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Topio stin omichli (1988)

TV-MA | | Drama | 10 September 1988 (Greece)
Road movie about two children (Voula and Alexandre) searching for their father who is supposed to live in Germany. Their obsession for this father figure will take them to the boundaries ... See full summary »

Writers:

(story), (screenplay) | 2 more credits »
Reviews
12 wins & 4 nominations. See more awards »
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Cast

Cast overview, first billed only:
Michalis Zeke ...
Alexandros
Tania Palaiologou ...
...
Eva Kotamanidou
Aliki Georgouli
Vasilis Kolovos ...
Truck Driver
Vasilis Bouyiouklakis
...
Seagull
Vangelis Kazan
Mihalis Giannatos ...
Train Station Guardian
Kiriakos Katrivanos
Grigoris Evangelatos
Giannis Fyrios
Nikos Kouros
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Storyline

Road movie about two children (Voula and Alexandre) searching for their father who is supposed to live in Germany. Their obsession for this father figure will take them to the boundaries between childhood and adolescence. Written by Carlos Morales <bmunoz@mail.sci.net.mx>

Plot Summary | Add Synopsis

Taglines:

A voyage of initiation.

Genres:

Drama

Certificate:

TV-MA | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

10 September 1988 (Greece)  »

Also Known As:

Landscape in the Mist  »

Filming Locations:


Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Part III of "A Trilogy of Silence". See more »

Quotes

Orestis: If I were to shout, who would hear me out of the armies of angels?
See more »

Crazy Credits

Opening titles: The band "The Last Drive" is heard from their Hitch-hyke records' "Underworld Shakedown" album (credit appears on the same screen with those for photography assistants). See more »

Connections

Follows O melissokomos (1986) See more »

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User Reviews

 
Another flawed occasionally brilliant film
15 July 2012 | by (United Kingdom) – See all my reviews

Landscape in the Mist is the third in a Trilogy of Silence that began with Voyage to Cythera and continued with The Bee-Keeper. In all three films the qualities that distinguished the first trilogy -Days of '36, The Travelling Players, and The Hunters- are absent. The music in the first trilogy is precise and precisely used at key moments of the film; whereas in the second trilogy the music is repetitive and not traditionally Greek but some sort of middle European slop which heard again and again becomes an irritating nuisance and a diversion from the film. The music in Megalexandros is even more important and deftly used. Second, the cinematography in the first trilogy and Megalexandros is pristine and superb in its use of Northern Greek landscape, whereas in the second trilogy, with the exception of the closing scenes of Voyage to Cythera and Landscape in the Mist, the landscape rarely works as a commentary other than, perhaps the empty roads in Landscape in the Mist. Third, the introduction of Tonino Guerra as writer complicates the vision Angelopoulos had before, giving his films an existential despair familiar from Antonionio's films on which Guerra wrote, and which are part of the problem. The unreality of two children who rarely eat or drink or wash may not matter as they represent a transition from innocence to maturity, but the adults around them are by turns indifferent (the uncle), brutal (the truck driver), loving (Orestes) but seem not to contribute anything to the children's lives, other than the obvious problem of the truck scene. Perhaps in this film the father's silence is equivalent to God's silence, yet the solitary tree at the end suggests the eternal spring of life, and that the children have found their peace. What a pity this ravishing scene is so polluted by that whining oboe and that relentless repetition of such third rate muzak.

I have the Artificial Eye Boxed sets, and all the films seem to be missing up to 5-15 minutes, are there no definitive versions of Angelopoulos' films?


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