| John Warner | ... | Peter Giles | |
| Matthew Sim | ... | Real Leslie Giles | |
| Harold Innocent | ... | Lord Mayor Gerald Fitzwalter Johnson | |
| George Sweeney | ... | John Clay | |
| Murray Ewan | ... | Archie | |
| Stephen Tiller | ... | Reporter #1 | |
| Michael O'Hagan | ... | Reporter #2 | |
| Ivor Roberts | ... | Reporter #3 | |
| Martin Pallot | ... | Photographer | |
| Gregor Fisher | ... | Bobby at Warehouse | |
| Caroline Milmoe | ... | Constance | |
| Steven O'Donnell | ... | Henry the Bartender | |
| James Bree | ... | Barrister | |
| Sarah Parr-Byrne | ... | Singer | |
| Clive Mantle | ... | Thug #1 | |
| Dave Cooper | ... | Thug #2 | |
| Richard Henry | ... | Hadlers | |
| Lesley Daine | ... | Lady on Train | |
| Jennifer Guy | ... | Christabel | |
| John Tordoff | ... | Mr. Andrews | |
| Alexandra Spencer | ... | Mrs. Andrews | |
| Elizabeth Kelly | ... | Landlady | |
| Sam Davies | ... | Local #1 | |
| Adam Kotz | ... | Local #2 | |
| John Surman | ... | Constable at Lakes | |
| Les White | ... | Henchman #1 | |
| Chris Webb | ... | Henchman #2 | |
| Andy Bradford | ... | Dockworker | |
| Evan Russell | ... | Sergeant at Docks | |
| Alan Bodenham | ... | Driver | |
| Prince the Wonder Dog | ... | The Duke |
Directed by | |||
| Thom Eberhardt | |||
Writing credits(WGA) | ||
| Gary Murphy | (written by) & | |
| Larry Strawther | (written by) | |
Produced by | |||
| Diana Buckhantz | .... | associate producer | |
| Ben Moses | .... | associate producer | |
| Marc Stirdivant | .... | producer | |
Original Music by | |||
| Henry Mancini | |||
Cinematography by | |||
| Alan Hume | |||
Film Editing by | |||
| Peter Tanner | |||
Casting by | |||
| Noel Davis | |||
| Jeremy Zimmermann | (as Jeremy Zimmerman) | ||
Production Design by | |||
| Brian Ackland-Snow | |||
| Martyn Hebert | (as Martyn Hébert) | ||
Art Direction by | |||
| Terry Ackland-Snow | |||
| Robin Tarsnane | |||
Set Decoration by | |||
| Peter James | |||
| Ian Whittaker | |||
Costume Design by | |||
| Judy Moorcroft | |||
Makeup Department | |||
| Lois Burwell | .... | makeup artist | |
| Sandra Exelby | .... | assistant makeup artist | |
| Peter Frampton | .... | makeup artist | |
| Betty Glasow | .... | hairdresser (as Elizabeth Glasow) | |
| Stevie Hall | .... | hairdresser | |
| Tracy Smith | .... | assistant hair stylist | |
Production Management | |||
| Christabel Albery | .... | production supervisor | |
| Dennis A. Brown | .... | executive in charge of production | |
| John Forrest Niss | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Don French | .... | first assistant director | |
| Gerry Toomey | .... | second assistant director | |
| Kevin Westley | .... | third assistant director | |
Art Department | |||
| Amanda Ackland-Snow | .... | assistant set decorator | |
| Andrew Ackland-Snow | .... | assistant art director | |
| Bill Bernie | .... | stand-by painter (as William Bernie) | |
| Brian Blues | .... | chargehand carpenter | |
| Tom Brown | .... | assistant art director | |
| John Campbell | .... | chargehand painter | |
| Lance Chapman | .... | signwriter | |
| Bob Eames | .... | stand-by carpenter (as Robert Eames) | |
| Dennis Fruin | .... | property master | |
| George Gibbons | .... | chargehand stagehand | |
| Ian Giladjian | .... | property buyer | |
| Robert Hill | .... | stand-by props | |
| Derek Ixer | .... | dressing props | |
| Trevor Jones | .... | stand-by stagehand | |
| Reginald Keywood | .... | carpenter supervisor | |
| Brian Lofthouse | .... | dressing props | |
| Steve Macdonald | .... | stand-by props (as Stephen McDonald) | |
| Peter Palmer | .... | property buyer | |
| John Roberts | .... | stand-by painter | |
| Chris Seddon | .... | drapes | |
| Vic Simpson | .... | construction manager | |
| Bill Stallion | .... | storyboard artist | |
| Ilua Vasic | .... | chargehand plasterer (as Ilija Vasic) | |
| Bob Walker | .... | signwriter | |
| John Wells | .... | storeman | |
| David Maconochie | .... | art department coordinator (uncredited) | |
Sound Department | |||
| Wayne Artman | .... | sound re-recording mixer (as Wayne Artmen) | |
| Gregg Baxter | .... | adr editor (as Greg Baxter) | |
| Tom Beckert | .... | sound re-recording mixer | |
| Desmond Cannon | .... | assistant sound editor | |
| Tom E. Dahl | .... | sound re-recording mixer (as Tom Dahl) | |
| Lee Dragu | .... | foley editor | |
| James Dean Fisher | .... | foley artist | |
| David Hildyard | .... | sound recordist | |
| Russ Hill | .... | dialogue editor | |
| Eddy Joseph | .... | dialogue editor | |
| Mike Le Mare | .... | supervising sound editor (as Mike Le-Mare) | |
| Anthony Palk | .... | sound effects editor | |
| Keith Pamplin | .... | boom operator | |
| John Pitt | .... | sound maintenance engineer | |
| John Post | .... | foley artist | |
| Carolann Sanchez-Shapiro | .... | assistant sound editor (as Carolann Sanchez) | |
| Steve Schwalbe | .... | assistant sound editor | |
