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Famous film director Guido Contini struggles to find harmony in his professional and personal lives, as he engages in dramatic relationships with his wife, his mistress, his muse, his agent, and his mother.
Tomas is a doctor and a lady-killer in 1960s Czechoslovakia, an apolitical man who is struck with love for the bookish country girl Tereza; his more sophisticated sometime lover Sabina eventually accepts their relationship and the two women form an electric friendship. The three are caught up in the events of the Prague Spring (1968), until the Soviet tanks crush the non-violent rebels; their illusions are shattered and their lives change forever. Written by
Dan Hartung <firstname.lastname@example.org>
Daniel Day-Lewis at first turned down the role feeling the script made him too nice. The script was revised and added in things from the book that made the character less "perfect". See more »
While nowadays, many people in the Czech Republic wear wedding bands on the left hand, back in 1968 they would have worn them on their right hand regardless of their political stance. Both of the main characters are shown in the movie to wear their wedding bands on the left hand as they would have in the U.S., not Czechoslovakia. See more »
First Title Card:
In Prague, in 1968, there lived a young doctor named Tomas...
Take off your clothes.
[line recurs several times during film]
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I've not read the book this is based on, so have no way to comment on how this movie translates it. But the film itself has stayed in my mind like few others. Yes, it's very long, but the characters are so memorable that the length didn't bother me at all - I loved the time spent in their company. In particular, Juliette Binoche and Lena Olin are each astonishing in their own way. Olin is ferociously sensual and mesmerizing, while Binoche is superlatively sympathetic and sensitive. Two of the best female performances I can remember. By the end of the film I was totally wrapped up in these people's lives. This film is deeply erotic but in an intelligent and adult way that puts most other film's treatment of sex to shame. I thought it was beautifully handled by all concerned, and if I ever want to cry, I only need watch the scenes with the dog and the final scenes, both pulled off superbly.
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