A film with no spoken dialogue, just follows the music and lyrics of Benjamin Britten's "War Requiem, which include WWI soldier poet Wilfred Owen's poems reflecting the war's horrors. It ... See full summary »
Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both ... See full summary »
An unseen woman recites Shakespeare's sonnets - fourteen in all - as a man wordlessly seeks his heart's desire. The photography is stop-motion, the music is ethereal, the scenery is often ... See full summary »
A young artist goes to interview an older painter who live in the south of France with two young women, and gets caught up in the painter's bohemian lifestyle and begins examining his own ... See full summary »
300 A.D. : the Roman Sebastianus is exiled to a remote outpost populated exclusively by men. Weakened by their desires, these men turn to homosexual activities to satisfy their needs. ... See full summary »
Emmy Coer, a computer genius, devises a method of communicating with the past by tapping into undying information waves. She manages to reach the world of Ada Lovelace, founder of the idea ... See full summary »
A film with no spoken dialogue, just follows the music and lyrics of Benjamin Britten's "War Requiem, which include WWI soldier poet Wilfred Owen's poems reflecting the war's horrors. It shows the story of an Englishman soldier (Wilfred Owen) and a nurse (his bride) during World War I. It also includes actual footage of contemporary wars (WWII, Vietnam, Angola, etc.) Written by
Michel Rudoy <email@example.com>
Brilliant and Evocative Blend of Music and the Cinematographic Art
Jarman to a T: Brilliant, atmospheric, imagistic, eccentric, and sometimes homo-erotic. An incredible blend of one of the great 20th century musical works on (or rather against) war and the cinematographic art.
I've seen this film twice now. Some of the comments given by other reviewers seem to miss the point of the film- it is dark and sometimes jarring. Jarman uses historic footage, color and colorization as a technique to refocus the viewer's eyes and thoughts. Jarman is not interested in narrative so much as building a series of images that take the poem and music to a new place of understanding.
Perhaps this film is not for everyone- but then I would love to tie every politician to his or her chair and force its viewing.
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