When an unconfident young woman is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking castle.
The Clock family are four-inch-tall people who live anonymously in another family's residence, borrowing simple items to make their home. Life changes for the Clocks when their daughter, Arrietty, is discovered.
Two young girls, Satsuki and her younger sister Mei, move into a house in the country with their father to be closer to their hospitalized mother. Satsuki and Mei discover that the nearby forest is inhabited by magical creatures called Totoros (pronounced toe-toe-ro). They soon befriend these Totoros, and have several magical adventures. Written by
Christopher E. Meadows <firstname.lastname@example.org>
The film is partially autobiographical. When Hayao Miyazaki and his brothers were children, his mother suffered from spinal tuberculosis for nine years, and spent much of her time hospitalized. It is implied, yet never revealed in the film, that Satsuki and Mei's mother also suffers from tuberculosis. He once said the film would have been too painful for him to make if the two protagonists were boys instead of girls. See more »
When Mei and Satsuki are running back home from school because of the rain, Mei trips and there is mud on her skirt. After a few scenes, her skirt does not have the mud. See more »
From the brilliant "Walt Disney of Japan", Hayao Miyazaki, comes a wonderful soothing film that everyone will simply embrace. Featuring stunning animation, endearing personable characters, and a heart-tugging storyline that's simple, enchanting, and even dramatic.
Sometimes you feel like you're not watching an animated children's movie, because the characters (particularly the children) and the storyline seem so realistic. There's no bad guy, no song numbers, and no references to pop-culture. Most cartoons (especially Disney) feature these and it gets old and routine. Here we have a break from all of that and get a real masterpiece.
Miraculously, Totoro doesn't talk, and yet you can still understand what the lovable furry creature is thinking with his endearing actions. And the six-legged CatBus is undeniably one of the most imaginative characters in animation history. And the human characters are also remarkable. Mei and Satsuki act like little girls, not like kids who are smarter than adults (a routine toons today are guilty of).
I loved Totoro when I was a small child and I always will. When I have children of my own someday, I will show them Totoro instead of toy commercials like Dora and Elmo's world.
BOTTOM LINE: A masterpiece... pure and simple.
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