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Helena Bonham Carter,
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Tomas is a doctor and a lady-killer in 1960s Czechoslovakia, an apolitical man who is struck with love for the bookish country girl Tereza; his more sophisticated sometime lover Sabina eventually accepts their relationship and the two women form an electric friendship. The three are caught up in the events of the Prague Spring (1968), until the Soviet tanks crush the non-violent rebels; their illusions are shattered and their lives change forever. Written by
Dan Hartung <firstname.lastname@example.org>
The first cut shown to the studio was under two hours in length and the story was confusing. Philip Kaufman was asked to add in scenes he cut. The next day they were shown the theatrically released version. It's believed Kaufman showed them a shorter and confusing version in order to get his almost three-hour final cut approved with no questions of cutting it. See more »
Mephisto the Pig, consistently referred to as "he", is a sow, as can be seen frequently, but particularly when the group enters the inn for dancing. See more »
First Title Card:
In Prague, in 1968, there lived a young doctor named Tomas...
Take off your clothes.
[line recurs several times during film]
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Unbearably Beautiful - one of the best films ever made
One of the most romantic films ever made, it shows the problems of people whose intimacies and personal conflicts are being interrupted by history on the move. I think this film surpasses the novel, which is utterly cynical (although understandably). Even in the last moments of the novel, Teresa is concerned that Tomas is cheating on her. The film also does well by dropping much of Franz's character - he was kind of uninteresting compared to Teresa, Tomas, and Sabina. It also drops such deadweight characters as Teresa's mother, Tomas' son, and Franz's wife. Also, a ton of different coworkers are combined into a few, so that their characters have time to develop. By concentrating on the three central characters, this film blossoms past what the novel ever achieved (although the novel is arguably more historically important). Philip Kaufman and Jean-Claude Carriere also add a couple of beautiful scenes that weren't in the novel, including Tomas' and Teresa's wedding, which is one of the most beautiful scenes in filmdom.
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