| Karola Storr | .... | foley editor | |
| Lionel Strutt | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Trevor Butterfield | .... | special effects senior technician | |
| Terry Glass | .... | special effects senior technician | |
| Roger Nichols | .... | special effects senior technician (as Roger R. Nichols) | |
| Neil Swan | .... | special effects senior technician | |
| David Watson | .... | special effects senior technician | |
| Ian Wingrove | .... | special effects supervisor | |
Stunts | |||
| Del Baker | .... | stunts | |
| Brian Bowes | .... | stunts | |
| Graeme Crowther | .... | stunts | |
| Stuart Fell | .... | stunts | |
| Elaine Ford | .... | stunts | |
| Terry Forrestal | .... | stunts | |
| Frank Henson | .... | stunts | |
| Doug Robinson | .... | stunts | |
| Denise Ryan | .... | stunts | |
| Colin Skeaping | .... | stunts | |
| Rocky Taylor | .... | stunts | |
| Terry Walsh | .... | stunts | |
| Paul Weston | .... | stunt coordinator | |
| Jason White | .... | stunts | |
Camera and Electrical Department | |||
| Graham Attwood | .... | still photographer | |
| Bob Bremner | .... | gaffer | |
| Sean Connor | .... | camera trainee | |
| Frederick Crawford | .... | chargehand rigger | |
| Bob Gomme | .... | generator operator (as Bob Gomm) | |
| Graham Hall | .... | clapper loader | |
| Martin Hume | .... | camera operator | |
| Simon Hume | .... | focus puller | |
| Alec King | .... | electrician | |
| Tom Lowen | .... | stand-by rigger | |
| Jim Smart | .... | electrician | |
| Bill Thornhill | .... | best boy | |
| Terry Townsend | .... | electrician | |
| Jimmy Waters | .... | camera grip | |
| Jimmy Worley | .... | electrician (as Jim Worley) | |
Casting Department | |||
| Nancy Foy | .... | casting: Los Angeles | |
| Cathy Sandrich | .... | casting assistant: Los Angeles | |
Costume and Wardrobe Department | |||
| Keith Morton | .... | wardrobe supervisor | |
| James Smith | .... | wardrobe assistant (as Jim Smith) | |
| Sue Wain | .... | wardrobe mistress | |
Editorial Department | |||
| Natalie Baker | .... | assistant editor | |
| Joanne Chee | .... | post-production coordinator | |
| Carl Graham | .... | assistant editor | |
| Harry Hitner | .... | assistant editor | |
| William Parnell | .... | assistant editor (as Bill Parnell) | |
| Ron Wengler | .... | color timer | |
| Janelle Showalter | .... | assistant editor (uncredited) | |
Music Department | |||
| Stephen A. Hope | .... | music editor | |
| Hayward Parrott | .... | scoring mixer | |
| Celia Weiner | .... | music editor (uncredited) | |
Transportation Department | |||
| Joe Drinkeld | .... | transportation | |
Thanks | |||
| John Spencer-Churchill | .... | acknowledgment: Blenheim Palace scenes by kind permission of (as The Duke of Marlborough) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
The year was 1994, the advent of DVD was still a few years off. Laserdiscs were mainly used for films in classrooms, and the old video store down the street was STILL clutching to its 80's look of neon colors, flourescent signs and black and white striped trim. In six years it would be sold and changed dramtically. But in 1994, I walked down from my house and found this little gem. I knew how much my mother loved Sherlock Holmes, and I was a big fan of Michael Caine's, ever since I had seen Dirty Rotten Scoundrels. (which came out the same year as this film, incidentally).
After I brought it back home, and we watched it, I fell in love with it. The pure irony, the intellectual humor, the idiotic slapstick; every time we'd watch it it would be the most fun you could spend in two hours, it would get funnier every time. Pure escapism at its best.
Michael Caine plays the out-of-work actor Reginald Kincaid as Sherlock Holmes and Ben Kingsley plays the true genious behind the mysteries, Watson. As the rethought storyline goes, Watson hires Reginald Kincaid to play Holmes, line for line, after Watson's first dally into writing mysteries has become a huge success. What he didn't gamble on was an alcoholic womanizing gambling idiot. We pick up the story as Moriarty has come back and as Holmes starts to seek his independance from Watson. Watson, fed up with Holmes' crap, is happy to oblige.
The more you watch it, the more jokes seem to jump out at you. We have actually fallen out of chairs watching this. Whether it be the "integrity of English literature" line or the "he KNOWS you're an idiot," its good times had by all.
I went back to the video store and over the next year, we rented the movie four times. Curious of the movie's popularity, I asked the clerk how often the movie had been rented. He told me that it had been rented six times, five of them by us. I asked if I could buy the movie and they were happy to. We've shown the movie to people over the years, all of them have loved it, and I can't imagine why such a hilarious, witty film can remain so obscure.