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Directed by | |||
| John Carpenter | |||
Writing credits | ||
| Ray Nelson | (short story "Eight O'Clock in the Morning") | |
| John Carpenter | (screenplay) (as Frank Armitage) | |
Produced by | |||
| Andre Blay | .... | executive producer | |
| Larry J. Franco | .... | producer (as Larry Franco) | |
| Shep Gordon | .... | executive producer | |
| Sandy King | .... | associate producer | |
Original Music by | |||
| John Carpenter | |||
| Alan Howarth | |||
Cinematography by | |||
| Gary B. Kibbe | (director of photography) | ||
Film Editing by | |||
| Gib Jaffe | |||
| Frank E. Jimenez | |||
Art Direction by | |||
| William J. Durrell Jr. | |||
| Daniel A. Lomino | (as Daniel Lomino) | ||
Set Decoration by | |||
| Marvin March | |||
Makeup Department | |||
| Elle Elliott | .... | hair stylist | |
| Francisco X. Pérez | .... | makeup artist (as Frank Carrisosa) | |
Production Management | |||
| Stratton Leopold | .... | unit production manager | |
| Alan Levine | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Larry J. Franco | .... | first assistant director (as Larry Franco) | |
| Artist W. Robinson | .... | second assistant director (as Artist Robinson) | |
| B. Scott Senechal | .... | dga trainee (as Scott Senechal) | |
Art Department | |||
| Jack Eberhart | .... | lead man | |
| Dick Girod | .... | paint foreman (as Richard Girod) | |
| Sean Haworth | .... | art department assistant | |
| Richard M. Kerns | .... | assistant property (as Richard Kerns) | |
| Frank Leasure | .... | propmaker | |
| Ernie Millanponce | .... | stand-by painter | |
| Vic Petrotta Jr. | .... | property master (as Victor Petrotta Jr.) | |
| Gregori Renta | .... | swing | |
| John Sweeney | .... | assistant property | |
| Kenneth Truby | .... | labor foreman | |
| Michael Wright | .... | construction foreman | |
| Luigi Mugavero | .... | set dresser (uncredited) | |
Special Effects by | |||
| Michael Arbogast | .... | special effects assistant | |
| Roy Arbogast | .... | special effects coordinator | |
| David Blitstein | .... | special effects assistant | |
| Jim Danforth | .... | special photographic effects | |
| William Lee | .... | special effects assistant | |
Camera and Electrical Department | |||
| Kevin Arnold | .... | electrician | |
| Sidney Ray Baldwin | .... | still photographer (as Sidney Baldwin) | |
| Sanford Barr | .... | electrician | |
| Bruce Birmelin | .... | still photographer | |
| Clyde E. Bryan | .... | first assistant camera: second camera | |
| Ron Cardarelli | .... | key grip (as Ronald Cardarelli) | |
| Larry D. Davis | .... | second assistant camera (as Larry Davis) | |
| Robert DePerna | .... | electrician | |
| Anthony Di Mase | .... | grip (as Anthony DiMase) | |
| Jud Kehl | .... | camera operator | |
| John T. Kennedy | .... | best boy electrician (as John Kennedy) | |
| Jeffrey Norvet | .... | first assistant camera | |
| John Palka | .... | best boy grip | |
| Robin Roberts | .... | grip | |
| Richard Smock | .... | electrician | |
| Ken Spencer | .... | gaffer (as Kenneth Spencer) | |
| Raymond Stella | .... | camera operator: second camera (as Raymond N. Stella) | |
| Raymond Stella | .... | panaglide operator (as Raymond N. Stella) | |
| Dave Wachtman | .... | dolly grip (as David Wachtman) | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
Costume and Wardrobe Department | |||
| Robert Lewis Bush | .... | costumer (as Robert Bush) | |
| Robin Michel Bush | .... | costume supervisor (as Robin Bush) | |
| John Melvin Young | .... | costumer (as John Young) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Phil Downey | .... | color timer | |
| Margaret Goodspeed | .... | assistant film editor | |
| Frederick Wardell | .... | assistant film editor (as Fred M. Wardell) | |
| Richard Alderete | .... | assistant editor (uncredited) | |
Transportation Department | |||
| George Bess | .... | driver | |
| Fred Brookfield | .... | driver | |
| James R. Brown | .... | driver (as Jim Brown) | |
| Russ Buckens | .... | driver | |
| Bob Cromwell | .... | driver | |
| James Langhorne | .... | driver (as Jim Langhorne) | |
| Stephen A. Latina | .... | driver (as Steve Latina) | |
| Leo Loa | .... | driver | |
| John Marendi | .... | driver | |
| Dennis McLaughlin | .... | driver (as Denny McLaughlin) | |
| Frank Mielcarek | .... | driver | |
| Thomas M. Reposar | .... | driver (as Mike Reposar) | |
| Tim Roslan | .... | transportation captain | |
| Kenny Searle | .... | transportation coordinator | |
Other crew | |||
| Rick Chavez | .... | craft service (as Richard Chavez) | |
| Karin Costa | .... | assistant: Mr. Carpenter | |
| Maurice Costello | .... | first aid | |
| James Deeth | .... | helicopter pilot | |
| Mathew Dunne | .... | production associate | |
| Billie Don Evans | .... | helicopter pilot | |
| Joy Ewing | .... | production accountant | |
| T.Z. Garrison | .... | stand-in | |
| E. Barry Haldeman | .... | production legal counsel (as E. Barry Haldeman, Esq.) | |
| Sandra Holden | .... | assistant: Mr. Franco | |
| Sandy King | .... | script supervisor | |
| Ken Lavet | .... | location manager | |
| Gregory Parrish | .... | stand-in | |
| Marian Shambo | .... | production coordinator | |
| Jill L. Smith | .... | production legal counsel (as Jill L. Smith, Esq.) | |
| Mark A. Stankevich | .... | production legal counsel (as Mark A. Stankevich, Esq.) | |
| Larry Sulkis | .... | producer: commercials | |
| Angel Trujillo | .... | caterer | |
| Michael Forino | .... | production assistant (uncredited) | |
| Lynnanne Zager | .... | voices (uncredited) | |
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They Live. Where to begin? Yes, it is goofy. Yes the production value is very low. Yes the action is standard. The guns never empty. The fights are poorly choreographed at times. But that, my friends, is not the point.
This film was an attack on the Regan era. An attack on the rampant consumerism of the 80's. But open your mind. Saying that it's just an attack on the 80's is merely shutting your eyes. Telling yourself that things have gotten better. Sorry to disapoint you, but they haven't.
Rowdy Roddy Piper puts on some sunglasses. The world changes. Billboards now say Obey or Sleep. Or Marry and Reproduce. Magazines no longer have articles or advertisements. They are blank white pages with said phrases upon them. Money now are white pieces of paper that say This is Your God. Boy oh boy are they right.
So watch They Live. Grab some beer and score some corn. Enjoy the cheese. Enjoy the great one-liners. But also pay attention to the lines that sum up the truth. Remember the point of the film. Then go outside. Re-enter the corporate world outside your door.
You won't need special glasses to see the truth.