The candy recipes of the goody shops have been stolen by the Goody Bandit, and many animals are out of business. While the police are chasing the criminal, there is a mess at Granny's house... See full summary »
Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
By tying thousands of balloons to his home, 78-year-old Carl sets out to fulfill his lifelong dream to see the wilds of South America. Russell, a wilderness explorer 70 years younger, inadvertently becomes a stowaway.
'Toon star Roger is worried that his wife Jessica is playing pattycake with someone else, so the studio hires detective Eddie Valiant to snoop on her. But the stakes are quickly raised when Marvin Acme is found dead and Roger is the prime suspect. Groundbreaking interaction between the live and animated characters, and lots of references to classic animation. Written by
Jon Reeves <email@example.com>
During production, one of the biggest challenges faced by the makers of the film was how to get the cartoon characters to realistically interact with real on-set props. This was ultimately accomplished in two different ways. Certain props (such as Baby Herman's cigar or the plates Roger smashes over his head) were moved on-set via motion control machines hooked up to operator who would move the objects in exactly the desired manner. Then, in post, the character was simply drawn 'over' the machine. The other way of doing it was by using puppeteers. This is most clearly seen in the scene in the Ink & Paint club. The glasses held by the octopus bartender were in fact being controlled by puppeteers from above, whilst the trays carried by the penguin waiters were on sticks being controlled from below - both the wires and the sticks were simply removed in post and the cartoons added in. See more »
In the opening cartoon a number of kitchen implements and food items litter the floor. These disappear in later frames. See more »
Mommy's going to the beauty parlor, darling, but I'm leaving you with your favorite friend, Roger. He's going to take very, very good care of you, because if he doesn't... HE'S GOING BACK TO THE SCIENCE LAB.
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There are no opening credits after the title has been shown. See more »
I say this film is a family film because that is what it is. Anyone in the family will like it. It pitches it's animated rabbit to the kids, and for the teens and adults, they can look for humor in other things. The plot is a complicated one (like most detective mysteries) that brings a drunken detective back to the detective game of cartoons. Sometimes funny, sometimes compassionate, always entertaining. With director Zemeckis bringing one of the best animated films in a film that is half live action/half animated. It is a landmark in visual effects and nothing like this will ever come around again. A+
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