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They Live (1988)

A drifter discovers a pair of sunglasses that allow him to wake up to the fact that aliens have taken over the Earth.

Director:

Writers:

(short story "Eight O'Clock in the Morning"), (screenplay) (as Frank Armitage)
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3 nominations. See more awards »
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Cast

Cast overview, first billed only:
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...
...
...
...
...
...
John Lawrence ...
Susan Barnes ...
Brown Haired Woman
...
Black Revolutionary
Wendy Brainard ...
Lucille Meredith ...
Susan Blanchard ...
Ingenue
...
Foreman
Dana Bratton ...
Black Junkie
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Storyline

Nada, a down-on-his-luck construction worker, discovers a pair of special sunglasses. Wearing them, he is able to see the world as it really is: people being bombarded by media and government with messages like "Stay Asleep", "No Imagination", "Submit to Authority". Even scarier is that he is able to see that some usually normal-looking people are in fact ugly aliens in charge of the massive campaign to keep humans subdued. Written by Melissa Portell <mportell@s-cwis.unomaha.edu>

Plot Summary | Plot Synopsis

Taglines:

"I have come here to chew bubblegum and kick ass...and I'm all out of bubblegum." See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

4 November 1988 (USA)  »

Also Known As:

John Carpenter's They Live  »

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Box Office

Budget:

$4,000,000 (estimated)

Opening Weekend USA:

$4,827,000, 6 November 1988, Wide Release

Gross USA:

$13,008,928
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

(4 channels)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The communicators used by the guards near the end is also the PKE meter used in Ghostbusters (1984). See more »

Goofs

When Nada is first hit and pushed through Holly's window, the TV is turned in slightly and blocks a part of the window, but in the next shot from inside of the home, the TV is now square with the wall and is out of the way of the window. See more »

Quotes

Nada: [to Frank] You ain't the first son of a bitch to wake up out of their dream.
See more »

Connections

Featured in Atop the Fourth Wall: Comic Book Quickies #6 (2016) See more »

Soundtracks

I Love to Praise Him
(uncredited)
See more »

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User Reviews

 
elite, parasitic subsociety exploits American working class--reflects real American society?
25 June 2004 | by See all my reviews

This movie is not so much about aliens who are hiding among us, but instead it taps into the deeply submerged suspicion held by most of us that we are being manipulated and taken advantage of by the elite of American society, by our leaders, by the rich, etc. Also, we sometimes feel that we are manipulated and programmed (in a subtle way) to respect hierarchical authority ( e.g., the "OBEY" subliminal command from the movie).

Some leftist thinkers might say that human societies are in a way being parasitized by the elite of their societies, and that the elite operate as a parasitic sub-society, living off of the lower classes. America might be said to be operated more in such a fashion (i.e., parasitized by the elite) than are the countries of western Europe. Obvious examples of this parasitic behavior are the "golden handshakes" and backscratching exchanged between corporate CEO's and the Boards of Directors of their companies. But it is far more pervasive than just that.

_They_Live_ uses the invisible alien elite as a proxy for our suspicions about how we are all being exploited by the elite of our real-life society, and how these elite are subtly programming us to accept this exploitation.

So, the major theme of the movie is not, as another poster correctly pointed out, about being manipulated to be good little consumers in a crassly commercial world. No, it is far more profound than that. Instead, it is more about how the working class Americans in _They Live_ are being exploited by the elite upper crust, who, in the movie, happen to be aliens, but who, in the real world, are a subsociety that use their collective power to exploit the rest of us.

Unfortunately, this movie sometimes has an unintentionally comic air to it. Still, the exploration of that theme is so rare in pop culture, and that theme is so profound, and reaches so far into what American society is, was, and is becoming, that this movie is a Must-See for anyone with an interest in politics and sociology.


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