When unemployed dockworker Joey Coyle finds $1.2 million that fell off of an armored car, he decides to do the logical thing: take the money and run. After all, he says, finders keepers. He... See full summary »
In this scathing and subversive social comedy, life in post riot Los Angeles is dissected under the sardonic eye of John Boyz, an unemployed thirty nothing flounderer on Venice Beach who is... See full summary »
Fantastic improbabilities, happenstance and the undying bridge of love are part of this romantic fantasy about an Inuit who crosses years, oceans and the ravages of WWII to find his ... See full summary »
Jason Scott Lee,
Starting with the music video "Elvis is Everywhere" by Mojo Nixon, the film then goes into a series of spoofs of tabloid Elvis stories: "Elvis is John Lennon", "Hairdresser Possessed by Elvis" and others.
After being fired from their jobs as security guards, Josh and Ivan form Video Aces, a video production company. Using Josh's talent and Ivan's business savvy, they attempt to hit it big in the business while doing projects they want to do. Among those whose paths cross with theirs are Norman Mart, an extremely right-wing presidential candidate; Samantha Gregory, a scheming music reporter; and Mo Fuzz, a producer willing to give them a chance or three if they'll work on spec. Written by
James Meek <firstname.lastname@example.org>
Roses are red. Violets are blue. The Russians have satellite laser weapons. Why can't we, too?
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Roscoe sings: "Yo, friends, check this out! Hold on a minute, Don't leave yet, Roscoe's end credits Are your best bet! ... Now that I've come to The end of my tune, Drop another six bucks And come back soon." See more »
Tapeheads- A bizarre unique and twisted comedy- Who could ask for more
Tapeheads is not a subtle film. It is not brilliant film. What it is is one of the most unique and funny American comedies in a long time. What allows this movie to rise above the stupidity in which it revels in is two-fold. Its quirky sense of humor is so unique and refreshing, that you're not only willing but looking forward to the plot which can politely described as asinine. Secondly, it has the Swankey Modes, who are actually soul legends Sam Moore and Junior Walker. They bring a delightful energy and great music to the movie.
It would be pointless to bring up specific scenes, except to say that this movie has approximately ten or fifteen of the funniest vignettes of the year. There are also plenty of misses, but the joy in seeing them make the effort allows you to forgive all the misses.
John Cusack and Tim Robbins, both exceptional actors capable of great subtlety, exhibit none of it here. What they replace it with is a great comic energy and a willingness to do almost anything for a joke. Cusack is especially endearing as a total sleazeball who will do anything for a buck. Michael Nesmith (yes, That one!) produces this farce and demonstrates what we already knew- He was really the talented one, and the funniest one.
I imagine that there will be people who hate this movie. People who hate its lack of subtlety, who hate the implausible plot, and who just don't get a humor that most can most aptly described as off kilter. What they don't understand is that the humor in this movie is a complete original, and the lengths this movie takes to see it through are admirable and at times breathtaking. And it is for those reasons that Tapeheads is one of the great American comedies of the 1980's, and one of the most underrated movies ever made.
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