2 items from 2016
In 1813, renowned writer Jane Austen published a book called Pride and Prejudice, which tells the story of the Bennet sisters, who are gussied up and married off to wealthy suitors, one by one. The only sister who seems to question this system is Elizabeth, the rebellious member of the family, who feels strong disdain for the system that treats her more like property than a proper citizen. In 2009, author Seth Grahame-Smith put a new twist on the old tale by creating a parody novel called Pride and Prejudice and Zombies, which loosely follows the same basic outline, but adds an entirely different obstacle to the tale: the living dead.
In Grahame-Smith’s story, the girls are not only fighting for the right to be married into regal families, but also battling for their lives on a daily basis. An outbreak has occurred within these humble streets, and now flesh-eating zombies »
- Kalyn Corrigan
The late ’80s provided a veritable potpourri for horror film fanatics. Slashers had petered out, and filmmakers were keen on exploring other avenues, everything from a parasitic drug slug (Brain Damage) to possession (The Unholy), and all points in-between. Of course, mileage may vary, and many have fallen through the cracks or are best forgotten. Possibly one of the oddest of the bunch is Anthony Hickox’s Waxwork (1988), a goofball mixture of Hammer and Amicus brought kicking and screaming into the modern era with a touch o’ teen comedy sensibility. And in horror, odd never hurts—and sometimes it even helps create an unassuming delight such as this.
Produced and distributed by Vestron Pictures, who scored big the previous year with the terrifying Dirty Dancing, Waxwork was given a limited release in June in the Us and the rest of the world the following year. Made for $1,500,000, it only returned $800,000 domestically. »
- Scott Drebit
2 items from 2016
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