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U2: Rattle and Hum (1988)

A documentary of Irish rock group U2's Fall 1987 tour of North America.

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Cast

Credited cast:
...
Himself
...
Himself
...
Himself
...
Himself
...
Himself
...
Himself
Rest of cast listed alphabetically:
Dennis Bell ...
Himself
Adam Gussow ...
Himself
Jack Hale ...
Himself
Jim Horn ...
Himself
Wayne Jackson ...
Himself (as The Memphis Horns)
Andrew Love ...
Himself (as The Memphis Horns)
Sterling Magee ...
Himself
Joey Miskulin ...
Himself (as Joseph M. Miskulin)
Gayl Murphy ...
Herself (as Press Conference Interviewer)
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Storyline

This film documents the 1987 North American tour of the great rock band, U2. Fresh with their success of their best selling album, The Joshua Tree, the band plays monster gigs. Along the way, the band takes the opportunity in indulge in some special musical activities like playing with BB King and performing "I Still Haven't Found What I'm Looking" with a famous church choir. All the while, concert footage of the band's biggest hits on tour is featured while Bono speaks his mind on the problems of his homeland. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Add Synopsis

Genres:

Documentary | Music

Certificate:

PG-13 | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

4 November 1988 (USA)  »

Also Known As:

Rattle and Hum  »

Filming Locations:

 »

Box Office

Gross:

$8,600,823 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Bono was advised to cut his "fuck the revolution" speech during the instrumental to "Sunday Bloody Sunday" from the film, as it was claimed that IRA paramilitaries had added the band to their hit-lists. The outburst, in response to the Enniskillen bombing that killed eleven people and wounded many more, stayed in the film anyway. See more »

Quotes

[Talking about going to Graceland and seeing Elvis' house]
Larry: When I got there I enjoyed it and all but seeing the grave and the eternal flame and all that, it seemed very distant. I wish he hadn't been buried in the, um, in the back yard, I really wish he'd been buried somewhere where I couldn't have gone, I would have felt better, you know.
[pause]
Larry: I don't know why, you know, it's just one of those things.
See more »

Connections

Featured in U2 & B. B. King: When Love Comes to Town (1989) See more »

Soundtracks

Pride
(In The Name Of Love)
Words Bono
Music U2
Recorded live at McNichols Arena Denver CO
See more »

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User Reviews

 
A triumph, a disaster, a lesson. Probably the finest music film there will ever be.
9 October 2007 | by (Guernsey) – See all my reviews

At the time of writing, this film is almost 20 years old. When I first watched it I was a half U2 fan, a U1 if you will. Joshua tree was one of my favourite CDs, but despite being a frequent listener of the earlier stuff, I'd remained unhooked. But after seeing Rattle and Hum I was almost literally breathless. It became one of a small handful of VHS music videos that I made the effort to take with me as I moved through life.

When I discovered the concept of digital movies, it was the first tape I digitised so I could watch it on my computer, and when video CD came along, I bought that too because the quality was much better than my amateur 'rip'. Naturally when DVD came along I had to have the quality offered by that too. And when I got my first portable video player, well Rattle & h Hum was the first DVD I ripped so I could play it on that (although Pink Floyds pulse had become it's constant companion too).

Today, I took delivery of my iPod Touch, and, sad bastard that I am, Rattle and Hum is the first movie I'm watching on it.

Why is it I love this film when the music press and the band itself seem to dis this film? I once read an article that suggested the band almost split after the release of the film. Instead they went off and regrouped into their post Achtung baby period. Better they had split and then reformed once whatever itch was out of their system, I think. I still hope they still will.

I love this film because it presents the band a their absolute peak. Every inch of concert footage is tight. Bono sounds amazing, much better than I ever saw him. The Edge soars, Larry beats perfect time, while Adam holds everything together. If that isn't enough, the photography is stunning. There is not a single scene in the whole film that would benefit from a different point of view, lighting setup or depth of field (except perhaps the Bono scene 31 minutes in where he tries his hand at graffiti backed by watchtower, personally I'd have made that blurred I think). The visuals are completely stunning and reinforce the bands stature already perfectly presented by just enough short of perfect performance.

If I last another 20 years, I'm confident this film will make the Journey with me.


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