| Tammi Øst | ... | Katinka | |
| Ole Ernst | ... | Bai | |
| Kurt Ravn | ... | Wilhelm Huus | |
| Erik Paaske | ... | Linde | |
| Anne Grete Hilding | ... | Mrs. Linde | |
| Tine Miehe-Renard | ... | Agnes | |
| Ghita Nørby | ... | Helene | |
| Birthe Backhausen | ... | Mrs. Abel | |
| Bodil Lassen | ... | Louise Abel | |
| Vibeke Hastrup | ... | Ida Abel | |
| Henrik Koefoed | ... | Bentsen | |
| Kim Harris | ... | Togfører | |
| Kjeld Nørgaard | ... | Kiær | |
| Birgitte Bruun | ... | Emma | |
| Dick Kaysø | ... | Andersen | |
| Paul Hüttel | ... | Doktor | |
| Søren Sætter-Lassen | ... | The Lieutenant | |
| Anna Lise Hirsch Bjerrum | ... | Marie | |
| Bjarne G. Nielsen | ... | Herman Bang | |
| rest of cast listed alphabetically: | |||
| Bo Christensen | |||
| Klaus Rifbjerg | |||
Directed by | |||
| Max von Sydow | |||
Writing credits(in alphabetical order) | ||
| Herman Bang | novel | |
| Klaus Rifbjerg | writer | |
Produced by | |||
| Bo Christensen | .... | producer | |
| Katinka Faragó | .... | executive producer | |
Original Music by | |||
| Georg Riedel | |||
Cinematography by | |||
| Claus Loof | |||
| Sven Nykvist | |||
Film Editing by | |||
| Janus Billeskov Jansen | |||
Production Design by | |||
| Peter Høimark | |||
Costume Design by | |||
| Ole Glæsner | |||
| Annelise Hauberg | |||
| Pia Myrdal | |||
Makeup Department | |||
| Malin Birch-Jensen | .... | makeup artist | |
| Birthe Lyngsøe | .... | makeup artist | |
| Kim Olsson | .... | assistant makeup artist | |
Production Management | |||
| Lene Nielsen | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Tom Hedegaard | .... | assistant director | |
| Jan Jung | .... | second unit director | |
Art Department | |||
| Ivar Baungaard | .... | props | |
| Ena Eisel | .... | props | |
| Merete Engbæk | .... | property assistant | |
| Magnus Magnusson | .... | props | |
Sound Department | |||
| Hans Erik Arhn | .... | sound mix engineer | |
| Michael Dela | .... | sound | |
| Pauline Griffith | .... | sound effects | |
| Carl Aage Hansen | .... | sound | |
| John Nielsen | .... | sound | |
| Bjarne Risbjerg | .... | sound | |
Camera and Electrical Department | |||
| Jan Michael Jensen | .... | lighting assistant | |
| Michael Wils Jensen | .... | lighting technician | |
| Rolf Konow | .... | still photographer | |
| Gunnar Nielsen | .... | grip | |
| Jesper Bo Rasmussen | .... | lighting assistant | |
| Ricki Rasmussen | .... | lighting assistant | |
| Otto Stenov | .... | lighting technician | |
| Emil Øigaard | .... | lighting assistant | |
Editorial Department | |||
| Michael Frank Nielsen | .... | color timer | |
Music Department | |||
| Jan Glæsel | .... | music consultant | |
Other crew | |||
| Niels Bjørn Larsen | .... | choreographer | |
| Lotta Mothander | .... | script | |
| Peter Poulsen | .... | producer consultant | |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Denmark section |
If someone actually did invent a machine that made time pass at a lower rate than it does, giving us longer lives, he would be celebrated. When it is a film, however, that makes it appear as though it's twice(or more) its running time by virtue of moving at a snail's pace, we're less enthusiastic. I borrowed this from the library(fairly quickly, too, what a wonder that no one else wanted it) to make sure I hadn't missed anything, since we read the novel for Danish class(honestly, could the exam situation be threatening to a greater degree than it is? Possibly if loaded weapons were aimed at you during your presentation and subsequent dialog with the teacher and censor, and even then, I'm not sure it would be), and, well, it's nearly entirely physical description and dialog(in Jutlandic, no less), no narration, and you have to pay close attention(it was written a number of years ago, as well) to figure out what is actually going on(this is easier, of course, as you can see it). Bang did succeed, though; it is not a boring read. It's vivid and rich, you can "sense" the stuff he's telling us of, exactly as he intended. And that's why, while it shouldn't, it surprised me that this was so flat, and essentially the opposite of what I've just said about the source material(it follows the plot, cutting it down somewhat). This elicits next to no emotional response, other than occasionally annoyance. It's not poor from a technical standpoint, if it feels "empty". This tries to inject dumb, silly humor. There is good acting in this; Nørbye clearly makes an effort, and she's not the only one. This has far less characterization than the original. All of these are the same problems as many of our pictures, maybe especially the ones that are based on books and are from this period of time. Still, this remains a particularly bad case. No, what Herman gave us wasn't a screenplay, but it was already cinematic in its language. Perhaps the fault lies in the direction; this is the first and only attempt Sydow has made at such. Hopefully it can serve as a warning to others. And the punishment for anyone else who screws up that job. There is a little disturbing content and a couple of mature themes in this. I recommend this solely to those who refuse to accept my words on this being slow, not engaging and a waste of an hour and a half. 5/10