Join host Ben Lyons for our live conversation with Mike Colter, star of "Jessica Jones," and Rachael Harris, star of "Lucifer," as we discuss their latest projects and history in Hollywood. Tune into Amazon.com/IMDbAsks on Wednesday at 7 p.m. ET/4 p.m. PT to watch, live chat, and even ask a question yourself! This livestream is best viewed on laptops, desktops, and tablets.
Graham, a lonely Welsh postal worker, adopts James, a troubled ten-year-old boy. Graham always wanted a son, but James loves his biological father too much to give Graham a chance. Will the two be able to accept each other as family?
Jack McKee is a doctor with it all: he's successful, he's rich, and he has no problems.... until he is diagnosed with throat cancer. Now that he has seen medicine, hospitals, and doctors ... See full summary »
In 1840, a young Russian aristocrat, Dimitri Sanin, is returning home after a long tour of Europe. In Germany, he falls in love with a beautiful pastry shop girl, Gemma Rosselli, who soon ... See full summary »
A young woman with a long rap sheet who steals cars for a living is befriended by a public defender who tries to steer her straight. But her goal is to steal and subsequently sell enough ... See full summary »
In addition to declaring that Katharine's (Lynn Redgrave) head and heart line are hopelessly fused into one "simian line", eccentric palm reader/fortune-teller Arnita (Tyne Daly) makes a ... See full summary »
Harry Connick Jr.
After a husband is accused of driving his third wife to suicide, his first wife Hedda, a troubled woman who can't hate or hurt others even if they had wronged her, is subpoenaed to testify on his abusive behavior during their marriage.
Two women meet in Vegas where they came to get a divorce. There they also meet a man whose wife just left him. They go to a bar for a drink and a talk. Turns out they have a common acquaintance - one of their exes.
In 1986, David Whitman came home, contaminated his wife and child, and watched them die. Years later, he leads a hazmat team investigating an industrial accident near Budapest. One ... See full summary »
Tale of three different couples (Yuppies, Hippies, and Society Folk) who find some common ground and become friends after being assigned to the same school project. Their lives are turned ... See full summary »
Robert Sean Leonard
In this drama, the future of art is examined from two vantage points: the years 1699 and 1999. Roland is an avant-garde artist in Venice, California whose sister, Countess Camilla Volta , lives on their family's estate in Venice, Italy.
In Russia, in 1907, a rich lenient husband of a loose unfaithful woman is brutally murdered. She and her two lovers are suspects, but what about the stranger she met just before the murder? With no friends left, she and the stranger bond.
Josie elopes with Jack against her father's wishes. Her father follows her to the hotel where they are staying and forces Josie to go with him. Jack in turn follows resulting in an accident that leaves her father dead. Marty her brother, who was despised by their father over something he did years ago, sees Jack while grieving over his father and then follows him to Europe where they were fighting the war and was about to kill Jack, when something happened that prevented him. The next thing he knows is that the two of them are being decorated, and somehow the two of them become comrades in arms but when the war ends will their friendship continue or will Marty continue what he set out to do in the beginning? Written by
This movie has been seriously underrated by almost everyone except Roger Ebert in his initial review. Surprisingly, it has never received any kind of DVD release. This is one of those movies, released every now and again, that are not only about another era, but actually resemble a film of that era. Audiences never know what to do with them, and consequently they are quickly dismissed or forgotten. Michael Bay's "Pearl Harbor," Coppola's "Bram Stoker's Dracula," and many of Cimino's films fit this description, to some extent. In this case, the movie resembles a WWII-era melodrama or even a 1950s Douglas Sirk or George Stevens-style soap opera - including emotional soliliquies, naivete, and occasional overacting.
Accept it for what it is, and you will find an exceptionally well-made, dramatically fluid film about revenge and old-style Latino family loyalty. The 1940s costumes, sets, and photography are excellent, as are Hutton, Hurt, and Leo's performances. In particular, Hutton displays the kind of 1940s pre-war innocence that's perfect for the role. In an era of cynicism, irony, and post-modernist history, such a movie has even less of a chance of finding an audience than when released, but I recommend it for fans of serious filmmaking.
3 of 3 people found this review helpful.
Was this review helpful to you?