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Directed by | |||
| Philip Kaufman | |||
Writing credits(WGA) | ||
| Milan Kundera | (novel) | |
| Jean-Claude Carrière | (screenplay) & | |
| Philip Kaufman | (screenplay) | |
Produced by | |||
| Bertil Ohlsson | .... | executive producer | |
| Paul Zaentz | .... | associate producer | |
| Saul Zaentz | .... | producer | |
Original Music by | |||
| Mark Adler | |||
Cinematography by | |||
| Sven Nykvist | |||
Film Editing by | |||
| Vivien Hillgrove Gilliam | (as Vivien Hillgrove) | ||
| Michael Magill | |||
| Walter Murch | |||
| B.J. Sears | (co-editor) | ||
Production Design by | |||
| Pierre Guffroy | |||
Costume Design by | |||
| Ann Roth | |||
Makeup Department | |||
| Suzanne Benoit | .... | key makeup artist | |
| Rosalina Da Silva | .... | makeup artist: Lena Olin | |
Production Management | |||
| Daniel Baschieri | .... | assistant unit manager | |
| Frank Simeone | .... | unit production manager: USA unit | |
| Daniel Szuster | .... | production manager | |
Art Department | |||
| Jean-Michel Ducourty | .... | second assistant art director | |
| Michael G. Ploog | .... | storyboard artist | |
| Jean-Yves Rabier | .... | carpenter | |
Sound Department | |||
| David Franklin Bergad | .... | sound editor | |
| Mark Berger | .... | supervising re-recording mixer | |
| Jean-Marie Blondel | .... | sound assistant | |
| Todd Boekelheide | .... | sound re-recording mixer | |
| Luis Colina | .... | sound effects editor | |
| Ernie Fosselius | .... | foley editor | |
| Ruth Hasty | .... | apprentice sound editor | |
| Pat Jackson | .... | sound effects editor | |
| Ann Kroeber | .... | sound effects | |
| Barbara McBane | .... | dialogue editor | |
| Christopher Newman | .... | production sound mixer | |
| David Parker | .... | sound re-recording mixer | |
| Philip Rogers | .... | sound recordist | |
| Karen Spangenberg | .... | dialog editor | |
| Alan Splet | .... | sound designer | |
| Dianna Stirpe | .... | sound apprentice | |
| Ewa Sztompke | .... | sound effects assistant | |
| Gwendolyn Yates Whittle | .... | assistant dialogue editor | |
Special Effects by | |||
| Jozef Ort-Snep | .... | trick photography | |
Camera and Electrical Department | |||
| Phil Bray | .... | still photographer | |
| Richard Brodet | .... | best boy electric | |
| Philippe Houdart | .... | camera operator | |
| George Michael Pantages | .... | gaffer: US production crew (as Michael Pantages) | |
Casting Department | |||
| Marie-Sylvie Caillierez | .... | extras casting | |
| Patricia de Oliveira | .... | casting: US production crew | |
| Sarah C. Koeppe | .... | casting associate | |
Costume and Wardrobe Department | |||
| Donna Maloney | .... | wardrobe | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Jack Garsha | .... | color timer | |
| Robert Grahamjones | .... | assistant editor | |
Music Department | |||
| Mark Adler | .... | music arranger | |
| Ernie Fosselius | .... | music arranger: Gevena production crew | |
| Leos Janácek | .... | music: selected works from | |
| Alan Splet | .... | music selection: Janacek's works | |
| Jeffery Stephens | .... | assistant music editor | |
Other crew | |||
| Patrick Boshart | .... | location scout | |
| Kent Brown | .... | production assistant | |
| Walter Slater Murch | .... | production assistant | |
| Company credits | Box office and business | Technical specifications |
| Main details |