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U2: Rattle and Hum (1988)

7.4
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Ratings: 7.4/10 from 4,660 users  
Reviews: 45 user | 14 critic

A documentary of Irish rock group U2's Fall 1987 tour of North America.

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Title: U2: Rattle and Hum (1988)

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Cast

Credited cast:
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Himself
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Himself
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Himself
Rest of cast listed alphabetically:
Dennis Bell ...
Himself
Adam Gussow ...
Himself
Jack Hale ...
Himself
Jim Horn ...
Himself
Wayne Jackson ...
Himself (as The Memphis Horns)
Andrew Love ...
Himself (as The Memphis Horns)
Sterling Magee ...
Himself
Joey Miskulin ...
Himself (as Joseph M. Miskulin)
Gayl Murphy ...
Herself (as Press Conference Interviewer)
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Storyline

This film documents the 1987 North American tour of the great rock band, U2. Fresh with their success of their best selling album, The Joshua Tree, the band plays monster gigs. Along the way, the band takes the opportunity in indulge in some special musical activities like playing with BB King and performing "I Still Haven't Found What I'm Looking" with a famous church choir. All the while, concert footage of the band's biggest hits on tour is featured while Bono speaks his mind on the problems of his homeland. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Add Synopsis

Genres:

Documentary | Music

Certificate:

PG-13 | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

4 November 1988 (USA)  »

Also Known As:

U2: Rattle and Hum  »

Filming Locations:

 »

Box Office

Gross:

$8,600,823 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

"All Along the Watchtower" was recorded in Justin Herman Plaza in San Francisco in front of what many consider to be the ugliest sculpture in the city. Bono's spraypainted words required a formal apology from the band and were removed within days. See more »

Quotes

Bono: Now lemme tell you somethin'. I've had enough of Irish Americans who haven't been back to their country in twenty or thirty years come up to me and talk about the resistence, the revolution back home. And the glory of the revolution, and the glory of dyin' for the revolution. Fuck the revolution! They don't talk about the glory of killing for the revolution. What's the glory in takin' a man from his bed and gunnin' him down in front of his wife and his children? Where's the glory in that? ...
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Connections

Featured in U2: The Best of 1980-1990 (2002) See more »

Soundtracks

Desire
Words Bono
Music U2
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User Reviews

See the DVD
1 September 2002 | by (United States) – See all my reviews

I knew little about U2 in the 80s. I was still a pre-teen, and I was probably listening to what my parents put on like Michael Jackson, Joe Cocker, John Denver, Janis Joplin, and Willie Nelson. However, little by little, I grew to be a fan of theirs, probably especially after I first heard the song "Bad" on the radio as my parents drove me to college for my first year.

I bought the DVD of this on a total whim and was greatly rewarded. The opening sequence with "Helter Skelter" establishes a somewhat otherworldly yet gritty intensity for the b&w sequences. I agree that the film doesn't do a good job of getting at the personalities of the singers, and besides these guys are so used to the camera that they'd be able to manipulate the coverage anyway.

What Phil Joanou does get wonderfully is the passion for the music in these guys and how they inspire others: those moments when they stop and listen to the Harlem blues man singing "Freedom for My People" or the Gospel choir that takes flight with "Haven't Found what I'm Looking For" are something pure with a hint of magic. This is also well-played in the GORGEOUS transition to color in the Super Bowl-size stadium for "Streets Have No Name." You'd think Jesus himself was about to come on stage.

My only qualm: the music and lyrics themselves have enough social meaning of their own. Bono really doesn't need to interject much more on stage. Their performance of Bullet the Blue Sky gets at the social points with greater force, "Pelting the women and children/Pelting the women and children," than Bono's well-intentioned commentary. I give it four stars though because it hits all the right notes. PHIL, WHY HAVEN'T YOU DONE ANYTHING LIKE THIS IN YEARS?


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