| Videos (see all 2) |
| Nathaniel Parker | ... | Wilfred Owen | |
| Tilda Swinton | ... | Nurse | |
| Laurence Olivier | ... | Old Soldier | |
| Patricia Hayes | ... | Mother | |
| Rohan McCullough | ... | Enemy Mother | |
| Nigel Terry | ... | Abraham | |
| Owen Teale | ... | Unknown Soldier | |
| Sean Bean | ... | German Soldier | |
| rest of cast listed alphabetically: | |||
| Milo Bell | |||
| Harvey Cooper | |||
| Claire Davenport | |||
| Antony Gabriel | ... | Liet. Harper | |
| Alex Jennings | |||
| Thomas Kett | ... | Recruit | |
| Kim Kindersley | ... | Soldier 2 | |
| Spencer Leigh | ... | Soldier 1 | |
| David Meyer | ... | Lieutenant | |
| Tony Red Richards | ... | Soldier | |
| Linda Spurrier | ... | Nurse 3 | |
| Richard Stirling | ... | Soldier 1 | |
| Clancy Chassay | ... | Young Wilfred Owen (uncredited) | |
Directed by | |||
| Derek Jarman | |||
Writing credits(in alphabetical order) | ||
| Wilfred Owen | poems | |
Produced by | |||
| Don Boyd | .... | producer | |
| Chris Harrison | .... | associate producer | |
| John Kelleher | .... | executive producer | |
Cinematography by | |||
| Richard Greatrex | |||
Film Editing by | |||
| Rick Elgood | |||
Production Design by | |||
| Lucy Morahan | |||
Costume Design by | |||
| Linda Alderson | |||
Makeup Department | |||
| Bernard Floch | .... | makeup artist | |
| Peter King | .... | key makeup artist | |
| Peter Owen | .... | makeup designer | |
Production Management | |||
| Sarah Swords | .... | production manager | |
Art Department | |||
| Josh Jones | .... | carpenter | |
| Kevin Rowe | .... | art department assistant | |
Camera and Electrical Department | |||
| Steve Brooke Smith | .... | clapper loader | |
Casting Department | |||
| Abi Cohen | .... | casting assistant | |
Music Department | |||
| Benjamin Britten | .... | music by | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
With the exception of an opening sequence in which the music is introduced over a tolling bell and the text of Wilfred Owen's Strange Meeting read, this film follows the scheme of Britten's War Requiem, a poetry-expanded musical setting of the Requiem Mass. It's an intermittently effective project, Jarman using both narrative scenes and more abstracted tableaux that rely on the actor in frame to channel some sort of internal narrative. There is also scattered use of period footage from conflicts both pre-1963 (the date of the oratorio's composition) and as recently as the Falklands conflict (1981). All this is, in turn, the extrapolated daydream of a veteran of the Great War, played by Lawrence Olivier.
Olivier's is the almost the only scene done on location and really does carry weight for all that it's mere seconds of screen time. Other scenes are rather more mixed: given the huge emotional and indeed satirical charge of the music the most affecting set pieces are those that play a straight narrative. That said, there is undeniable charge in the formal composition of static shots which reflect in their old master/biblical referencing the liturgy of the text. 5/10