A gang of bank robbers with a suitcase full of money go to the desert to hide out. After burying the loot, they find their way to a surreal town full of cowboys who drink an awful lot of ... See full summary »
An episodic look at a young man's life in Mexico's national highway patrol. We follow Pedro Rojas from cadet training and his rookie assignment in a northern border area, to his quick ... See full summary »
An American art dealer (Miguel Sandoval), who specializes in southwestern topaz, arrives by train in Liverpool. Similarly, a very proper British art dealer (Alex Cox), who specializes in ... See full summary »
A digital remastering and recut version of the 1987 film, Straight to Hell Returns revolves around a group of hapless bank robbers who bury their loot and attempt to hide out in what they ... See full summary »
The 'has-been' Hollywood Western actors, Mel Torres and Fred Fletcher, hear Fritz Frobisher will attend a screening of one of his movies in Arizona. They decide to go exact revenge on him ... See full summary »
William Walker and his mercenary corps enter Nicaragua in the middle of the 19th century in order to install a new government by a coup d'etat. All is being financed by an American multimillionaire who has his own interest in this country. Written by
This film is littered with anachronisms (for example: modern cars, color printed magazines and coca cola bottles). However, these are clearly an artistic choice by the film-maker and cannot be considered true 'goofs'. See more »
Walker was both a box office and critical failure upon its initial release, and even though it's not hard to see why (viewers expecting a historic drama played straight, by Cox of all directors, will be sorely disappointed), it certainly deserves to be rediscovered by a whole new audience. OK maybe Cox tries to be "cult" a little too hard for his own good, but that aside he pulls it off surprisingly well. Ed Harris is OK in the leading role but I would have LOVED to see Gary Oldman portray the semi-insane William Walker. If any role called for scenery consumption, it's this one. Watch it for the great Peckinpah-esquire shooting in slow motion, the amusing anachronisms (choppers, computers, Newsweek magazines, Coca-Cola bottles, Marlboros), the general air of absurdity and psychotronic charm, the comedic touches, the political commentary and the great cinematography. Walker is good exactly because it refuses to take itself overly serious.
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