Zorg is a handyman working at in France, maintaining and looking after the bungalows. He lives a quiet and peaceful life, working diligently and writing in his spare time. One day Betty ... See full summary »
In 'Gegen die Wand' Cahit, a 40-something male from Mersin in Turkey has removed everything Turkish from his life. He has become an alcoholic drug addict and at the start of the movie wants... See full summary »
A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
Tomas is a doctor and a lady-killer in 1960s Czechoslovakia, an apolitical man who is struck with love for the bookish country girl Tereza; his more sophisticated sometime lover Sabina eventually accepts their relationship and the two women form an electric friendship. The three are caught up in the events of the Prague Spring (1968), until the Soviet tanks crush the non-violent rebels; their illusions are shattered and their lives change forever. Written by
Dan Hartung <email@example.com>
The sequence depicting the 1968 Soviet invasion of Czechoslovakia incorporates real documentary footage of the era shot by students of Prague Film School with new scenes recreated for the movie. One of the film students, Jan Nemec, has a small role as a cameraman who is beaten and has his film confiscated by the Soviet police. See more »
When Tereza goes on her first photo foray into downtown Prague the soundtrack features a woman singing a Czech version of "Hey Jude," the original Beatle version of which was not released until August 26,1968 - the week after the Soviet invasion of Czechoslovakia. See more »
First Title Card:
In Prague, in 1968, there lived a young doctor named Tomas...
Take off your clothes.
[line recurs several times during film]
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I would have to disagree with the previous reviewer. First of all, the movie should have a "euro" feel to it because it's about Europeans, in Europe, and their European mentality. No car chases here, hot shot. That being said, I only have great praise for this film. It's a tremendous attempt to put to screen the subtle understanding Milan Kundera has of the human condition, and it surprisingly succeeds. For those more interested, I recommend you pick up some of his novels (start with a short story if you are pressed for time) and you, too, will realize why he is one of the best storytellers alive today.
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