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Directed by | |||
| John Carpenter | |||
Writing credits | ||
| Ray Nelson | (short story "Eight O'Clock in the Morning") | |
| John Carpenter | (screenplay) (as Frank Armitage) | |
Produced by | |||
| Andre Blay | .... | executive producer | |
| Larry J. Franco | .... | producer (as Larry Franco) | |
| Shep Gordon | .... | executive producer | |
| Sandy King | .... | associate producer | |
Original Music by | |||
| John Carpenter | |||
| Alan Howarth | |||
Cinematography by | |||
| Gary B. Kibbe | (director of photography) | ||
Film Editing by | |||
| Gib Jaffe | |||
| Frank E. Jimenez | |||
Art Direction by | |||
| William J. Durrell Jr. | |||
| Daniel A. Lomino | (as Daniel Lomino) | ||
Set Decoration by | |||
| Marvin March | |||
Makeup Department | |||
| Elle Elliott | .... | hair stylist | |
| Francisco X. Pérez | .... | makeup artist (as Frank Carrisosa) | |
Production Management | |||
| Stratton Leopold | .... | unit production manager | |
| Alan Levine | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Larry J. Franco | .... | first assistant director (as Larry Franco) | |
| Artist W. Robinson | .... | second assistant director (as Artist Robinson) | |
| B. Scott Senechal | .... | dga trainee (as Scott Senechal) | |
Art Department | |||
| Jack Eberhart | .... | lead man | |
| Dick Girod | .... | paint foreman (as Richard Girod) | |
| Sean Haworth | .... | art department assistant | |
| Richard M. Kerns | .... | assistant property (as Richard Kerns) | |
| Frank Leasure | .... | propmaker | |
| Ernie Millanponce | .... | stand-by painter | |
| Vic Petrotta Jr. | .... | property master (as Victor Petrotta Jr.) | |
| Gregori Renta | .... | swing | |
| John Sweeney | .... | assistant property | |
| Kenneth Truby | .... | labor foreman | |
| Michael Wright | .... | construction foreman | |
| Luigi Mugavero | .... | set dresser (uncredited) | |
Special Effects by | |||
| Michael Arbogast | .... | special effects assistant | |
| Roy Arbogast | .... | special effects coordinator | |
| David Blitstein | .... | special effects assistant | |
| Jim Danforth | .... | special photographic effects | |
| William Lee | .... | special effects assistant | |
Camera and Electrical Department | |||
| Kevin Arnold | .... | electrician | |
| Sidney Ray Baldwin | .... | still photographer (as Sidney Baldwin) | |
| Sanford Barr | .... | electrician | |
| Bruce Birmelin | .... | still photographer | |
| Clyde E. Bryan | .... | first assistant camera: second camera | |
| Ron Cardarelli | .... | key grip (as Ronald Cardarelli) | |
| Larry D. Davis | .... | second assistant camera (as Larry Davis) | |
| Robert DePerna | .... | electrician | |
| Anthony Di Mase | .... | grip (as Anthony DiMase) | |
| Jud Kehl | .... | camera operator | |
| John T. Kennedy | .... | best boy electrician (as John Kennedy) | |
| Jeffrey Norvet | .... | first assistant camera | |
| John Palka | .... | best boy grip | |
| Robin Roberts | .... | grip | |
| Richard Smock | .... | electrician | |
| Ken Spencer | .... | gaffer (as Kenneth Spencer) | |
| Raymond Stella | .... | camera operator: second camera (as Raymond N. Stella) | |
| Raymond Stella | .... | panaglide operator (as Raymond N. Stella) | |
| Dave Wachtman | .... | dolly grip (as David Wachtman) | |
| Sid Lucero | .... | grip (uncredited) | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
Costume and Wardrobe Department | |||
| Robert Lewis Bush | .... | costumer (as Robert Bush) | |
| Robin Michel Bush | .... | costume supervisor (as Robin Bush) | |
| John Melvin Young | .... | costumer (as John Young) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Phil Downey | .... | color timer | |
| Margaret Goodspeed | .... | assistant film editor | |
| Frederick Wardell | .... | assistant film editor (as Fred M. Wardell) | |
| Richard Alderete | .... | assistant editor (uncredited) | |
