| Photos (See all 26 | slideshow) |
Directed by | |||
| John Carpenter | |||
Writing credits | ||
| Ray Nelson | (short story "Eight O'Clock in the Morning") | |
| John Carpenter | (screenplay) (as Frank Armitage) | |
Produced by | |||
| Andre Blay | .... | executive producer | |
| Larry J. Franco | .... | producer (as Larry Franco) | |
| Shep Gordon | .... | executive producer | |
| Sandy King | .... | associate producer | |
Original Music by | |||
| John Carpenter | |||
| Alan Howarth | |||
Cinematography by | |||
| Gary B. Kibbe | (director of photography) | ||
Film Editing by | |||
| Gib Jaffe | |||
| Frank E. Jimenez | |||
Art Direction by | |||
| William J. Durrell Jr. | |||
| Daniel A. Lomino | (as Daniel Lomino) | ||
Set Decoration by | |||
| Marvin March | |||
Makeup Department | |||
| Elle Elliott | .... | hair stylist | |
| Francisco X. Pérez | .... | makeup artist (as Frank Carrisosa) | |
Production Management | |||
| Stratton Leopold | .... | unit production manager | |
| Alan Levine | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Larry J. Franco | .... | first assistant director (as Larry Franco) | |
| Artist W. Robinson | .... | second assistant director (as Artist Robinson) | |
| B. Scott Senechal | .... | dga trainee (as Scott Senechal) | |
Art Department | |||
| Jack Eberhart | .... | lead man | |
| Dick Girod | .... | paint foreman (as Richard Girod) | |
| Sean Haworth | .... | art department assistant | |
| Richard M. Kerns | .... | assistant property (as Richard Kerns) | |
| Frank Leasure | .... | propmaker | |
| Ernie Millanponce | .... | stand-by painter | |
| Vic Petrotta Jr. | .... | property master (as Victor Petrotta Jr.) | |
| Gregori Renta | .... | swing | |
| John Sweeney | .... | assistant property | |
| Kenneth Truby | .... | labor foreman | |
| Michael Wright | .... | construction foreman | |
| Luigi Mugavero | .... | set dresser (uncredited) | |
Special Effects by | |||
| Michael Arbogast | .... | special effects assistant | |
| Roy Arbogast | .... | special effects coordinator | |
| David Blitstein | .... | special effects assistant | |
| Jim Danforth | .... | special photographic effects | |
| William Lee | .... | special effects assistant | |
Camera and Electrical Department | |||
| Kevin Arnold | .... | electrician | |
| Sidney Ray Baldwin | .... | still photographer (as Sidney Baldwin) | |
| Sanford Barr | .... | electrician | |
| Bruce Birmelin | .... | still photographer | |
| Clyde E. Bryan | .... | first assistant camera: second camera | |
| Ron Cardarelli | .... | key grip (as Ronald Cardarelli) | |
| Larry D. Davis | .... | second assistant camera (as Larry Davis) | |
| Robert DePerna | .... | electrician | |
| Anthony Di Mase | .... | grip (as Anthony DiMase) | |
| Jud Kehl | .... | camera operator | |
| John T. Kennedy | .... | best boy electrician (as John Kennedy) | |
| Jeffrey Norvet | .... | first assistant camera | |
| John Palka | .... | best boy grip | |
| Robin Roberts | .... | grip | |
| Richard Smock | .... | electrician | |
| Ken Spencer | .... | gaffer (as Kenneth Spencer) | |
| Raymond Stella | .... | camera operator: second camera (as Raymond N. Stella) | |
| Raymond Stella | .... | panaglide operator (as Raymond N. Stella) | |
| Dave Wachtman | .... | dolly grip (as David Wachtman) | |
| Sid Lucero | .... | grip (uncredited) | |
| Randy Nolen | .... | Steadicam operator (uncredited) | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
Costume and Wardrobe Department | |||
| Robert Lewis Bush | .... | costumer (as Robert Bush) | |
| Robin Michel Bush | .... | costume supervisor (as Robin Bush) | |
| John Melvin Young | .... | costumer (as John Young) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Phil Downey | .... | color timer | |
| Margaret Goodspeed | .... | assistant film editor | |
| Frederick Wardell | .... | assistant film editor (as Fred M. Wardell) | |
| Richard Alderete | .... | assistant editor (uncredited) | |
Transportation Department | |||
| George Bess | .... | driver | |
| Fred Brookfield | .... | driver | |
| James R. Brown | .... | driver (as Jim Brown) | |
| Russ Buckens | .... | driver | |
| Bob Cromwell | .... | driver | |
| James Langhorne | .... | driver (as Jim Langhorne) | |
| Stephen A. Latina | .... | driver (as Steve Latina) | |
| Leo Loa | .... | driver | |
| John Marendi | .... | driver | |
| Dennis McLaughlin | .... | driver (as Denny McLaughlin) | |
| Frank Mielcarek | .... | driver | |
| Thomas M. Reposar | .... | driver (as Mike Reposar) | |
| Tim Roslan | .... | transportation captain | |
| Kenny Searle | .... | transportation coordinator | |
Other crew | |||
| Rick Chavez | .... | craft service (as Richard Chavez) | |
| Karin Costa | .... | assistant: Mr. Carpenter | |
| Maurice Costello | .... | first aid | |
| James Deeth | .... | helicopter pilot | |
| Mathew Dunne | .... | production associate | |
| Billie Don Evans | .... | helicopter pilot | |
| Joy Ewing | .... | production accountant | |
| T.Z. Garrison | .... | stand-in | |
| E. Barry Haldeman | .... | production legal counsel (as E. Barry Haldeman Esq.) | |
| Sandra Holden | .... | assistant: Mr. Franco | |
| Sandy King | .... | script supervisor | |
| Ken Lavet | .... | location manager | |
| Gregory Parrish | .... | stand-in | |
| Marian Shambo | .... | production coordinator | |
| Jill L. Smith | .... | production legal counsel (as Jill L. Smith Esq.) | |
| Mark A. Stankevich | .... | production legal counsel (as Mark A. Stankevich Esq.) | |
| Larry Sulkis | .... | producer: commercials | |
| Angel Trujillo | .... | caterer | |
| Michael Forino | .... | production assistant (uncredited) | |
| Lynnanne Zager | .... | voices (uncredited) | |
|
|
|
|
|
| Battle Royale | The Matrix | Total Recall | Terminal City Ricochet | The Running Man |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
I have to say something here. This movie is actually very good. It was a mixture of sci-fi and political and sociological imagery. I thought the fact that the turncoat working with the aliens that were brainwashing the public was employed in the media was a brilliant way of showing how the media moguls consider us to be sheeple and use their power to persuade any way they see fit. This movie was actually quite well down, considering it did not have a blockbuster budget.
I would rather watch this than waste my time on the Matrix, which I think is a complete waste of time. The main plot of the movie was Nada discovering a worldwide conspiracy that used subliminal messages to "herd the sheep". Is this not a metaphor of what we see ever day? The media, commercials, billboards, etc, use subliminal messaging to encourage the actions of the public at large.
John Carpenter did a wonderful job. Roddy Piper's acting abilities were definitely above average, which is a lot more that I will ever to be able to say about anything Keanu Reeves has ever done. As usual, Keith David turned in a great performance. The reason this a cult classic is because it is a very good movie that requires the watcher to think.