Hank and Frannie don't seem to be able to live together anymore. After a five-year relationship, lustful and dreamy Fanny leaves down-to-earth Hank on the anniversary of their relationship.... See full summary »
Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
Francis Ford Coppola
Having discovered that she is pregnant, Natalie Ravenna (Shirley Knight), a Long Island housewife panics and leaves home to see if she might just possibly have made something different out ... See full summary »
A writer with a declining career arrives in a small town as part of his book tour and gets caught up in a murder mystery involving a young girl. That night in a dream, he is approached by a... See full summary »
On the Las Vegas strip, two unlikely men rendezvous: Samuel Hill, an ill-kempt desert miner, and Benjamin Jabowski, a John Birch Society dandy from the city. Intent on some sort of mayhem, ... See full summary »
Based on a true story. Shortly after World War II, Preston Tucker is a grandiose schemer with a new dream, to produce the best cars ever made. With the assistance of Abe Karatz and some impressive salesmanship on his own part, he obtains funding and begins to build his factory. The whole movie also has many parallels with director Coppola's own efforts to build a new movie studio of his own. Written by
When Tucker is in his plant contemplating his impending demise, he drops his cigarette and puts it out, but in the next scene, he continues to press down his foot like there's a cigarette underneath it, but when he walks away nothing is there. See more »
Overlooked yet highly entertaining drama from director Francis Ford Coppola and producer George Lucas, an amusing and nostalgic look at real-life idea man Preston Tucker who, in 1945, developed the Car of Tomorrow and hoped to put Detroit's auto business out of commission. A smart, knowing take on the past, a nice comeback from Coppola but one that did little business. The film has gleaming photography, a jaunty pace and a great cast. Jeff Bridges, not the most subtle actor, gives one of his finest performances in the lead. Supporting cast is made up of pros (Martin Landau, Frederic Forrest, Dean Stockwell) and fresh new talent (circa 1988) such as Joan Allen and the incredible Elias Koteas. *** from ****
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