Roger Cobb is a Vietnam vet whose career as a horror novelist has taken a turn for the worse when his son Jimmy mysteriously disappears while visiting his aunt's house. Roger's search for ... See full summary »
After a tragic car accident that killed his wife, a man discovers he can communicate with the dead to con people but when a demonic spirit appears, he may be the only one who can stop it from killing the living and the dead.
Michael J. Fox,
A waxwork museum comes to town, and a mysterious man invites some teens to come to a special showing at midnight. Once inside, while viewing different exhibits, the scenes come alive and the viewer is sucked into the story being portrayed. Written by
Ed Sutton <email@example.com>
In the original shooting script, the caged "cobra-man" circus freak was supposed to be a were-beast and the Man in the Iron Mask was supposed to be one of the exhibits. See more »
What is supposed to be a solid wall slightly gives away when China leans against it during her fight with the vampires. See more »
[reading the first bit of the essay he had his maid write for him on 'Dictators']
'The Trouble with Dictators'. I think dictators are the bad people. They have the shouting voices, and the small moustaches.
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Dedicated to Hammer, Argento, Romero, Dante, Landis, Spielberg, Wells, Carpenter, Mom and Dad, and many more ... See more »
If you can get through the first half hour of this film, which features bad dialogue and stiff performances, you may just enjoy it.
A small group of spoiled teens (and one nice girl) go into a mysterious wax museum after hours and each succumb to a different, and dangerous, display. John Rhys Davies (long before his now famous "Gimli the Dwarf" days) is here as a tortured, dramatic werewolf. Miles O'Keefe (whom hardcore MST3K fans will have no trouble recognizing) is a hair product dependent Count Dracula, who seduces the rich-bitch of the group into a nasty, bloody, gross-out dinner party. The Nice Girl (Deborah Foreman) is drawn into the S&M world of The Marquis De Sade (as played by the too seldom seen J. Kenneth Campbell) and it is up to the rich boy turned nice guy to save her before she is whipped to death. Once all of the displays are filled, the characters within are unleashed, and it becomes a war within the wax museum as the remaining heroes must now battle the wax monsters and their transformed friends.
All in all, this plays more like a comedy than a horror film, but the violence, when it appears, is so over-the-top that splatter fans won't be too disappointed.
Followed by a pretty good sequel filled with numerous references to classic horror. Worth checking out at least once.
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