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Tomas is a doctor and a lady-killer in 1960s Czechoslovakia, an apolitical man who is struck with love for the bookish country girl Tereza; his more sophisticated sometime lover Sabina eventually accepts their relationship and the two women form an electric friendship. The three are caught up in the events of the Prague Spring (1968), until the Soviet tanks crush the non-violent rebels; their illusions are shattered and their lives change forever. Written by
Dan Hartung <email@example.com>
The sequence depicting the 1968 Soviet invasion of Czechoslovakia incorporates real documentary footage of the era shot by students of Prague Film School with new scenes recreated for the movie. One of the film students, Jan Nemec, has a small role as a cameraman who is beaten and has his film confiscated by the Soviet police. See more »
DX-coded film was not invented until the 1980s. See more »
First Title Card:
In Prague, in 1968, there lived a young doctor named Tomas...
Take off your clothes.
[line recurs several times during film]
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Romanticism originally doesn't mean romance. The 19th century romantic hero was always a doomed one. The romantic characters long for something larger than life. The frailness, lightness of things is unbearable to those sensitive beings. This is why romantic stories typically end with the death of their heroes. Romanticism is the opposite of Hollywood, as there is no happy end. The epitome of a romantic story is for example "Romeo and Juliet", where death is preferred to an impossible love story.
Because such intense feelings are a threat, some people try to escape them by taking nothing seriously. For example, Tomas (Daniel Day Lewis), a young surgeon living in Prague in the late sixties. He is a perfect womanizer, but he never sleeps together with any woman, because he instinctively refuses any attachment. Such is also sensuous Sabina (Lena Olin), his favorite mistress and best friend, whose utmost erotic weapon happens to be... a bowler hat.
When Tomas is called for an operation at a small country spa, he seduces a young ingenuous waitress named Tereza (Juliette Binoche), but is not aware that she does not take things as lightly as he does. Bored to death with her provincial life, Tereza longs for something larger than life. She is vulnerable, sentimental, attaching. When she shows up by surprise at Tomas's apartment in Prague one evening, he lets her stay. He is trapped.
Neither of them suspects that they are living an intense moment in a crucial place. This is Prague, Czechoslovakia, the Eastern Block. But the winds of change are blowing in general enthusiasm, and Czechs believe that they are about to create " socialism with a human face". Encouraged by Sabina, Tereza becomes a photographer, and captures on film all the small daily life scenes, the beauty and uniqueness of every moment.
Tereza's caring love can't stop Tomas having affairs with "other women", much to her disarray. As she finally can't take it anymore, she decides to leave. But as she steps out on the dark streets, it sounds like an earthquake is coming. The Soviet tanks are entering the city. The reconstitution of Prague's invasion in this movie is extraordinarily intense, even more so as clips of the real events are included in the footage. Those few moments alone are strong enough to make this long movie worth seeing.
Tomas, Tereza and Sabina exile themselves to Geneva. Sabina has an affair with a married Swiss man, who "doesn't like bowler hats". As he eventually decides to leave his wife for her, she is very shaken, but she disappears. No attachment. It's lonely to be free. As for Tomas, Switzerland can't stop him either playing Casanova. Tereza still can't stand it, and she suddenly goes back to "the land of the weak". But I said it, Tomas is trapped. He can't live without her. He can't help following her back to Prague, although it's clear there is no future for them there anymore.
The story is an adaptation of a novel by much praised Czech novelist Milan Kundera, and it is one of those cases when the movie is more intense than the book. Whereas the movie is highly emotional, the book's tone is dry, cold, almost clinical.
Made by American director Philip Kaufman, this picture is European in every way. It captures perfectly well the "old world" nostalgic atmosphere of Czechoslovakia. The music score by Czech classical composers is gripping, sometimes melancholic, sometimes frantic. The lead actors are giving their all, and this film is certainly among their best performances for all three. The supporting cast also has some big European names in it (Erland Josephson, Daniel Olbrychski, Stellan Skarsgård). Cheerful performance by Czech actor Pavel Landovsky, who personally lived the Prague events. Here, he appears as a jolly and solid peasant with a pet pig called Mephisto, who follows him just everywhere, even at wedding parties!
Tomas and Tereza's pet is a she-dog called Karenin. She is the symbol of their love. They adopt her at the beginning of their relationship, take her together to Geneva, but as she escapes, Tereza takes her along back to Prague. As Karenin gets ill in the end, they make her a lethal injection so that she doesn't suffer. Pretty much what will happen to them too.
And well, I never knew bowler hats could be so erotic!
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