From cult director Alex Cox (Repo Man; Sid and Nancy) comes this modernised adaptation of Thomas Middleton's celebrated play from 1607. It tells the story of a man whose wife is murdered on... See full summary »
Morbid biographical story of Sid Vicious, bassist with British punk group the Sex Pistols, and his girlfriend Nancy Spungen. When the Sex Pistols break up after their fateful US tour, ... See full summary »
In april 1944, an allied agent is sent to France in order to rescue an "overlord" captured by the Germans. (An "overlord" is one of the few men who knew the date and place of the "D" day). ... See full summary »
William Walker and his mercenary corps enter Nicaragua in the middle of the 19th century in order to install a new government by a coup d'etat. All is being financed by an American multimillionaire who has his own interest in this country. Written by
This film is littered with anachronisms (for example: modern cars, color printed magazines and coca cola bottles). However, these are clearly an artistic choice by the film-maker and cannot be considered true 'goofs'. See more »
I have a weakness for small men. Small puritans obsessed by power.
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Alex Cox's WALKER is a cult movie in search of an audience. Ignored by audiences upon its original release, despised by critics (Leonard Maltin unfairly gives it a BOMB), WALKER is nonetheless a fascinating oddity of a movie that will be of interest to anyone who likes "psychotronic" cinema.
I am something of an expert on William Walker (1824-1860), the Nashville born doctor/lawyer/journalist who made his mark on Latin American history as a "filibuster," or soldier of fortune. As such, I have long wanted to see a movie about my "hero." I admit I was disappointed at first with Cox's film--it starts out as a serious biography, but it slowly degenerates into an arch, anachronistic political satire. Some of the humor is over the top and gells uneasily with the more serious aspects of the film. Sometimes I get the feeling that Cox and company just said "to hell with it, let's make this a big joke." Repeated viewings, however, have revealed the film's strengths. Ed Harris is perfect as Walker--he plays the "Gray Eyed Man of Destiny" exactly as I perceive the man's character to be. The supporting cast, full of familiar faces, is also dead-on. The music by Joe Strummer, formerly of The Clash, is a terrific blend of latino, jazz, country, and other styles. Many individual scenes stand out; the climax, in which Walker orders the sacking of Granada, is a nightmarish image of the madness and horror of war. I feel WALKER is bound to become a major cult film--it is quite simply too strange to be anything else, and it deserves more than oblivion. While others remember Cox's SID AND NANCY and REPO MAN, this picture is far more interesting and deserves more attention than those more celebrated works. WALKER is rarely televised and hard to find on video--but I strongly urge anyone who reads this to seek it out. I promise you won't have seen anything else like it!
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