Without a Clue (1988) 6.8
A drunken Sherlock Holmes is really just a cover for the real detective - Dr Watson. Director:Thom E. Eberhardt |
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Without a Clue (1988) 6.8
A drunken Sherlock Holmes is really just a cover for the real detective - Dr Watson. Director:Thom E. Eberhardt |
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| Cast overview, first billed only: | |||
| Michael Caine | ... | ||
| Ben Kingsley | ... | ||
| Jeffrey Jones | ... | ||
| Lysette Anthony | ... |
Leslie Giles
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| Paul Freeman | ... | ||
| Nigel Davenport | ... |
Lord Smithwick
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Pat Keen | ... | |
| Peter Cook | ... |
Norman Greenhough
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Tim Killick | ... | |
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Matthew Savage | ... |
Wiggins
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John Warner | ... |
Peter Giles
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| Matthew Sim | ... |
Mrs. Giles
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Harold Innocent | ... |
Lord Mayor Gerald Fitzwalter Johnson
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George Sweeney | ... |
John Clay
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Murray Ewan | ... |
Archie
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This is a Sherlock Holmes story with a difference. Here Dr Watson is the ace detective and has been using an actor to play the part Holmes. Holmes is a drunken actor and gets on Watson's nerves. When Watson tries to go it alone, he doesn't have much success, so he is forced to let Holmes take all the credit once more. Written by Rob Hartill
WITHOUT A CLUE
Aspect ratio: 1.85:1
Sound format: Dolby Stereo
'Sherlock Holmes' turns out to be a ham actor (Michael Caine), hired by brilliant detective Dr. John Watson (Ben Kingsley) to play a character whose adventures are dramatized by Watson and published in a popular weekly magazine. But the two men are forced to set aside their differences when Prof. Moriarty (Paul Freeman) hatches a fiendish plot to destabilize the British Empire.
An unexpected gem. Thom Eberhardt's clever revision of Holmesian lore foregoes puns and sight gags for character-based comedy, and a wonderful cast of experienced British thesps plays it with just the right degree of reverence and mockery (Caine and Kingsley, in particular, make a formidable comic team). However, the script - by Gary Murphy and Larry Strawther - is entirely faithful to the spirit of Arthur Conan Doyle's most famous creation: Despite Holmes' incompetence and Watson's escalating outrage, the central mystery is genuinely skillful and engrossing, the clues are delightfully outlandish, and the Victorian atmosphere is conveyed with elegant simplicity, thanks to stylish art direction (by Brian Ackland-Snow) and costume design (by Judy Moorcroft). However, the writers aren't afraid to poke gentle fun at the established conventions, particularly Holmes'/Watson's uncanny ability to draw conclusions from even the most obscure scraps of evidence, and the climax manages to combine warm-hearted comedy and genuine thrills during a final showdown with Moriarty in an abandoned theatre. Highly recommended.