The scientist father of a teenage girl and boy accidentally shrinks his and two other neighborhood teens to the size of insects. Now the teens must fight diminutive dangers as the father searches for them.
'Toon star Roger is worried that his wife Jessica is playing pattycake with someone else, so the studio hires detective Eddie Valiant to snoop on her. But the stakes are quickly raised when Marvin Acme is found dead and Roger is the prime suspect. Groundbreaking interaction between the live and animated characters, and lots of references to classic animation. Written by
Jon Reeves <email@example.com>
The stove in the animated opening has the brand name Hotternell, a play on the phrase "hotter than hell". See more »
Set in 1947, the movie features the Singing Sword bearing the
likeness of Frank Sinatra that croons several bars of the Cy Coleman & Carolyn Leigh song "Witchcraft", which wasn't written, and which Sinatra didn't record, until 1957. But that's in our universe; perhaps it was already a big hit in Toon Town, whose residents used Coleman and Leigh as a front to raise some much-needed simoleons by selling the song to Sinatra). See more »
Mommy's going to the beauty parlor, darling, but I'm leaving you with your favorite friend, Roger. He's going to take very, very good care of you, because if he doesn't... HE'S GOING BACK TO THE SCIENCE LAB.
See more »
At the end of the credits: "Daffy Duck, Yosemite Sam, Tweetie Bird, Bugs Bunny, Sylvester, Porky Pig, Acme, and all other Warner Bros. characters are trademark of Warner Brothers Inc. Copyright 1988 Warner Bros. Inc. used by permission." See more »
Stop and think about this movie for a minute, and you realize that we are unbelievably fortunate that it even exists.
Think about all the different cartoon characters who have cameos here. Think about how their respective owners had to put aside decades of competing against each other for gags that would last a few seconds of screen time. Realise that, before this movie, the idea of combining fully rendered animated characters with live action footage was considered impossible. And how the hell do you market a movie that includes both murder plots and fuzzy little cartoons?
This movie is a miracle.
I absolutely loved it as a kid, and although parts of it flew over my head I really did not care. I did know that this is what animation can do when all the "rules" are totally ignored. And why shouldn't they be?
Now, as an adult, I appreciate "Roger Rabbit" for its gutsyness. There is absolutely *nothing* like this anywhere. It gets a solid Ten.
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