Transportation Department | |||
| George Bess | .... | driver | |
| Fred Brookfield | .... | driver | |
| James R. Brown | .... | driver (as Jim Brown) | |
| Russ Buckens | .... | driver | |
| Bob Cromwell | .... | driver | |
| James Langhorne | .... | driver (as Jim Langhorne) | |
| Stephen A. Latina | .... | driver (as Steve Latina) | |
| Leo Loa | .... | driver | |
| John Marendi | .... | driver | |
| Dennis McLaughlin | .... | driver (as Denny McLaughlin) | |
| Frank Mielcarek | .... | driver | |
| Thomas M. Reposar | .... | driver (as Mike Reposar) | |
| Tim Roslan | .... | transportation captain | |
| Kenny Searle | .... | transportation coordinator | |
Other crew | |||
| Rick Chavez | .... | craft service (as Richard Chavez) | |
| Karin Costa | .... | assistant: Mr. Carpenter | |
| Maurice Costello | .... | first aid | |
| James Deeth | .... | helicopter pilot | |
| Mathew Dunne | .... | production associate | |
| Billie Don Evans | .... | helicopter pilot | |
| Joy Ewing | .... | production accountant | |
| T.Z. Garrison | .... | stand-in | |
| E. Barry Haldeman | .... | production legal counsel (as E. Barry Haldeman Esq.) | |
| Sandra Holden | .... | assistant: Mr. Franco | |
| Sandy King | .... | script supervisor | |
| Ken Lavet | .... | location manager | |
| Gregory Parrish | .... | stand-in | |
| Marian Shambo | .... | production coordinator | |
| Jill L. Smith | .... | production legal counsel (as Jill L. Smith Esq.) | |
| Mark A. Stankevich | .... | production legal counsel (as Mark A. Stankevich Esq.) | |
| Larry Sulkis | .... | producer: commercials | |
| Angel Trujillo | .... | caterer | |
| Michael Forino | .... | production assistant (uncredited) | |
| Lynnanne Zager | .... | voices (uncredited) | |
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| Battle Royale | The Matrix | Total Recall | Terminal City Ricochet | The Running Man |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
This movie is not so much about aliens who are hiding among us, but instead it taps into the deeply submerged suspicion held by most of us that we are being manipulated and taken advantage of by the elite of American society, by our leaders, by the rich, etc. Also, we sometimes feel that we are manipulated and programmed (in a subtle way) to respect hierarchical authority ( e.g., the "OBEY" subliminal command from the movie).
Some leftist thinkers might say that human societies are in a way being parasitized by the elite of their societies, and that the elite operate as a parasitic sub-society, living off of the lower classes. America might be said to be operated more in such a fashion (i.e., parasitized by the elite) than are the countries of western Europe. Obvious examples of this parasitic behavior are the "golden handshakes" and backscratching exchanged between corporate CEO's and the Boards of Directors of their companies. But it is far more pervasive than just that.
_They_Live_ uses the invisible alien elite as a proxy for our suspicions about how we are all being exploited by the elite of our real-life society, and how these elite are subtly programming us to accept this exploitation.
So, the major theme of the movie is not, as another poster correctly pointed out, about being manipulated to be good little consumers in a crassly commercial world. No, it is far more profound than that. Instead, it is more about how the working class Americans in _They Live_ are being exploited by the elite upper crust, who, in the movie, happen to be aliens, but who, in the real world, are a subsociety that use their collective power to exploit the rest of us.
Unfortunately, this movie sometimes has an unintentionally comic air to it. Still, the exploration of that theme is so rare in pop culture, and that theme is so profound, and reaches so far into what American society is, was, and is becoming, that this movie is a Must-See for anyone with an interest in politics and sociology.