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A doctor's wife tires of his obsession with model trains, and spends her days wondering about the son she gave up for adoption at birth. While eating at a roadside cafe, she encounters a ... See full summary »

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Cast

Complete credited cast:
...
Linda Henry
...
Martin
...
Henry Henry
...
Arlanda
...
Nurse Stein
...
Dr. Bernard Fairmont
...
Trucker
Vance Colvig Jr. ...
Mr. Ennis
Kathryn Tomlinson ...
Receptionist
Jerry Rushing ...
Redneck
Tommy Hull ...
Counterman
J. Michael Hunter ...
Waiter
...
Delegate
Ted Barrow ...
Old Man
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Storyline

A doctor's wife tires of his obsession with model trains, and spends her days wondering about the son she gave up for adoption at birth. While eating at a roadside cafe, she encounters a British hitchhiker, who turns out to be her son. They spend time together trying to find a bond. The son begins to hate the husband, and the wife begins worrying about the safety of her husband and his train set. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Add Synopsis

Taglines:

He Was Her Dream And Her Obsession. Her Son... And Her Lover

Genres:

Drama | Mystery

Certificate:

R | See all certifications »
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Details

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Language:

Release Date:

12 July 1988 (USA)  »

Also Known As:

Afsporet  »

Filming Locations:

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Box Office

Budget:

$5,000,000 (estimated)

Gross:

$429,028 (USA)
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Did You Know?

Trivia

One of seven films that actress Theresa Russell has made with director Nicolas Roeg. The films include Eureka (1983), Track 29 (1988), Cold Heaven (1991), Hotel Paradise (1995), Bad Timing (1980), Insignificance (1985) and the "Un ballo in maschera" segment of Aria (1987). See more »

Connections

Referenced in Mit Leib und Seele: Die liebestollen Girls (1990) See more »

Soundtracks

When the Red, Red, Robin Comes Bob, Bob, Bobbin' Along
Written by Harry M. Woods
Performed by Rosemary Clooney
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User Reviews

Probably for Potter fans only
6 July 2003 | by (bean world, massachusetts) – See all my reviews

As one of screenwriter Dennis Potter's few feature films, this is definitely worth seeing for fans of his work. Potter incorporates a grab-bag of typical themes (and a couple of familiar jokes) into a surrealistic erotic thriller. Oldman and Russell have a smoldering chemistry, and many of their scenes together are very well done.

But ultimately, as a movie, Track 29 gets hung up on a couple of points. First of all, as everyone has pointed out, the southern accents are really, really bad in this movie. Oh what a difference a good language coach would have made. Given Potter's interest in accents, and social class, I can't help but think that the juxtaposition of the characters' strong East London and North Carolina accents was probably specified in the script, but the utter ineptitude of Russell and her co-stars to sound like they're actually from *anywhere* in the South keeps destroying the viewer's suspension of disbelief.

The other stumbling block, is the director's style. Potter's writing, bred at the BBC, seems to work better when filmed in an understated, realistic style. He's a writer who really packs a lot into every line, and his material doesn't generally need to be "played up" at all in order to carry the intended impact; all the power is right there in the script. Unfortunately, Roeg comes out with both guns blazing, and while his over-the-top visual style works really well in some sequences (as when Oldman destroys the train set), the overall effect was one of "more is less".

I couldn't help wondering as the movie ended how differently the script could have been handled by a director like Jonathan Demme, who not only has an ear for accents and an understated visual style, but also a more subtle understanding of class in rural America than any director I can think of.

In the end, an enjoyably campy B-movie with unfulfilled potential for greatness.


10 of 13 people found this review helpful.  Was this review helpful to you?

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