A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
In 'Gegen die Wand' Cahit, a 40-something male from Mersin in Turkey has removed everything Turkish from his life. He has become an alcoholic drug addict and at the start of the movie wants... See full summary »
Tomas is a doctor and a lady-killer in 1960s Czechoslovakia, an apolitical man who is struck with love for the bookish country girl Tereza; his more sophisticated sometime lover Sabina eventually accepts their relationship and the two women form an electric friendship. The three are caught up in the events of the Prague Spring (1968), until the Soviet tanks crush the non-violent rebels; their illusions are shattered and their lives change forever. Written by
Dan Hartung <email@example.com>
Several Czechs were in consideration to be involved in this film, including director Milos Forman, but very few ultimately ended up working on the film. Allegedly, protecting relatives still in Czechoslovakia from reprisals from the Communist regime was a primary reason. See more »
When Tereza goes on her first photo foray into downtown Prague the soundtrack features a woman singing a Czech version of "Hey Jude," the original Beatle version of which was not released until August 26,1968 - the week after the Soviet invasion of Czechoslovakia. See more »
First Title Card:
In Prague, in 1968, there lived a young doctor named Tomas...
Take off your clothes.
[line recurs several times during film]
See more »
Unbearably Beautiful - one of the best films ever made
One of the most romantic films ever made, it shows the problems of people whose intimacies and personal conflicts are being interrupted by history on the move. I think this film surpasses the novel, which is utterly cynical (although understandably). Even in the last moments of the novel, Teresa is concerned that Tomas is cheating on her. The film also does well by dropping much of Franz's character - he was kind of uninteresting compared to Teresa, Tomas, and Sabina. It also drops such deadweight characters as Teresa's mother, Tomas' son, and Franz's wife. Also, a ton of different coworkers are combined into a few, so that their characters have time to develop. By concentrating on the three central characters, this film blossoms past what the novel ever achieved (although the novel is arguably more historically important). Philip Kaufman and Jean-Claude Carriere also add a couple of beautiful scenes that weren't in the novel, including Tomas' and Teresa's wedding, which is one of the most beautiful scenes in filmdom.
64 of 87 people found this review helpful.
Was this review helpful to you?